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Archive for September 2015

Riot V & Helstar Concert Review, San Antonio, TX, September 26, 2015

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I will start out by saying that Riot V is pretty much one of the best live bands out there right now along with Satan.  Last time I saw them was last year in Chicago at the Ragnarokkr Metal Apocalypse and was completely blown away.  Prior to that I had only seen them one other time at Scout Bar in San Antonio which was Mark Reale’s last USA show before his death.

A couple of friends and I headed down to 210 Kapone’s last in the afternoon, get parked and head in.  As always at a show like this one, we ran into a lot of friends from both San Antone and Austin and elsewhere.

There were 5 local openers for this show.  FIVE.  As seems to be pretty typical in San Antone and I imagine some or all of them paid to play.  Helstar was also a later addition to the show.  That’s 6 bands before Riot if you’re keeping track here.  The schedule was set as follows and was a recipe for disaster:

DOORS 6PM
METALRISER 6:50 – 7:15
SA TERRITORIES 730 – 7:55
JESSIKILL. 8:10 – 8:40
SEANCE. 8:55- 9:25
LOS WICKED WAYS. 9:40 – 10:10
HELSTAR. 10:25 – 11:10
RIOT. 11:30 – END

The show ran late I’m told because Riot’s soundcheck started late.  We didn’t get there until right before Jessikill was going on.

Helstar came on about 30 minutes later than their scheduled time and delivered a solid set as usual that I think was cut short, or at least during Run With the Pack their sound got cut and they finished it with just their stage sound.  Rivera was spot on with his vocals and I always enjoy watching Larry play guitar.  I’m not sure who the bassist is, but he’s good.  Unfortunately, they seemed to be getting hit with poor sound as I couldn’t hear the drums that well at all through the PA.

Riot finally hits the stage a few minutes after midnight opening with the instrumental Narita and then Ride Hard Live Free from their latest album.  Up next were two songs from Thundersteel and the crowd roared for Fight or Fall and Johnny’s Back, a personal favorite.  The rest of the set was mixed up with songs from all eras of of the band but didn’t touch the last Tony Moore album which was really good.  I guess they can’t play everything.

Former guitarist, Rick Ventura, who played in the band from 1979 to 1982 sat in for a handful of songs and it was really cool to see one of the almost originals on the stage.  He rocked it alongside Mike Flyntz and Nick Lee and looked like he was having a good time.  Don Van Stavern is from SA so he’s got an automatic contingent in the house when he plays shows.  Frank Gilchriest laid down a powerhouse set of drum work as he always does.  And finally, vocalist Todd Michael Hall.  Dude looks 25, turned 46 last night and sings like a lark.  Pretty much the best singer out there right now in my opinion.  The only thing missing last night was Tammy’s backing vocals.  She’s in another band with Flyntz and sometimes provides live backing vocals.  Look up the Bloodstreets video from this year’s Keep It True festival.  They’re perfect.

All in all it was a great show and I can’t wait to see them again…again.  RIP Mark Reale.  Riot V is keeping your spirit alive.

Because of shitty lighting, I couldn’t get a decent picture of Helstar.

Written by The Metal Files

September 27, 2015 at 3:40 pm

Satan “Atom By Atom” Album Review (2015)

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cover_onlineSatan have returned again with a new offering for 2015 on Listenable Records entitled “Atom By Atom” and it’s everything you’d expect after 2013’s Life Sentence.

This album rolls hard from beginning to end and proves once again that the guitar duo of Steve Ramsey and Russ Tippins is damn near untouchable.  Brian Ross’ vocals are on point and his patented high wails are ever prominent in all the right places.  After their Richmond, VA show in 2013, my friend asked Brian how he’s maintained his voice so well since “Court In the Act”.  Brian simply replied with, “It’s my job.”  And he still does it well.

“Atom By Atom” features 10 tracks and one thing I’ve noticed is that this album seems a bit darker lyrically than their last album and even “Court In the Act”.

Let’s go track by track:

  1. Farewell Evolution – The album opens with Brian’s falsetto, and lyrically tackles the lack of critical thinking in modern society.
  2. Fallen Saviour – “Some still believed that he’d return to save them”.  I think you can figure out the rest of the sentiment here.  I love the guitar solos in this one.
  3. Ruination – This is one of my favorites on the album so far.  The combination of the riffs and rhythm section matched with Ross’ descending vocal pattern just makes for a clean song.
  4. The Devil’s Infantry – Sean Taylor and Graeme English open this one with a marching pattern.  Lyrically what you’d think based on the title.  It all works so perfectly.  The breakdown/transition mid-song is killer.
  5. Atom By Atom – The opening riff on this gives me chills.  “Out to get you, atom by atom.”  You can hear Russ’ distinctive vocals in that part and it just sounds wonderful.  The solos are both crushing as well.
  6. In Contempt – What Satan album would be complete with a song dealing with judgement?  No worries here.  You got it and shan’t be disappointed!
  7. My Own God – Brian lays it out in this one with, “I am my own God, I made myself, broke the mold, life is what I make it, I will not be told.”
  8. Ahriman – Lyrically dealing with Zoroastrianism, of which I am not too familiar.  Great song though.  Love the backing vocals in the chorus.
  9. Bound In Enmity – This is a total fist pumper.  Riffs and licks for days.
  10. The Fall of Persephone – Final track on the record.  A bit of a slow roller and took a few extra listens to warm up to completely.  English has some great bass licks that really stand out.  This one clocks in at almost 7 minutes and has several parts.  The dueling guitar solos are perfect.

I really cannot praise this album enough.  It’s everything I expected and more and I can’t wait to get a physical copy in my hands and especially can’t wait to catch them live again.  If I could give only one critical opinion about this album, it would be in the drum production, mainly the snare.  On much of the album it’s just a bit too bright but really doesn’t detract from Sean’s solid playing or from the album itself.

Long live Satan and thanks to Listenable Records for letting me review this!

10/10!

Satan are:

Brian Ross
Russ Tippins
Steve Ramsey
Graeme English
Sean Taylor

l-r: English, Taylor, Tippins, Ramsey, Ross

l-r: English, Taylor, Tippins, Ramsey, Ross

Written by The Metal Files

September 19, 2015 at 11:20 pm

Christopher Cross Concert Review, Austin, TX, September 18, 2015

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Two nights in a row of yacht rock?  And with the guy who essentially created it?  Sure!  Probably should hand over my Metalhead Gold Card for a little while, eh?  No worries, lots of metal shows coming up!

I’ve been a fan of Christopher Cross since as long as I can remember.  Good easy smooth rock.  Ride Like the Wind is still such a fantastic song.  I took the decision yesterday to see the show and got a seat in the upper balcony of the famed Paramount Theater.  I had only seen Cross when he sat in with Michael McDonald a few years ago for Ride Like the Win.

The show opened with Got To Be a Better Way from his new album.  Never Be the Same was up next and he spoke a little about TV preachers, which was an intro to another song called Reverend Blowhard from his new album, The Secret Ladder.  Is this a 1989 metal show?

He played a mix of old and new songs split between 2 sets.  Of course Sailing drew a huge response.  I was really stoked to hear Thinking of Laura and Minstrel Gigolo which featured an appearance by Eric Johnson.  He mentioned that he and Eric had been best of friends since the 70s and I think it rubbed off on him.

It was a really good show and what I was most amazed by was Cross’ guitar skills.  The guy is a bit of a shredder.   I was blown away.  I’ll really have to go back and revisit his early catalog and give a better listen.  And of course his backing band was top notch.  His drummer and piano player especially.

Peter Cetera Concert Review, San Antonio, TX, September 17, 2015

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IMG_0807useI don’t believe in “guilty pleasures”, especially when it comes to music.  You like what you like and that’s that.  Screw what others may think.  Since the 70s and partially because of my mom, I’ve always loved Chicago and still go see them live when I can.  They still sound great but I’ve never seen them with Peter Cetera nor have I seen Cetera on his own.  Fortunately that changed last night.

In as much as I like Chicago, I really like Peter’s early solo work, especially 1988’s One More Story album.  So as is generally the case, I bought two tickets for the show.  My lovely friend, Margarita, was available to attend and is also a Chicago/Cetera fan, so it made for an enjoyable evening.  In my best Troy McClure voice, “You might remember her from such reviews as ‘Lionel Richie in Austin’ and ‘Journey in San Antonio.'”  haha

I bought tickets a little late so I didn’t quite get where I wanted, but still got good seats on the front row in the balcony.  By yesterday, the show was only 3/4 sold out based on the Ticketmaster map.  No matter.

His band comes out first after the lights go down they go right into Restless Heart.  His voice sounded a lot clearer than I expected.  Some recent footage I had seen sounded a bit rough.  He followed up with One Good Woman, a personal favorite, and Glory of Love which drew a loud applause at the beginning and end.  He then asked everyone down front to put their phones away.  “Use them during the encore all you want, but for now just enjoy watching the show.”  Cheers, Pete!

He mixed the rest of the set up with a mix of Chicago and solo hits, doing a few duets with his back up singer and a few with his guitarist.  He left during 2 covers songs, You’re No Good and Come Together, letting the band take care of businees while he took a break.  He closed the main set with Hard Habit to Break, Dialogue I & II and Hard To Say I’m Sorry/Get Away, another personal favorite.  I was so happy that they did the Get Away part at the end of the song.  It just brings the whole thing together.  Rarely is that part ever played on the radio edit of Hard To Say I’m Sorry.  The band exited the stage and people started trailing out quickly.  He had stated that there would be an encore, but whatever.

Before the encore started, he finally strapped on a bass and they went into I’m a Man by the Spencer David Group and has been a Chicago set staple for years.  It transitioned into Feelin Stronger Everyday and closed with 25 or 6 to 4.  I sort of wish that his touring bassist would not have been playing along, but you could discern Peter’s tone between the two.  He’s such a good bassist and I would liked to have seen him play more last night.  It was pretty clear that they were tuned down to help him reach some higher notes, maybe as much as a full step, but he still sounded great.  It was an energetic show and he was entertaining between songs.  The only song I wish he would have played from his solo works is the slow roller You Never Listen To Me.  So glad I got to get him off of my list of bands to see.

Motorhead, Saxon & Crobot Concert Review, Austin, TX, September 1, 2015

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“Heart of a lion fight to the end
Run like the wind
Champions of champions, best in the land, you always win

Don’t fade away, don’t fade away
Run with your dream right to the end
Your spirit flies on eagle’s wings
Never coming down”
Fallen Heroes by A.S.A.P. (Adrian Smith)

Since last night this verse has been running in my head.

We all know the story by now that Motorhead stopped during their 3rd song, Metropolis, and that was it.

I’ve seen them 7 times in the last 12 years and each has been just a little more depressing than the previous.   I noticed in 2003 that his hand was shaking when not holding a jack and coke or playing his guitar.  It was more than just the shakes.  It looked like Parkinson’s disease to me, not that I can diagnose anything on anyone.  Lemmy’s health in recent years has been spoken of often…pacemaker, diabetes, altitude sickness, etc.  He has looked awful and in the last 5 years has gotten so skinny and more frail than ever.

There was tension in the air before the came on stage.  Anticipation of what was coming next based on recent events with the band in Salt Lake and Denver.

The band hits the stage and Lemmy gingerly walks on stage playing a few notes…”Alright?”  The crowd is excited…”We are Motorhead…”  Roars from the crowd.  “…and we play rock and roll!”  He sounded so weak…and old.  He’s 69 and looks every bit of it and more.

And then they went in to Damage Case.  It was slow.  So slow.  Lem’s voice was quiet.  He was barely playing the chords.  Stiff.  He looked like he was in pain.  They played Stay Clean next.  Phil and Mikkey more animated than normal, likely trying to draw attention from the elephant in the room.  Both songs were about 20% slower than recorded.

Then Lemmy is announcing Metropolis.  He mentions that he’s been sick.  Before the second verse started, Lemmy stops playing and says, “I can’t do it” and the band quickly exits the stage.

There were cheers for the band but there was also a hush over the crowd.  Chants of “Lemmy” and “We love you” were started.  A few minutes later, Lemmy comes out and says, “You are one of the best gigs in America, and I would love to play for you, but I can’t… So please accept my apologies. Next time, all right?”  Class act all the way.

Until next time is right, Lem.  Hopefully Saturday in Houston.

By the way, Crobot and Saxon also played.

Written by The Metal Files

September 2, 2015 at 8:36 pm