Archive for the ‘jazz’ Category
Joe Jackson – Night and Day (1982)
Christmas 1982. 
In an effort to curve my hard rock/metal listening ways, my Mom bought 2 albums for me on Christmas. She was never too keen on metal and wanted to try and sway me to listen to something else. As I am unwrapping gifts, I got to the records, both of them wrapped together. I knew they were albums before I unwrapped them but had no idea as to which ones they were. On top was Regatta de Blanc by The Police. Behind it was Joe Jackson’s Night and Day. To say I was disappointed would have been the understatement of the century. It was like the kid in Christmas Story not getting his BB gun. I was hoping to get something like a KISS, Black Sabbath or Judas Priest album (wishful thinking, I know).
So I basically said, “Oh. Cool. Thanks.” and went on to play with my Stomper trucks or something. haha. Shortly thereafter, though, I did put the records on to at least give them a shot. I was already familiar with the Police so that was nothing new and I did fall in love with that album by them.
But the Joe Jackson was something completely different. I listened to it a lot and still do. It’s a pretty interesting album in many ways. One, the only guitar used on the album was a bass. No 6-string whatsoever anywhere. The album is very well-written and performed. Joe has a way of lyrical phrasing that really works with his music. The album has sort of a NYC punk feel to it without sounding punk at all. It’s hard to explain. I love this album and always will. I never delved into his other works although I am familiar with some of his other “hits” thanks to Anthrax or the radio.
The album seems to be sort of a concept album about life in New York City in the early 80s and touches on the gay culture a bit. It’s a fine record overall and anytime I listen to it, it’s front to back, nothing skipped.
So, thanks Mom. While you didn’t get me out of hard rock/metal, you did open my ears a little bit to some other stuff.
John McLaughlin – Austin, TX – Nov. 24, 2010
Back around 1985/86 one of the guys from my church had given me and a few of us metalhead kids some records to listen to. It was jazz stuff. The 2 that stood out for me were John Macey’s Eclipse (would love to
The Master.
find this somewhere) and Mahavishnu Orchestra’s Birds of Fire. Bird’s of Fire quickly became an album near and dear to my heart and still listen to it often. I really like a lot of that early 70s jazz/fusion stuff and thanks to Pat, it opened my mind up to some other music outside of hard rock and metal. Hell, just throw some distortion in some of this stuff and it would be metal.
About 2 or so years ago I saw an advertisement on Stubb’s website for John McLaughlin and freaked out. I nabbed 2 tickets and the day of the show Doug and I were walking up on the venue and noticed that the crowd was very young. I was a bit perplexed. Why would all these kids want to see John McLaughlin? Then I saw the show poster stapled on the outside wall. “Jon” McLaughlin was playing that night. Some young kid and an acoustic guitar. D’oh! I felt pretty stupid. What a monkey! We ended up just giving our tickets to someone in line. They were pretty inexpensive so it was no big deal. The 2 kids were appreciative.
A month or so ago I was fortunate enough to see Mahavishnu’s Billy Cobham at the beautiful One World Theatre. It was quite awesome as was the venue. Even prior to buying my Cobham tickets, my guitar player had snagged us 2 tickets to see John McLaughlin and the 4th Dimension. In case you didn’t know, John created Mahavishnu Orchestra after playing with Miles Davis (Bitches Brew). Miles told him to form his own band and he did. What a band he formed!
We get to the theatre around 7 and hang out for a bit. It’s pretty rare for this venue to have an opening act on stage but they did for John’s 2 night stand. It was 2 Argentinian brothers who call themselves Seis Cuerdas (6 strings in English). They played a short set of latin/flamenco/jazz/almost metal stuff on 2 acoustic guitars. They were pretty damned good but I was there to see John and his band.
The band comes out to a standing ovation and John greets the crowd an the music starts. My God. For as blown away as I was by Cobham’s show, this was even more intense. John’s playing was awesome and having never watched any video of him before, I was blown away by his playing style. His fretting and picking style reminded me a lot of Tony Iommi in that it was very limited motion. You hear a lot of things being played but you don’t see them. No wasted motion. It was quite awesome to see. John didn’t talk much between songs nor did he need to. The music surely did the talking.
His backup band was great as well. He had Etienne Mbappe on bass. This dude was awesome. First time I had seen a bass player wear gloves. There were some great moments where he and John were playing off of each other and playing the same runs together. Just awesome. Gary Husband handled the keyboard duties and did a great job. He also did some drums trade-off stuff with main-drummer Mark Mondesir. Holy hell, this dude was quite possibly one of the most incredible drummers I have ever seen live. It could have easily been a clinic in power-jazz drumming. He was awesome and I enjoyed his performance even over Billy Cobham’s. This guy is just awesome and seemingly can play anything. I recommend looking him up on YouTube. For as awesome as the bands was as a whole, Mark’s drumming made the night for me. I’ll always be a drummer on the inside even if I am unable to play them nowadays. Just awesome.
I was really hoping that they would do a meet and greet after the show like Cobham did, but no luck. It was another great experience watching a stage full of great musicians doing their thing. Next up there for me is Al Dimeola. That one will be my “freak out” show. Al is in my top guitar players of all time. Having only seen him with Return to Forever a few years ago, I am pretty excited to see him up close (2nd row center aisle seats…same ones for Cobham and McLaughlin).
Thank you and goodnight!
Billy Cobham – Concert Review – Austin, TX – October 13, 2010
I hate printable tickets!
Sometime in the mid-80s, I think, a friend of mine turned me on to some jazz stuff and the one band that stuck with me was Mahavishnu Orchestra. Their album Birds of Fire remains the greatest jazz/fusion album I
have ever heard. Part of the reason, a big part really, was because of the drummer, Billy Cobham. He was a very musical drummer and I loved his work on his first solo album, Spectrum and the Miles Davis albums Bitches Brew and Live-Evil. He’s just a man-beast of a drummer in his chops, but he plays such a light fluid style.
That Mahavishnu album is very special to me. When I was still drumming (84-2000), I used to practice along with Birds of Fire quite often. No, I wasn’t able to play a lot of the stuff he was doing on there, but I tried my damnedest to play along and keep up. It was good practice.
When I saw that he was playing at the One World Theatre here in Austin, I had to go. I was able to score second row seats on the center aisle. Doug Morrison came along. I’d never been to this place but Doug mentioned several times how small and awesome it is. He was right. You almost feel like you’re in your own house watching a band with perfect acoustics. The place is pretty awesome. The sound was great.
Billy’s band consists of all foreigners, including Billy. I never knew he was Panamanian. The whole band was just great and one would expect no less. But then there’s Billy. I’ve never seen such a big drummer with such a soft style. He proved all night that power drumming has absolutely nothing to do with how hard one hits. He was so fluid and solid. He did hit harder for accent in spots, but it wasn’t his main thing. It was quite awesome to watch how he was conducting things from behind the kit. Normally he’d play with his eyes closed, but when they were opened, it was usually to give someone a cue as to what was coming next. In one spot he looked over to the bassist and guitar player and just said, “four” and they just nodded and smiled. Some of the stuff they played really had that early 70s Mahavishnu feel to it.
He is so musical of a drummer and it really took me back to my playing days. It made me miss it badly. Not that I was even remotely a jazz/fusion style drummer, but I did try to be a little musical about it instead of just keeping the beat. Both Doug and I sat there in awe. For 64 years old, he is still incredibly awesome.
After the show Billy was doing an autograph signing and I didn’t bring anything as I didn’t expect him to come out and hang out. I did have him sign my ticket and he was gracious enough to do a photo with me. They didn’t allow cameras during the show so I have no photos of the band. Pity. But I do have the awesome shot below!
If this tour comes anywhere near you and you even remotely like jazz/fusion, you will not be disappointed. Just go! I’m even more excited about seeing John McLaughlin, Colin Hay and Al Dimeola there in the coming months.
Billy Cobham and yours truly. I'm obviously more excited than he is.
The Metal Files 
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