The Metal Files

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Archive for July 2012

Cheap Trick Concert Review, Austin, TX 7/29/12

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Let’s face facts.  I was never really a big Cheap Trick fan although at some point or another I owned their debut album and Dream Police.  It’s not that I didn’t like them, to be honest, I think I’ve liked every song I have ever heard by them.  But for whatever reason I just never got in to them.  I believe part of that was due to my brother Robert’s lack of interest in them in 70s and I pretty much drew my musical tastes in those days from what he fed to me.  However I do remember myaunts Diane and Debbie liking them but we only saw them once a year when we’d visit Pennsylvania.

I saw Cheap Trick one time before in 1999 at the Hampton Bay Days Festival but I was pretty far back in the crowd and couldn’t really grasp the energy.  I also don’t remember the crowd being that excited either.  When tickets went on sale for last night’s show at The Moody Theater / ACL Live, I had to get tickets for it.  That venue is awesome and has been bringing in some great shows so far.

In the early 2000s, I was playing in a band called The Renegades of Sluts (this is not a typo) and we did She’s Tight and Hello/Goodnight in our set sometimes.  Good fun.  I’ve always loved She’s Tight and was hoping we’d get to hear it.  Perusing recent setlists for Cheap Trick’s Global Warming Tour.  Last night was an off night for them while on tour with Aerosmith and they played Dallas the night before.

When I can, I try to buy extra tickets to shows.  Sometimes to resell for profit and sometimes just to go ahead and get them on presale when maybe a friend isn’t able to do it at the time.  I bought 2 for this show and ended up asking my dear friend Molly to come with me a few weeks ago.  Perfect!

We get to the show and the opener is on.  I had no interest in seeing them after listening to a few tracks on Youtube earlier in the day.  Not my bag at all.  We hung around the lounge until they were finished.  Signs were posted around the venue stating that Cheap Trick would be on at 9.  We went and found our seats and were getting excited for the show.  Molly wanted to hear Southern Girls but they ended up not playing it.  I did get to hear She’s Tight, though.

The lights go down right at 9 am the band hits the stage opening with Clock Strikes Ten.  Zander was wearing a band leader type uniform and hat for most of the show.  Nielsen is dressed like he always dresses.  I don’t know what Peterssen was dressed like, but it was out there.  He had an Elton John thing going for sure.  Unfortunately Bun E. Carlos no longer tours with the band, but Rick’s son, Daxx, has been handling the live duties for the last 2 years and did a fine job.

They played a good set and the highlights for me were certainly She’s Tight, Oh Candy, The Flame (always loved this song), I Know What I Want and Borderline.  I was a bit surprised as to how many songs I recognized.  The great thing about their music is that every song is right around 3 minutes long, old rock and roll style.  The Beatles influence on them is overt and it’s a wonder I even like them due my my disdain for the Beatles.

Robin’s voice started a wee bit rough but got stronger and stronger as the night went on.  In The Flame, he nailed the high note at the end.  I was truly shocked.  He still has a lot of power in his singing.  While I’ve never looked at Rick as a stellar player, he’s certainly solid and entertaining.  He jumps around a lot for a man who is 65.  Tom Peterssen apparently invented the 12-string bass and he used a few different ones all night.  Of course Rick used about a dozen different guitars and an 8-string bass for one song.  The whole band was really good in general.

I did notice from our balcony set that there was a piece of paper taped to the floor in front of Zander’s mic that said “AUSTIN TEXAS”.  Rick wasn’t sure where he had played last night as he stated, “Where did we play last night?  Atlanta?”  Funny.  But I guess when you’re touring that much, things get blurry.  What a wonderful problem to have, eh?

During Surrender, Rick grabbed the hand of a little kid with a mohawk and yanked him on stage.  They handed him a ton of guitar picks and he was tossing them out to the crowd.  He also helped to sing the song with Robin and knew all of the words.  It was pretty neat thing to see.

After Surrender, they left the stage.  After about 2 minutes they came back on and played 3 more songs:  Dream Police, Gonna Raise Hell and Goodnight.

It was a great show and hopefully I’ll have another chance to see them again.  I also wish I would have taken the opportunities to have seen them more in the 80s and 90s.  Such is life.

One thing I thought was weird was that during the main part of the set, security made the people in the floor seats stay at their seats, no one was allowed at the stage at all.  They were hardcore about it.  If you don’t want people rushing the stage at a rock show, put up a barricade.  Easy.  I’ve seen them used at this venue before (Megadeth anyone?).  After the encore started, everyone rushed the stage and security didn’t try to gain control again.  I also noticed that the venue was barely 3/4 full, which I found a bit surprising seeing that the place only holds a few thousand folks.  I guess they’re just not that popular here.

Go see them if you get a chance, you won’t be disappointed.

“AUSTIN TEXAS” on the paper in front of the mic

I will be the the flaaaaaame

beauty and the beast

RIP Jon Lord

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Such a loss.  He was a fantastic musician and songwriter and I’m glad I got to see him live once.  Amazing what he could do while rocking that keyboard back and forth.

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July 16, 2012 at 7:14 pm

Talisphere 1996 Demo Review

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80s Texas metal.  I love it.  There was so much of it that I’m still playing catch up.  Back in Virginia in the 80s, my only real knowledge of Texas metal was Watchtower and Pantera (pre-Cowboys).  Since moving here in 2006 I’ve gotten an amazing education on the scene that they had here.  I’ve been fortunate enough to meet and become friends with guys who were in a lot of these bands.  Just recently the guitarist for Karion gave me a copy of the CD/DVD set of their old demo and it’s great.  Read about that here.  While doing some research on Karion’s history I found a demo by a band called Talisphere which featured Karion’s singer, Chris Cronk.

This 3 song demo is so damned good and it’s unfortunate that there’s not a whole album.  Chris Cronk told me a week or so ago that a new release by Talisphere is in the works.  The songs on here are great American traditional metal and almost what you’d expect from San Antonio.  I was pleased that this didn’t sound like Pantera.  So many bands tried to emulate their sound but fortunately for me, Talisphere stayed true.  Chris’s vocals are powerful and soaring.  For those that don’t know, he auditioned with Fates Warning to replace John Arch before they settled on Ray Alder.  I think I may have enjoyed the post-Arch era stuff a bit more with Cronk.

Chris Cronk – Vocal
John Fiarro – Guitar
Sean Noone – Guitar
Henry Sanchez – Bass
Mario Sevilla – Drums

Download the demo here.

Written by The Metal Files

July 15, 2012 at 8:55 pm

Karion – Iron Shadows CD/DVD Review

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There’s no secret that Texas had a legendary metal scene in the early-to-late 80s with the likes of Watchtower, Militia, Wyzard, Syrus, SA Slayer, Juggernaut, Sentinel, Obliveon Knight, Assalant, Helstar, Pantera, Rotting Corpse, Gammacide and a ton of others.

Another band that deserves mention and praise from that era is Karion which featured Art Villarreal (SA Slayer), Chris Cronk (Jag Panzer, Fates Waring, Talisphere, SA Slayer), Pete Perez (Riot, Reverend, Spastic Ink) and Frank Ferreira (Helstar).

Starting sometime last year, Art and friend Bob “Dog” Catlin (Juggernaut, SA Slayer) began the process of cleaning up some Karion demos and the result is the 2-disc set entitled Iron Shadows.

Disc 1 contains 6 tracks which I believe are compiled from their 84 and 87 demos, although not all of the songs from the 87 demos are on the CD.  Karion brings that great style of progressive power thrash that was well-known in south central Texas at the time.  Good clean higher ranged vocals, solid guitar riffs and killer solos, great bass work and fine power drumming made this disc a valuable addition to your collection of true 80s metal, especially for the fans of Texas metal.

Disc 2 of a live DVD of a 1986 Karion show filmed from the balcony of the Villa Fontana.  The audio/video quality is much better than I expected and shows that the band had a really good fan base at the time.  Their performance is solid and makes me wish even more that I had lived in the area at the time.

One interesting thing that I found while doing a little extra reading about Karion is that vocalist Chris Cronk recorded 2 different demos with Fates Warning in 86 and 87.  I haven’t listened to them yet but a quick search will lead you to a download of those.

I can’t recommend this set of discs enough.  It’s been kicking my ass for a week now.  I recommend that you pick it up from Rockadrome Records in San Antonio.  Keep it local!

Written by The Metal Files

July 5, 2012 at 8:20 am