Posts Tagged ‘concert review’
Flotsam and Jetsam Concert Review, Austin, TX, May 14, 2018

This could also be titled: “NEEEEEEEERRRRRD!” I guess most of my posts could be called that.
Last night was pretty huge for me in general. Since first hearing Chastain’s Ruler of the Wasteland in high school, I’ve been a huge fan of drummer Ken Mary’s work. Most folks know about his time in Chastain, Fifth Angel, Alice Cooper, House of Lords, TKO and a slew of others and there’s no need to go too in depth on his discography as that info is all out there for anyone to look up.
In recent years and thanks to the internet I’ve been able to connect with Ken and always had hopes to meet and see him play. A year or so ago Fifth Angel did a reunion and I considered flying out for that but saw that Ken had some shoulder issues and had to bow out of the shows. Recently he stepped in with Flotsam and Jetsam after Jason Bittner left to join Overkill. He ended up doing the Keep It True show in Germany a couple of weeks ago and is on Flotsam’s upcoming album. He’s also doing the current tour with them and that’s where this story gets us to yesterday.
Doors for last night’s show were at 7PM and I arrived around 6:30 in hopes to catch the band, do some metal nerd stuff and whatever. As I pulled up, Erik AK was outside the bus while the trailer was getting some welding done to the ramp gate. We started talking and I asked if they had dinner plans and if not, I’d be glad to take them to dinner. He rounded up the troops, did a quick round of introductions and we walked over to the Jackalope for some burgers and beers. Of course I was stoked to hang out with Ken and jibber jabber on the walk over. Once at the Jackalope, the guys took pictures on the giant rabbit and I ordered up drinks and food for everyone. It was great talking with them about the old shows at the Boathouse in Norfolk, VA where I had seen them several times in the 80s and 90s and talking with Ken about his time in Chastain, Cooper etc. The guys really enjoyed the food and the restaurant in general. As we walked back I mentioned having some stuff to get signed and was invited on the bus to get that taken care of.
Once there, the first thing I had Ken sign was The Book. Obviously he’s got numerous entries in there but I wanted to have him sign on the Chastain band photo. I already head Leather, David and Mike sign it in recent years and Ken was the final piece. Michael Gilbert, the only other original member with Eric AK, signed my Doomsday and Flotsam (2016) LPs. I had gotten his and Eric’s signatures in The Book a few years back. Added bonus was Michael Spencer being back in the band on bass. I had him sign in the Sentinel Beast section. Score! Of course I had a stack of LP covers for Ken. It was really cool having him tell stories about each of the bands. I had the rest of the band sign the 2016 F&J LP as well and then I made my exit off of the bus to let them rest up before their show. Added bonus, I got to hear 3 rough mixes from their upcoming album while we were on the bus. “Want to hear some of the new album?” “Is that a real question?” It sounded killer and Ken’s on drums for that one, too. I also asked if they were playing Der Fuhrer from the debut LP. Eric said they sound checked with it but didn’t plan to play it. “We’ll add it for you. Thanks for dinner.” SWEET.
After putting my nerd stuff back in the car, I needed to just chill out for a bit before their set and hung out on the patio and caught up with some friends.
Flotsam was scheduled to go on at 10:20PM. Love early shows! They ended up going on closer to 10:30 and opened with Monkey Wrench from their 2016 LP then went into Hammerhead. The already small crowd thinned out a little but the ones who stayed let Flotsam know they were appreciated. The setlist mixed up a lot of stuff from Doomsday, No Place, the 2016 LP and one from Drift. The band was solid and Eric’s voice sounded good. This was the first show of the latest leg of their Forbidden Territories of the World Tour and we were lucky to have them as a headliner as they end up in the opening slot with Hammerfall for much of the tour. That tour rolls back around in June in San Antonio and I’ll likely hit that show as well. Michael Spencer is a beast of a bassist, very impressive. Michael Gilbert and Steve Conley (F5) shred well together and of course the highlight for me was watching Ken play. He’s not an overly busy drummer but adds the right amount of flash and technique when needed and had some nifty stick tricks here and there. After the encore song, Doomsday for the Deceiver, Ken handed me a stick and Steve gave me his pick. They were done just before midnight. PERFECT.
What an incredible evening all around with a killer band and some good friends. Super thankful to Ken and Flotsam for letting me intrude on their time for a bit.
Click photos to see comments.
Yngwie J. Malmsteen Concert Review, June 10, 2017, Houston, TX
Last night I witnessed the over the top guitar playing of Yngwie Malmsteen for the 9th time since 1986. While he is my favorite guitarist, I haven’t liked any of his releases post-Alchemy and his latest one with him on vocals is pretty boring. That being said, I always love seeing him live.
Local (to Houston) band Apocalyptic opened up. They were super tight technical shred thrash that at times reminded me of Agent Steel with a singer that could hit insanely high notes at will. The only real issue I had with them is that the singer wouldn’t shut the fuck up between songs. They could have played one more song with all the time he spent between songs talking about how cool it was to be there or “show me your horns” or “scream for me, Houston” over and over. Less talk, more rock, please. Their main lead player and bassist were also really good.
Of course Yngwie comes on and the wall of Marshalls is lining the back of the stage. For the record, only 2 heads were actually used. They opened with Rising Force and the bassist sang. He sounded good but what irked me to no end was that they only did the first verse then the solo section. What? Most of the show consisted of instrumentals, which was fine. That meant that Yngwie didn’t sing. In Seventh Sign, the keyboardist sang and they did the whole song. Sounded great. Demon Driver and Heaven Tonight were also first verse and solo sections only. To be honest, if you’re gonna cut out sections of songs like that, just do a full night of instrumentals. In the encore, they ended with I’ll See the Light Tonight and, yes, first verse and solo sections only.
Beyond that silliness, Yngwie was awesome and I’m glad I went. His back up band, basically tucked into one corner of the stage, was really good. Of course Yngwie threw a bunch of picks out and only high kicked a few this time. I’m really glad he didn’t sing
The venue, White Oak Music Hall, holds 1200 and I imagine about 600-700 people were there. Hopefully the 10th time I see him won’t be too far in the distant future.
































































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