Archive for March 2010
I’ll post the full review tomorrow. But for now…
Dave Mustaine is one of the greatest metal guitarists ever.
March 16, 2010
Live at Stubb’s, Austin, TX
I’ve been in Austin since November 2006 and this is my 4th time seeing Motorhead. Three times have been at Stubb’s and the other time was in
San Antonio. This was my 7th show overall since 1993. Today I am tired. The SxSW music festival gets into full swing today and there are thousands upon thousands of visitors here.
I don’t like to miss Motorhead when they play. All of their shows are pretty consistent and every now and then they throw a few older gems into the setlist. When I saw them last year, it was the first time I was ever even slightly disappointed in their show. They had Matt Sorum on drums and it gave such a completely different vibe. Last night it was great to have Mikkey Dee back behind the kit. The dude is awesome.
When I got home from work I just sat down to decompress for a little bit. Then I heard Motorhead soundchecking. I opened my window and could hear Cradle to the Grave clearly. Sounded great. I was excited that it was going to be in the setlist!
An hour later I went to the venue and met up with some friends and hung outside while Year Long Disaster played. I couldn’t really tell whether I liked them or not. I couldn’t hear the crowd cheer after any songs either. Weird. We went in as The Sword started. I’ve seen them before and I’m not a big fan. I did think it was cool that their second to last song was Thin Lizzy’s Cold Sweat. They did a good version but it was weird hearing it played tuned down.
Motorhead came on and did a great show. They were steady, not overly fast…tight. Lemmy was funny and it was nice to see Phil active on stage. Last year he looked terrible. He stated that he was sick last time, so that made sense to his previous performance. Lemmy did his typical “this song came out before most of you were born” line. His statement was very true. Lots of younger folk in attendance these days thanks to VH-1 Classic, Rockband, Guitar Hero, etc. It’s really put metal and classic metal back in the forefront. That’s a good thing.
In the last show I saw in Virginia, Lemmy said, “Don’t forget us” before starting their final song, Overkill. He’s done it consistently since then. It always makes me feel like he’s on his last leg saying, “It’s almost over…don’t forget us when we’re gone.” He’s no spring chicken these days but he still seem to be pretty mobile. His brain is certainly still sharp.
Overall it was a great show. Here’s the setlist:
Be My Baby
Rock Out (I think it was this song…it was from Motorizer)
Over The Top
One Night Stand
I Got Mine
1000 Names of God
Cradle to the Grave (!)
In the Name of Tragedy
Just Cos You Got the Power
Going To Brazil
Killed By Death
Ace of Spades
I think I am missing a song between Tragedy and Power.
Let’s go back to Norfolk, Virginia 2004. My friend Jeanne introduced me to Marco who had been doing some tattoo work on her. She kept telling me, “You should meet this guy. He’s big into Maiden and Motorhead like you are.” So at some random show we were introduced and just started talking about music. When the conversation turned to Motorhead, we both stated that our favorite was the Another Perfect Day album. That album seems to one that many people love to hate. I think it’s flawless. Marco said, “If I could find someone who’d let me put that cover on their back, I’d do it for free.” Instantly my compulsive side kicked in and I said I’d do it.
So in April 2004 we started work on this major backpiece. I clearly remember during the first session, which lasted 6 hours, Marco said he ultimately would love to get a pic of my back, him and Lemmy together. After 88 hours of work over the course of about a year and a half, we finished it. There were some pretty brutal sessions for both of us.
I moved to Austin, TX in 2006 and after tonight I will have seen Motorhead 4 times since I moved here. We tried to get this photo with Lemmy 2 years ago and didn’t get it as I was balled up on the floor of my bathroom from a kidney stone. Marco was at a titty bar with Lemmy trying to call me…no go. Last year we got backstage at the Motorhead/Rev. Horton Heat show and I thought I’d get the photo done, this time without Marco being in town. Again, no go. Lemmy was elusive once again.
So last summer the producer of the The Lemmy Movie emailed me and asked my tribute band to do Ace of Spades to potentially be in the movie. Of course we obliged. The producers, Greg Olliver and Wes Orshoshi, was going to piece together a bunch of the tribute bands doing Ace.
A month or so ago I found out that the movie was doing the world premier at Austin’s SxSW Movie Festival. Sweet! The theater was 4 blocks from my house. I called Greg to ask if we made the final cut and he said he had to trim the tribute band stuff out due to time constraints but that it may make the DVD version in the extras or something. No worries.
So with the movie premiering here, Marco booked a flight to come in to see it and the concert. Film Festival passes range from $500 and up. I had no inclination to buy one of those. The theater released some tickets for $12 with no guarantee of admission. Festival badge holders had first come first serve right to see all films, but I figured if we got in line early enough, we may still get in. We got in line at 4pm for the 6:45PM screening. We were 4th and 5th in line. The faithful! The badge line was getting really long, going around the block and I was getting worried that we wouldn’t get in.
Lemmy, the band and the movie producers rolled up in a limo and did some interviews out front on the red carpet and then the SxSW folks let in the badge holders. We were told that they thought everyone who wanted in would get in. As the movie started and to the end there were still some vacant seats. I was a bit surprised.
The movie itself was quite enjoyable. It wasn’t so much of a chronicle of Lemmy’s life but more of the last 3 years, however there were some good flash backs to the Rocking Vicars and Hawkwind. Lots of good cameo interviews, especially from Dave Grohl and Billy Bob Thornton. There were a few moments when Lemmy was sitting with his son that were quite personal and nice to see. Scott Ian has some really good stuff to add. It was nice to see Fast Eddie and unfortunately there wasn’t a Philthy interview.
There were a few moments where you saw some emotion come from Lemmy. It was cool to see it. It was captured well. The movie really shows his awesome and witty sense of humor. When you see it, just remember, “Don’t worry, be happy.” One of the funniest things I have ever seen.
It was also verycool to see his apartment. It’s small, unassuming and simple. Full of his WWI/WWII collectibles and just stuff. Lemmy has a lot of stuff.
The only thing that I can say that I didn’t like about it was all of the Metallica footage. I completely understand why it was there, but my long-running dislike for that band just makes me cringe when I see them talk or perform. But…they are huge fans of Motorhead and have always been vocal about it for as long as I can remember.
So after the movie they did a quick Q&A with the producers and the band. You could see how excited that Greg and Wes were, as they should be. They’ve worked on this for 3 years and things like this become a labor of love. Good work, guys!
After the Q&A, Marco and I just hung out in the theater to see if we could get the photo that we have been trying to get for years. I was getting nervous. I’ve been told that I “may” have backstage access for tonight’s show, but it’s not guaranteed. I caught up with Greg and asked if he could set it up really quickly. He told us to hit the side exit o the alley as that’s where the band was. Security had already stopped a few folks from exiting through that door…but we made it.
The band was standing in the alley just talking and making a few jokes about the movie and Marco and I just stood a few feet from them. Their conversation stopped and I looked at Lemmy and said, “Lem, I’ve got Another Perfect Day tattooed on my back and this is the guy who did the work. Can we get a photo or 2?” Thankfully he obliged. I removed my shirt and he said, “Motherfucker. That had to fucking hurt. Looks great.” We snapped 2 photos, thanked him then headed back to a bar to do a celebratory drink.
I was elated. It felt like a weight was lifted off of both of our shoulders. Both Marco and I endured a lot in doing this tattoo and in trying to get this photo done…and finally…por fin…done. Boom.
So tonight…Motorhead at Stubb’s. Can’t wait!