Posts Tagged ‘virginia’
…when I met Nicko McBrain. He had come to town to do a drum clinic for Sonor Drums and Paiste Cymbals. As a zit -faced, poofy-haired kid who loved Iron Maiden more than just about anything, this clinic was like a taste of Heaven. There were only about 30 people there as Whitesnake were in town touring for the ’87 LP. I was one of 2 people who actually got to get up on stage and play his drums with him standing right there. It was awesome. During one of his rambles, he mentioned the size of the crowd being small due to Whitesnake being in town. Under my breath from the front row I said “Fuck Tommy Aldridge.” Nicko stopped his speech and said, “Steve, give that man a beer!” So his tech handed me an ice cold Heineken which I had Nicko autograph after the show. I still have that bottle, unopened and it’s all chunky inside. I didn’t drink at the time so there was no reason to open it.
Here it is:
I’m really excited to hear the new album from these guys. Their last one, We Are The Nightmare, is my #1 pick for 2008. I still listen to it regularly. I love Arsis. I have from the first time I laid ears on them.
They’ve uploaded a track from the upcoming album Starve For The Devil called Beyond Forlorn. Pretty good song. I’m really stoked that Mike Van Dyne is back in the band. He’s a great drummer. He’s got a different style than Darren Cesca, but I think he fits well with Jim Malone. Those dudes have done a lot together.
I can already predict what my #1 of 2010 is going to be, especially since I hate most all newer metal bands.
Tracklist for the latest album:
- “Forced to Rock”
- “A March for the Sick”
- “From Soulless to Shattered (Art in Dying)”
- “Beyond Forlorn” – 4:01
- “The Ten of Swords”
- “Closer to Cold”
- “Sick Perfection”
- “Half Past Corpse O’Clock”
- “Escape Artist”
- “Sable Rising”
Limited edition additional bonus tracks
- “A Pound of Flesh (For the Hell of It)”
- “The Lake” (King Diamond cover)
C’mon…Hafd Past Corpse O’Clock is one of the greatest song titles ever!
I remember back in the early 90s going to see these guys at Kings Head Inn (RIP) on Hampton Blvd in Norfolk, VA. A buddy of mine said, “Dude you have to see this band. They are insane. Their drummer is phenomenal and he’s only got one leg!” So I went. I was completely floored by everything that this band was doing. They were tight. They were erratic. They were brilliant. They were ugly. Dudes that looked like street urchin gutter punks with beards and dreads. Never got close enough to see if they smelled badly. Didn’t matter. They were a machine. A force to be reckoned with. I went to see them whenever I knew that they had a show. With that original era of the band I think I saw them 4 or 5 times within a year or 2. Every time I was blown away. Never really tried to speak to the guys as they all pretty much looked like they didn’t wan to be spoken to.
Buzzard was on Hellhound Records which was primarily a doom metal label…but Buzzard was anything but a doom band. They mixed metal with jazz, punk, Miles Davis, Zappa, Yes, Mahavishnu Orchestra, Return to Forever…
Their live show was pretty mind-numbing. Odd times signatures, stops and starts, no real cues given to each other. They all knew what they had to do and when. At that time they consisted of Patrick Walsh (Guitars), AJ Long (Vocals), John Finney (Horns), Andy Brown (Bass) and Joey Rudacil (Drums). Just insane I tell you.
Several years later I am hanging out with some friends and see Patrick Walsh from Buzzard come in the bar I was in. I was there with his sister and didn’t realize that they were related. Buzzard was reformed at this point as a 3-piece with Kevin Anderson on bass and Mark Henry on Drums. Patrick and I quickly connected and started hanging out a lot. Ultimately he became one of my best friends. Brilliant guy. Phenomenal guitarist. Helluva a nice guy. We jammed together briefly with Joey Rudacil and Todd Owens. It only lasted about 3 or 4 practices but it was fun. I ended up in another band with Joey a few months later and had a blast but we could never secure a singer.
Anyway, I was working the door at the Taphouse in Norfolk and Buzzard was scheduled to play their first show in 7 years. I was fortunate enough to get to sit in on several of their practices and was blown away even more by how much their sound had progressed. It went from the Mahavishnu-esque psychojazz to a math metal thing like Watchtower on meth. people came from up and down the east coast for this show and the place was over capacity with a line of people out the door and wrapped around the building trying to get in. It was an incredible show. They have done some subsequent shows but I think the last one may have been in 2007. It’s time for more!
I keep praying that they put out a new record with the newer songs on it. They recorded a 2nd album several years ago that never really saw the light of day. You can listen to some of it on their website.
Churp!!! is one of the toughest releases of Hellhound’s to find nowadays. I fortunately have 2 copies that I cherish. The album is an incredible piece of music…of art…an experience. AJ’s vocals are simply incredible. If you download this, please listen to the album as a whole. Don’t skip any of the 16 tracks. You’d be doing yourself a great disservice.
|2.||Shadows Without Substance||03:03|
|3.||The Fellowship (varieties)||04:45|
|4.||The Given/Grinding Wheel (including, but not limited to the following)||08:38|
|5.||Ear To The Ground||03:44|
|8.||Fluorescent Orange Bag O’Goodness||02:09|
|9.||Thirteen o’clock (frumpy smokes a fattie)||05:21|
|10.||Escape From The Island Of Misfit Toys||06:01|
|11.||The Secret Doctrine According To Simon||03:36|
|13.||The Return Of Frumpy And The Scrubby Jazz Hippies||01:55|
|14.||Musica d’Apocryphonica (no. I adagio)||00:48|
|15.||Savage Paisley Vortex (part I)||00:59|
|16.||Savage Paisley Vortex (pert II) The Ritual Dance And Initiation Of Chicky Boy||07:01|
Check out the vids from back in the day…
To be truthful, I’m still only a relatively new fan of Motorhead. I never really checked them out in the 80s and never owned anything by them until the 1916 album, which I love. I first saw them live in 1993 and really only went to see Mikkey Dee and got to hang out with him quite a bit that day. It was seemingly a down time for them as the Peppermint Beach Club in Virginia Beach, VA may have been half full. I’m glad to see that their popularity has gone back up in the last decade or so.
It really wasn’t until the last 10 years that I started digging deep into their repertoire and became a fan, especially of the Fast Eddie/Philthy era. One of the first ones that I bought was the debut album, Motorhead.
I can see why a lot of the punk crowd digs this album because it really is a punk record IMHO. I love it and it’s easily in my top 5 Motorhead albums.
Train Kept A-Rollin’ notwithstanding, this album is almost perfect. I never cared for that song after hearing the Aerosmith version my whole life. Blech! But the title track, Lost Johnny, Vibrator, Keep Us On The Road, IRON HORSE/BORN TO LOSE!!! C’mon! Those songs are great!
Oddly enough, though, I don’t think this album gets enough credit. Granted the production isn’t the greatest and it’s not really a heavy album, it shows their roots quite a bit. When people ask me what I recommend to start them off on a band, generally I tell them to start at the beginning and work their way up and this is especially true with Motorhead. The transition from this album to Overkill is perfect. Getting the On Parole version is worthwhile as well.
Let’s just be straight here, I love this album. I have since it was released. 1983. I was 13. It was a tough year for me…I guess 83-85 were a little difficult. Not necessarily because of going through the typical teenage bullshit, but there were other things going on that really made those some tough years. But hey, I got through it. I spent a lot of days and nights listening to this album. I used to have this little one speaker GE boombox that I would put under my pillow at night to keep listening to music as I went to sleep and so my parents wouldn’t hear it. Not that they had a problem with QR, they just had a problem with my obsession with music. haha It was a thin cassette player so I only needed to remove my bottom pillow to make it fit and not kink my neck. Usually sometime in the middle of the night the player ended up on the floor and the second pillow was back in its proper place.
I picked this up right after hearing Metal Health on the radio. “huhuhuhuhuh, the song says bang your head.” It was catchy. I never cared for Cum On Feel The Noize. It was goofy…still is. I was never a Slade fan, but I don’t dislike them, just never really got exposed to them beyond the 2 songs that QR did, which are goofy. Beyond the goofiness of COFTN, this album is pretty great. Especially songs like Breathless, Run for Cover, Don’t Wanna Let You Go…the whole damned thing. When I pop in the CD I never skip any tracks, not even COFTN, it’s just part of the flow of the record.
In 1999 I got to see them with this lineup. They did an autograph signing earlier in the day at Mars Music and of course I went. They were all in good spirits except for Frankie Banali who seemed to have his ass on his shoulders a bit that day. I brought a few things to get signed like some odd QR EPs, a few CD covers and a few WASP CD covers. Apparently Frankie didn’t have one of the WASP CDs that I brought and asked if he could have mine. I told him no and he got a little peeved about it. “Well I’m not signing anything else.” “Fine, dude, no biggie,” and I finished out my time with the rest of the band who were gracious. Cavazo gave a head nod towards Frankie and just shook his head at him in disapproval. They had about 200 people show up to meet them which I thought was a decent showing for a concert that was getting no promotion and was at a shitty venue.
I came home after the signing to chill out for a while before the show and realized that I had 2 of the WASP CD/EPs so I brought it to the show. We got to the Riverview Theater and I swear it looked closed. This place was trying to get revitalized and they were bringing some decent bands there but it never seemed to take off for them. For this show only about about 40 people showed up…FORTY PEOPLE. I felt really bad for them. They came out and played like there were 20,000 people there. Kevin never once commented on the size of the crowd. They were awesome. After watching Cavazo play I gained a lot more respect for him as a guitarist. That guy is really friggin’ good.
After the show the band came back out to hang out with everybody. I was talking with Rudy Sarzo about his days with Whitesnake and such Frankie came up to me and said, “Hey, come here a second.” “Sorry I was such a dick earlier. I was having a bad day.” I told him it was no big deal and pulled out the spare copy of the WASP EP that I had and handed it to him. He was shocked and gave me a big sweaty hug. haha. “Until today I didn’t even know that this EP existed.” I ended up talking with him quite a bit for the time they hung out. I told him that his first 2 albums with QR were big influences on me when I was learning how to play drums. All of them were nice and Kevin seeked out every person in the room and thanked them personally for coming out. That wasn’t the asshole Kevin Dubrow that I had read about in the ‘zines, this guy was actually nice.
It was a fun day and night and I finally got to meet a band that I had loved for 16 years. The news of Kevin’s death in 2007 really brought me down. I had read just prior to that that he had gotten himself clean and sober. It was too bad that those demons continued to haunt him and that he wasn’t able to continue down that path to recovery.
Written by The Metal Files
August 16, 2009 at 8:55 am