The Metal Files

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Posts Tagged ‘majestic theatre

Whitesnake & Whitford-St. Holmes Concert Review, San Antonio, TX, June 6, 2016

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Last night was quite a night.  I had just seen Whitesnake a year ago in Austin and I’ve never seen Whitford-St. Holmes, only Whitford with Aerosmith several times.  Whitesnake is doing a greatest hits tour and I do like them enough to continue seeing them when it’s convenient.  When Whitford-St. Holmes was announced as the opener, it made my decision to go even easier.  Especially since they added an affordable meet and greet option.

I arrived in San Antonio around 5ish, parked and found a bar to grab a drink and a bite to eat prior to the meet and greet.  The tour manager called me told me when/where to meet, which was at the backstage door at 6:30PM.  I got to that spot around 6:15 and there were about 7-8 people hanging out that I thought were all part of the meet and greet.  Come to find out, none of them were.  They were all there to try and meet Coverdale and they all knew each other.  Autograph seekers.  I asked if they were going to the show and got a resounding “hell no” from all of them.  Apparently they all just hang out before shows to see who they can meet.  One of the guys, easily 60 years old, got a call and said, “He’s about to pull up in a black SUV.”  I asked if they had a spy network and was told “yes.”

As Coverdale got out of the SUV, the security guy tried to usher him in the backstage door and he said, “Give me a minute, let me take care of these people.”  As he walked up, he said, “Just one item each, make it your best one and I’ve got to go.”  I was last and asked him to sign The Book.  “This is different,” he said.  I asked for a picture, he obliged.  I hit a wrong button and he saw the screen go black and thanks everyone and walked away.  No photo.  I was a bit bummed to not get that photo but super stoked to get him in The Book.  Immediately after that, the autograph seekers all left.  One dude walked up after and he was the only other person there for the meet and greet.  I was a bit surprised that there weren’t more.

A few moments later the tour manager escorted us through the door and into the basement to the dressing rooms area.  He stated that Brad was finishing dinner and to just hang out in the hallway until it was time.  No problem.  All of a sudden, there’s Coverdale walking by us and the guy next to me asked for a picture.  He obliged and I mentioned that the one I tried outside failed.  “Well let’s make that right, then.”  The dude took a few pics of us and I said, “Thanks, Dave.  It’s quite an honor to meet you.”  He replied very politely with, “Please call me David, alright?  It’s much better than Dave.  I don’t like that name.”  I apologized, thanked him again and called him Mr. Coverdale.  He smiled, shook my hand and said, “Enjoy the show, gents” and walked away.  Down the hall I heard one of his roadies call him “DC” and he said, “Why can’t you bloody just call me David?!”  haha.

Right after that we were escorted to the Whitford-St. Holmes dressing room.  Since there were only two of us, it made things nice and casual.  I spoke with Derek for about 10 minutes as we discussed his time in Blood of the Sun and I asked him about the time he spent in The Michael Schenker Group in 1983.  You can see some vids of him on rhythm guitar and backing vocals from that ’83 tour.  He told me some great stories and asked what I had to sign so I showed him The Book.  He was really into that thing and read the entire sections for Nugent and MSG.  I got the impression that he and The Nuge weren’t friends nowadays based on some comments he made.  I had him sign my Blood of the Sun CD and the two tickets I had, the other being for my friend, Rodney.  Derek was a super guy.

Then we switched and I got to talk to Brad for about 10 minutes.  Let me tell you, it was almost difficult to say anything as I was just humbled to even be next to that guy.  Aerosmith runs deep in my rock and roll history thanks to my brother, Robert.  I was a bit miffed that I couldn’t find my Draw the Line CD, my favorite album by them.  He, too, was interested in The Book and asked how to find one.  I told him about seeing them a few times in the late 80s/early 90s.  He was so laid back and extremely friendly.    I was really just blown away.  He signed The Book and those 2 tickets and then we did some photos.

Derek made it a point to show Brad the MSG section that he was in

They both thanked us and were escorted back out.  Reb Beach was standing on the sidewalk and I just shook his hand and said, “Have a great show tonight.”  I got him in The Book a couple of years ago in Houston.

I walked around to the front entrance, met up with Rodney, passed off his ticket and in we went.  The tour manager found me and handed me the swag bag from the meet and greet which included a copy of the latest album.  It has a bonus disc of the first album on it, too.  Whitford-St. Holmes came on right at 8PM and they sounded great.  Unfortunately they didn’t play anything from their debut album.  I was hoping to at least hear Sharpshooter.  The played a partial version of Aerosmith’s Last Child with the keyboardist on vocals.  That was my brother’s favorite track.  Then a partial version of Nugent’s Hey Baby followed by a partial version of Train Kept A-Rollin’.  They closed the show with Stranglehold.

After about a 20 minute stage change, Whitesnake came out to Bad Boys and Slide It In.  They sounded as good as they sounded last year and the backing vocals helped carry Coverdale throughout the show.  They played everything you’d expect them to play on a greatest hits tour.  I totally could have done without the guitar and bass solos and especially Tommy Aldridge’s boring ass drum solo.  Double bass, double bass, quads, quads, ohhh some triplets, more triplets.  Wait, more quads! Look, ma!  No sticks.  Hands-only solo now!  Quads with the hands!  Double bass!  Wake me when it’s over, please.  But overall the band sounded great.  It was a fun show.  Coverdale is the consummate front man.

I will say that in meeting him, it was quite intense.  He exudes so much personality and energy all the while remaining a gentleman.

The “covers” listed in the Whitesnake set were taped intros/outros, not anything performed live.

 

Cheap Trick Concert Review, San Antonio, TX, November 27, 2015

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Last Friday night I saw Cheap Trick…AGAIN.  I think it was the 5th or 6th time in the last 5 years or so and I am 100% OK with that.  Nothing new or extra special about the show, really, but they put on a great performance.

I scored a 2nd row ticket on the aisle at stage right, Rick’s side.  If you’re within the first 5 rows of a Cheap Trick show, you’re likely to catch one of the 100s of guitar picks that he throws out every show.  Right before the show started, I was already standing up and someone walked by and said something like, “Make sure you don’t block my friend’s view behind you.  She’s in a wheelchair.”  I found a spot I could stand in without being in the aisle that kept her view to the stage open.  About 2 songs in, Rick looks at me and throws a guitar pick which landed at my feet.  I picked it up and handed it to the girl in the wheelchair.  She was pleasantly surprised.  I ended up catching another from him later in the show.

The few photos I took sucked, so my pal, David Castillo, let me use some of his as you see below.

 

Peter Cetera Concert Review, San Antonio, TX, September 17, 2015

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IMG_0807useI don’t believe in “guilty pleasures”, especially when it comes to music.  You like what you like and that’s that.  Screw what others may think.  Since the 70s and partially because of my mom, I’ve always loved Chicago and still go see them live when I can.  They still sound great but I’ve never seen them with Peter Cetera nor have I seen Cetera on his own.  Fortunately that changed last night.

In as much as I like Chicago, I really like Peter’s early solo work, especially 1988’s One More Story album.  So as is generally the case, I bought two tickets for the show.  My lovely friend, Margarita, was available to attend and is also a Chicago/Cetera fan, so it made for an enjoyable evening.  In my best Troy McClure voice, “You might remember her from such reviews as ‘Lionel Richie in Austin’ and ‘Journey in San Antonio.'”  haha

I bought tickets a little late so I didn’t quite get where I wanted, but still got good seats on the front row in the balcony.  By yesterday, the show was only 3/4 sold out based on the Ticketmaster map.  No matter.

His band comes out first after the lights go down they go right into Restless Heart.  His voice sounded a lot clearer than I expected.  Some recent footage I had seen sounded a bit rough.  He followed up with One Good Woman, a personal favorite, and Glory of Love which drew a loud applause at the beginning and end.  He then asked everyone down front to put their phones away.  “Use them during the encore all you want, but for now just enjoy watching the show.”  Cheers, Pete!

He mixed the rest of the set up with a mix of Chicago and solo hits, doing a few duets with his back up singer and a few with his guitarist.  He left during 2 covers songs, You’re No Good and Come Together, letting the band take care of businees while he took a break.  He closed the main set with Hard Habit to Break, Dialogue I & II and Hard To Say I’m Sorry/Get Away, another personal favorite.  I was so happy that they did the Get Away part at the end of the song.  It just brings the whole thing together.  Rarely is that part ever played on the radio edit of Hard To Say I’m Sorry.  The band exited the stage and people started trailing out quickly.  He had stated that there would be an encore, but whatever.

Before the encore started, he finally strapped on a bass and they went into I’m a Man by the Spencer David Group and has been a Chicago set staple for years.  It transitioned into Feelin Stronger Everyday and closed with 25 or 6 to 4.  I sort of wish that his touring bassist would not have been playing along, but you could discern Peter’s tone between the two.  He’s such a good bassist and I would liked to have seen him play more last night.  It was pretty clear that they were tuned down to help him reach some higher notes, maybe as much as a full step, but he still sounded great.  It was an energetic show and he was entertaining between songs.  The only song I wish he would have played from his solo works is the slow roller You Never Listen To Me.  So glad I got to get him off of my list of bands to see.

Steve Martin & Martin Short Review, San Antonio, TX, July 10, 2015

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IMG_0040usetitleWhile I like comedy movies, especially older comedies, I’ve never been very fond of watching comedians do standup minus a few exceptions like Eddie Murphy, Mitch Hedberg and Steve Martin.  He is my favorite comedian of all time and I love most of his movies.  Growing up in the 70s, Steve was everywhere and who didn’t love King Tut?

When I saw that he had teamed up with Martin Short to do a small tour and that they were coming to San Antonio, I had to go.  Total bucket list stuff.

Steve comes out after a montage of his and Short’s work on the screen and says, “Thank you for coming to watch me through your cellphones tonight.”  Thankfully cellphone use was kept to a minimum.  After talking and telling some jokes, Martin Short comes out and it was plain to see that those two are very close friends.  They obviously had rehearsed their routine but much of it was ad lib.  There were several times that they cracked each other up.  Martin did his own set which included some sketch comedy and a musical and it was hilarious.  He walked off stage as Steve was coming back on and said, “Top that, mother fucker!”  haha.

Steve had his bluegrass band, Steep Canyon Rangers, with him and they played a set.  It’s no secret that Steve’s an incredible banjo player and he proved that last night.

Steve and Martin then say that they brought a good friend with them and introduce David Letterman.  There was a delay and we all thought they were just pulling a prank…then out walks Letterman.  Totally trippy.  The three of them are standing there talking and Dave whips out a top ten list about Donald Trump preempting it with, “Trump’s running for president and I quit the entertainment business.  I’m the dumbest man on earth.”  Or something to that effect.  Dave stayed out and told some stories with them for a half hour or so.

It was a wonderful night and I’ve not laughed that hard in a long time.  My sides are a little sore this morning.

Alice Cooper Concert Review, San Antonio, TX, February 11, 2015

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IMG_7633useTo be honest, I don’t think I’ve ever met anyone who has said, “I don’t like Alice Cooper.”  Sure, you may not be into his music, his politics, his religion, but how can you not just like the guy?  He’s a class act.  Intelligent.  Funny.  Consummate front man.

I’ve been a fan since as long as I can remember thanks to one of my older brothers.  One of my favorite Cooper moments ever was his appearance on the Muppet Show in the 70s.  I met Alice last year in Dallas and those few moments talking together will forever be special to me.  A few months later I saw him with Motley Crue and it was great.  Shortly after that show, it was announced that he was doing a solo tour, an evening with Alice Cooper.  I bought tickets for the Austin show as soon as they went on sale and got one for the San Antonio show and scored second row 2 weeks after they had gone on sale, which I thought was odd.

I rolled down to San Antonio right after work and picked up my friend, Rodney, who had a close seat in the section next to mine.  I had never been to the Majestic Theatre before but wow, what a beautiful venue.

Alice was scheduled to come on at 8PM but didn’t hit the stage until about 8:15.  The lights went down and The Underture started.  The open up with Hello, Hooray and roll right into House of Fire and No More Mr. Nice Guy.  The crowd was going crazy and I was smiling ear to ear.  Alice and the band, as expected, sounded great.  He is pretty active on stage, especially for a guy who is 67 years old.

He played most of what I expected to hear.  Of course I want to hear songs from From The Inside but he’s been ignoring that album for quite some time.  I was a little surprised he didn’t go deeper into the catalog since he was doing the longer set but he decided to play 4 covers which apparently he’s been doing often when he’s headlining.

His band is always top notch and last night was no different.  Everyone is extremely talented and are each a show within the show.  Drummer Glen Sobel is a beast of a drummer.  Veteran guitarist, Ryan Roxie and bassist, Chuck Garric, were positioned on my side for most of the night.  Ryan slapped 2 picks in my hand throughout the course of the night.  While I started out in the second row, the security girl motioned for me to come right up front and there I was stationed for more than half of the show.  I didn’t realize until after the show that guitarist, Tommy Hendriksen, was the bassist for Warlock, who I had seen in 1988.  He and third guitarist, Nita Strauss, also handed picks to me during the show.  Score!

Alice threw out 2 of his plastic canes, a ton of Cooper dollar bills and some plastic bead necklaces (during Dirty Diamonds).  At the end of the show during the School’s Out encore, tissue paper feathers and streamers fell from the ceiling and the crew threw large balloons filled with confetti out on the stage and into the crowd.  The ones that got near Alice were pierced with his sword.

It was a great show and I can’t wait to see it again tonight!