The Metal Files

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Crows – The Dying Race

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Here’s another band that I’m sure most people haven’t heard of.  They only did this one album and it was one of the first Century Media Records releases in 1991.  I happened upon this when I was in Los Angeles in 1997.  I had my own small time online CD and t-shirt business (Acacia Music) which was mainly supplied by Century Media and Metal Blade Records.  I went out there on a buying trip to meet and talk to my sales reps.  It was pretty cool that both companies offered me a position out there and I was certainly considering taking one of them and moving out there from Virginia.  Unfortunately family issues arose and I needed to stay put for a while.  But that’s neither here nor there.

While perusing the Century Media warehouse and filling up a shopping cart full of CDs, I saw Crows’ The Dying Race sitting on a shelf all by itself.  I had never heard of them and confirmed with my rep that it was for sale and not just something someone left there.  When he was tallying up my stash, the Crows CD didn’t show up in his inventory so he just gave it to me.  I didn’t get a chance to hear until after I got back from California, but man am I glad I picked it up.  This is some good stuff.  Their main lyrical theme seems to heavly lean on American Indian culture and the poor treatment of them.

Members of this band were also in Scanner, Angel Dust, Mekong Delta and Sodom.  Musically it’s sort of a NWOBHM style with great vocal melodies.  This has been long out of print and I wanted to share it.  Enjoy!

Download it here.

Here’s on of their slower tunes:

 

Written by The Metal Files

January 17, 2011 at 5:22 pm

Satan – Court In The Act

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I’m not quite sure how I ended up hearing this album.  It was either through Kelz or Daniel.  It doesn’t matter, I owe one of them a great debt of gratitude for this one.  Satan were a NWOBHM outfit featuring Brian Ross on vocals (for this LP) who also spent time with Blitzkrieg.  Steve Ramsey ended up in Blind Fury, Pariah (UK) and Skyclad.

I don’t know what more to say about this album other than it absolutely rules and is definitely one of the best albums from that genre.  It’s one that I have been listening to since about 1986 and still can never grow tired of it.  Ross’ smooth vocal delivery and all of the backing music work perfectly together.  I’ve recommended this album to many people and those who have heard it always seem to fall in love with it.  If you’re into the the NWOBHM sound and like stuff like Blitzkrieg, Persian Risk and Tokyo Blade, you need to hear this album.  You shall not be disappointed, trust me.  Would I ever steer you wrong?  No.  Never.

It was a huge disappointment when I bought their follow-up albums Suspended Sentence and Into the Future.  The replacement singer was just awful and the music took a turn for the worse as well.

Enjoy!

Download here.

Written by The Metal Files

December 31, 2010 at 11:17 am

Iced Earth…a retrospective

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It was 1991 and I remember it like it was yesterday.  I was at Danile’s house hanging out for a few and I saw a cassette sitting on his bed.  Iced Earth (self-titled debut)?  Who?  Century Media Records?  What?  Well, it had a cool cover.  That was a good start.  So I popped it in.  Whoa.  Cool opening riff.  Singer was a bit odd but it worked well.  As the tape went on I just sat there kind of quiet (rare I know).  The riffs, the vocals, everything.  This was refreshing.  Remember, this was 1991.  Metal was going back to the underground and MTV was pushing new cash cows.  And hey, good for them.  But Iced Earth brought something new/old back to the game.  Galloping riffs, decent lyrics, and just well-played metal in general.  The riffs were well-crafted.

Shortly thereafter I was buying a copy for myself and hoping that a follow-up was in the works.  Much to my joy in 1992 they put out Night of the Stormrider.  New singer, better album.  This album is practically perfect from beginning to end.  Just awesome really.  It was really nice to have a newer metal band to dig on.  They were getting few and far between in the 1990s, ya know?  I absolutely adore this album and still listen to it regularly.  You should too!  Seriously, this is such an awesome album.

Icead Earth – 1991

Night of the Stormrider – 1992

Three years later they released Burnt Offerings.  Another singer change.  Some dude named Matt Barlow who ended up being their most popular singer and a favorite by most of their fans (not by me, mind you).  This album is very good, though.  A little darker than Stormrider, but the patented Jon Schaffer riffs are all there.  Barlow’s vocal performance is strong but he has always reminded me of Hetfield and Paul Stanley wrapped up into one, but with a better range.  Last December is the standout track for me for sure.  This album is definitely worth owning if you liked the first 2.

Flashing back to 1991 again, I went up to JMU to see Kelz for a weekend.  From my beer soaked memory of that weekend, I remember him letting me read a newer comic called Spawn.  I read the first few issues and thought it was a cool story.  When I had read that Iced Earth was doing a concept record based around the Spawn story, I was intrigued.  I’m not a big comic book fan but this one kept me interested for a few years.  As it was, Iced Earth released The Dark Saga in 1996 with an album cover by Spawn’s creator, Todd McFarland.  While this album is more straightforward than the previous 3, it was well done.  They fleshed the story out pretty well in my opinion and I still listen to this album quite often.

Burnt Offerings – 1995

The Dark Saga – 1996

It was right around mid-1997 time that I had started my own little online CD business and was starting to get promos from labels like Metal Blade and Century Media.  I remember them sending me Iced Earth’s Days of Purgatory.  Essentially it was rerecorded versions of some demos and songs from their first 2 albums with Barlow handling the vocals.  In the words of Homer Simpson…”BORING!”  Seriously, what a letdown.  But it gets worse for me.

In 1998 they released Something Wicked This Way Comes.  Iced Earth was at their height of popularity in the US and were HUGE overseas.  This album was them jumping the shark for me.  It got whimpy.  Too many ballads, the riffs were lacking, and Barlow’s voice was really grating my nerves now.  Do you really need that much emotion?  I was done.  Jon Schaffer, their mainman, was integrating too much comic book imagery and such and in my opinion their music started to suffer.  Sure, it’s his band and he can do what he wants, but I always felt that he was selling out to a degree.

On this tour I was given the privilege to interview Schaffer and Barlow before the show.  I don’t think Schaffer was too happy with the interview.  I pulled no punches, I never do.  Iced Earth is legendary for their numerous lineup changes and I questioned him about it.  He gave the right response in saying that it’s his band and if someone isn’t toeing the line like he wants, they’re gone.  Right on, I respect that.  But he didn’t like the question.  hen when I asked him about Keith Menser (Mystic Force) being pictured on the album but not actually playing on it, he got a little pissed and talked shit about Keith, but in a politically correct sort of way.  Overall Jon was cool and he had some issues with the venue that I think had him worked up.  They almost didn’t play at all because of the hip-hop that was playing on the jukebox when they were setting up for soundcheck.  Barlow didn’t speak much, but he was super cool and very amicable.  The show they put on was great and Barlow even mentioned my little cable access TV show between songs.  Very cool!  I never aired the interview.  I should post it one day.

So in 2001, Iced Earth released Horror Show which had songs related to characters in horror films.  Without saying anything else, I’ll just say this.  “zzzzzzzzzz”.  That was it.  No more for me.  I heard clips of subsequent albums that featured Ripper Owens (one of the most boring singers ever!) and the return of Barlow but I just couldn’t get into them.  That early stuff just couldn’t be touched.  It still can’t.

With the above being said, I do have a ton of respect for Jon Schaffer.  While I may not like the changes he made in the band’s musical style, I love how he marketed his band.  He obviously read the marketing handbooks written by KISS and Iron Maiden.  Put out shirts, EPs, anything.  Make the cash!  I totally respect that.  Make people know who you are!  They have done a great job with that, even if it did come mid-way through their career.

If you’ve never heard them and want to start somewhere, this is the order that I’d recommend them to anyone:

  1. Night of the Stormrider
  2. Iced Earth
  3. The Dark Saga
  4. Burnt Offerings
  5. Everything else

Through much of the 90s, I used to work November-January at a mall record store for some extra cash and just out of boredom.  When people would come in asking for metal recommendations, I’d quiz them a bit about the style of metal they were into and if they were of the Maiden/Priest/Accept/etc type metalhead, I always offered up Stormrider as my recommendation to them.  I even offered a guarantee that if they didn’t like the album to bring it back and I would buy it off of them.  I guess I probably sold about 10 or so of them and no one ever brought one back.  A few people even came back and thanked me for it.  That was pretty cool.

Video from the show I filmed in 1998.  The rest of the show is up there as well.  Enjoy!

Written by The Metal Files

November 1, 2010 at 5:32 pm

Metal Massacre VII

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For many, Metal Massacre VII (MM VII) is considered the holy grail of the series put out by Metal Blade between 1982 and 2006.  Did anyone really care about any of these after maybe Metal Massacre XI?

This one has some awesome tunes on it.  Here’s the quick breakdown.

1.  Heretic – Impulse:  Pre-Mike Howe Heretic.  This one has Mike Torres from the mighty Abattoir!  Awesome song all the way around.  Heretic was great from beginning to end.  For as much as I liked the album with Mike Howe, I loved him in Metal Church.

2.  Sentinel Beast – Sentinel Beast:  Thrash!  I’ve tried and tried to like this band and could never really get into them.  The music is fine on this track but her vocals don’t do much for me at all.

3.  Flotsam & Jetsam – I Live, You Die:  Doomsday for the Deceiver, ’nuff said!  This is really an awesome song. and you can actually hear Newstead playing, something that didn’t happen with Metallica.  Love this song, love Doomsday.  Saw them live a few times in the late 80s and early 90s and they always ruled.

4.  Krank – Rented Heat: Wow.  This was an awesome song.  Absolutely love it.  Krank’s debut album was called Hideous.  Very fitting.  This was the only listenable song on it.  This one always reminded me of Accept to a degree.  Rented Heat seems to be about a renta-cop.  haha.  Still awesome .

Krank. Hideous!

5.  Mad Man – Backstabber:  Mid-paced metal.  Nothing really stands out for me on this at all.

6.  Detente – Widow’s Walk:  RIP Dawn Crosby.  Great thrash from a highly underrated band.  It’s pretty rare that I like female fronted metal bands, but this was one of them.  Dawn was the real deal.  Total hard luck woman who literally grew up on the streets and drank herself to death in the end.  Detente re-released Recognize No Authority a few years back.  Buy it.

7.  Commander – High N Mighty:  Another track that I love.  I think the vocals are what hooked me on this one.  The whole album is pretty good.  I’ll upload it one of these days.

8.  Juggernaut – In The Blood Of Virgins:  I love Juggernaut but not this song so much.  Features Bobby Jarzombek on drums.

9.  Cryptic Slaughter – Reich of Torture:  Blech.  Awful.  Some early forms of blast beats, sloppy as hell.

10.  Have Mercy – The Omen:  Great thrash!  Great vocals!  Great great!

11.  Titanic – The Awakening:  Not a bad song at all.  The intro is way too long and the production was pretty crappy.  But most songs sent to Metal Blade for this series were demos.  I’d like to hear more by these guys.  Some good progressive tendencies.

12.  Lost Horizon – Troubled Ways:  Great NWOBHM influenced song.  Reminds me a bit of Tokyo Blade.  Another band I’d like to hear a full album from.

Download here.

Written by The Metal Files

October 17, 2010 at 9:59 am

Pantera – Cowboys From Hell – 20 Years Later

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Twenty years has passed since Pantera’s seminal album Cowboys From Hell was released.  This album is what I like to call a game changer.  Metal got a swift kick in the ass when this came out and it influenced a new wave of metal, appropriately dubbed “nu-metal”.  It even spawned some clones…Fight anyone?

This was the beginning of the chugga-chugga era.  People from around the world started to take notice of this little band from the Dallas/Ft Worth area of Texas.  I remember hearing them several times a day on Z-Rock and even liked it when Diamond Darrell, as he was still called at the time, would come into the Z-Rock studios and let callers try and stump him on metal riffs.  I don’t think I ever heard him get stumped, even when someone called in and asked for Omen and fates Warning riffs.

This album was huge for them and launched them into being the 2nd biggest metal band of the 90s behind Metallica, and rightfully so for the times.

This album deserves every bit of praise that it ever got.  Too bad that I can’t stand this album.  I think it’s awful.  When I first heard Cemetery Gates I wanted to hurl.  That riff in the chorus with the pinch harmonics drives me nuts.  Then Cowboys From Hell?  Blech!

So please allow me to drop back and punt a little.  I had been listening to Pantera since 1986.  Projects in the Jungle was my introduction to them thanks to a former friend from high school.  I love that album, as cheesy as it may be.  I Am the Night is damned good too.  OK, Metal Magic isn’t so good, but it has some gems on it as well.  I remember buying their Power Metal album, with Phil Anselmo on vocals, and thought, “Man, these guys really kick ass!” even with the dumb lyrics.  Phil could wail.  I loved this band a lot.

I can’t iterate enough how coarse CFH was to my ears.  The band wasn’t recognizable to me any longer.  Granted they weren’t even close to being one of my favorite bands at the time but I still enjoyed spinning their albums.

I remember when they were coming to Virginia Beach to play the Peppermint Beach Club.  Some of my friends bought tickets and showed up at the venue early.  The band was hanging out and meeting with people outside the venue.  My buddies showed up with their pre-CFH record covers and Darrell and the rest of the band refused to sign them.  I’ll never forget some friends recounting Diamond Darrell saying, “Get that shit out of here.  That’s not us.  We’re not fucking signing that!”  Absolutely true story.  They were all acting like dicks.  I know a lot of people here in Texas who know/knew them and they are a bit surprised when I tell them the story.  Darrell always struck me as a nice, genuine soul from interviews and such.  Anselmo’s resume’ speaks for itself.  Pity.

One thing I’ve learned over the years is to never diss your fans.  Of course I’ve never had success like Pantera’s, but even in my little world of playing small gigs, garage bands that never even played out, making self-produced and financed records and going on the road for weekend gigs and such, no matter what, I would never talk shit to someone who took the time to come see my band play.  NEVER.  How shitty.  It really killed any future interest I could have ever had in that band after that point.

I listened to this album in its entirety again recently to see if maybe my mind could be changed after all these years.  Epic fail.  While there are a few good riffs here and there and Phil showed a few flashes of still being able to sing, the album still did nothing for me.

I know I’m in the minority on this one and I am OK with that.  A few months ago while at a show, 2 of the girls that were with us turned me on to the word Panterrible.  It’s how I have referred to them since.

RIP Diamond Darrell.  You surely didn’t deserve to go out like that.

Written by The Metal Files

September 15, 2010 at 10:43 am

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