Posts Tagged ‘virginia’
Appetite for Defecation – I do not like Guns ‘n’ Roses…really
So there we were, my band and I, at Robert’s house in Portsmouth, VA to
watch Headbanger’s Ball as we always did every weekend. This was summer or late spring of 1988(?). It was the usual gamut of hard rock and metal videos…then there it was.
The “World Premier” of Guns ‘n’ Roses’ Welcome to the Jungle video.
W
T
F
?
All 4 of us sat quietly and watched it. I had assumed that they felt exactly the way that I did. I think I was the first one to speak at the end and said, “That sucked ass.” The rest of them completely disagreed. “Whaaaaat?!?! You’re crazy! That was the greatest thing I have ever heard!” etc…Then the words that burned my ears came next…”That’s the sound we need to go for.”
My soul died.
Granted, we weren’t the greatest band in town and we were playing some music that I didn’t care for, mainly the hair band stuff, but it didn’t matter because I was in a band with some of my closest friends. Our setlist included stuff from Cinderella, Def Leppard (from Hysteria), Whitesnake, Anthrax, Megadeth, Metallica, Iron Maiden, Judas Priest, Dokken, Overkill, KISS, AC/DC, TSOL and I really don’t remember who else. We only had one original called Skeletons. I wanted to play more originals but we never got to it. There were always disagreements between our 2 guitarists. J. Rob was definitely into playing heavier music and Robert was more about the radio friendly stuff. Personally I wanted to play stuff like King Diamond, Fates Warning, Anthrax, Slayer etc…just soemthing much heavier than what we were doing.
But they all agreed about the GnR thing. Whereas I was sickened by what I heard and what I saw in that video, they were enthralled by it. Needless to say about a week or 2 later I was out of the band. “The band is breaking up” is what I was told. OK, no problem. But within a week or 2 after that I stopped over at the bassist’s house and heard music from the shed out back. I open the door and there’s J Rob, Robert and Don with another drummer. They all had a look of shock and guilt on their faces. I said, “Wow. OK. I get it.” I think it was J Rob that said, “Sorry man, you know how it goes.” I think I said something like, “Yeah man, I sure do. S’cool.” So I walked out, a little butt-hurt, ego deflated, sad and even felt a little betrayed.
Then they started playing as I walked across the yard to my truck and I think I heard the riff to either Sweet Child of Mine or Welcome To the Jungle…and a slight smile came across my face. I was a little relieved. In the end they did me a favor as I wasn’t cut out for wearing spandex and teasing up my already bad hair. There were no hard feelings and I’m still in touch with those guys, one of them is a very close friend of mine still…Don.
But to this day I still want to throw up when I hear GnR. It wasn’t so much the music that turned me off, it was that voice. That nasty terrible screech. I will admit that I saw them in 1991 (for free) with my friend Bronwyn. Skid Row opened up and they were GREAT. I have to say that GnR put on a good show and Axl is a good front man, but his voice is still one of the worst I have ever heard in rock.
I know people who knew them in their early days and most had the same opinion about them…”losers” and “one of the luckiest bands in LA”. Their words, not mine. But I can’t say I would disagree with their assertion. The mere sight of Axl Rose gets me a little aggro.
I’ve said since day 1 that they are my most hated rock band and I still feel that way after all these years. People call me a bandwagon GnR hater, but the truth is that I was the one driving that wagon since 1988. To me the only good thing that came out of that band is Izzy Stradlin. I love his solo albums.
But whatever. Screw GnR. They suck. There. I said it. I feel much better.
Written by The Metal Files
June 11, 2009 at 12:42 pm
Posted in 1988
Tagged with axl rose, don, gnr, guns n roses, heavy metal, izzy stradlin, j rob, portsmouth, robert, rock bands, suffolk, the metal files, virginia
Hey Doro! Nice Ass! Part II
There is a story after the story about this night.
Please read this to understand the whole story of that night.
I was with Don, JRob and Mike for that show and we rode in Mike’s powder blue Ford Ranger. Yes, it was powder blue.
But typically after we’d leave shows at the Boathouse, we’d drive through downtown Portsmouth, VA to County St and Commerce St in an area that we called “hookers row”. After after the Sanctuary/Warlock/Megadeth show we ventured down to see some toothless hookers. Mike and I were in the front of the truck and Don and JRob were in the back of the truck under the camper shell. Mike pulls up to this tall nasty tranny hooker and the he-she starts talking, “Heeeeeeeeey, whatchoo lookin’ for tonight, baby?” Very quickly mike says, “Hey, the 2 guys in the back of the truck have a $50 bill.” That thing took off like lightning to the back of the truck and was trying to open the shell and get in with them. “Heeeeeeeeeeeey…gimme that dat money! I’ll make it worth your while…I’ll do all for of you for that!” Don and JRob were trying to hold the camper shell flap shut and were yelling at us, “GOOOOOOOOOO! GOOOOOOO! Mother F’er GOOOOOOOOOOO!” Mike and I were in hysterics. That hooker tranny hooker was trying so damned hard to get back there with them.
Oh man. I get tears in my eyes every time I think of that.
Written by The Metal Files
May 2, 2009 at 7:57 am
Posted in 1988
Tagged with 1988, boat, don, hookers, jrob, megadeth, portsmouth, sanctuary, the boathouse, the metal files, tranny, virginia, warlock, www.themetalfiles.com
Mike Howe? Where are you?
Seriously. Dude. Please come out of retirement and rock out for us one more time. I honestly don’t really care if you’re doing metal or some rock stuff, just grant us the privilege to hear that voice again. Some of your counterparts did it like John Arch and Michael Kiske and their stuff sounds pretty good. I know you still have the pipes.
I remember when I first heard Heretic’s Breaking Point and thinking, “Damn, this dude’s got a unqiue voice.” I really liked that album too. When I read that he had joined Metal Church to replace David Wayne (RIP), I was looking very forward to it even though I was a huge Wayne fan.
So Blessing in Disguise comes out and me and all of my metal friends were toally into it. They had a video on Headbangers Ball regularly (Badlands) and went on tour. When they rolled through my area of Virginia they did an in-store autograph signing at Tracks Records at Wards Corner. So some friends and I pile into CK’s truck (Alice) and head out there to meet the guys. They were super cool. Small crowd to meet them but it worked out to our advantage. Craig Wells and Mike Howe asked us to hang out after the signing to share some pizza with them. How cool?! So after the signing was completed, the band was allowed to get 2 CDs of their choice and then headed back upstairs for the pizza. Kirk Arrington was sick as a dog, looking like death warmed over. The other guys seemed healthy enough. They were great fun that afternoon and it was an experience I’ll never forget for sure.
That night we headed over the The Boathouse in Norfolk to see the show. It was Metal Church/Meliah Rage. Both bands kicked ass. We hung out with them again after the show outside of the tour bus. I have a slew of photos somewhere that I need to get scanned in.
I ws looking forward to the Human Factor album but was greatly disappointed when it came out. Honestly I cannot tell you the name of any song besides Date With Poverty and I really don’t even remember how it sounds. I should revisit that one, eh? When I saw Hanging In The Balance came out, I was pretty much disinterested and didn’t bother picking it up until years after its initial release. I have to say that I was pleasantly surprised by it. Good production and the songwriting was good. I think the production on Human Factor is what turned me off. It seemed too muddy for me.
Shortly after the Balance tour, Mike was gone. What a pisser that new was. I remember reading an interview with him within the last 8 or 9 years and he said he’s hanging out in Kentucky or Tennessee doing carpentry work. Wait, isn’t that what John Arch is doing too?
So please, Mr. Howe…please come out of retirement and give us one more.
Written by The Metal Files
March 30, 2009 at 1:02 pm
Posted in metal church, mike howe, Uncategorized
Tagged with badlands, blessing in disguise, craig wells, david wayne, duke erickson, hanging in the balance, headbangers ball, human factor, jim marshall, kirk arrington, metal church, mike howe, norfolk, the boathouse, the metal files, tracks, virginia, wards corner, www.themetalfiles.com
How You Gonna See Me Now
One of my older brothers, Robert, was a pretty big influence on me musically in my pre-teen years. He was the one who got me into KISS, Priest, RUSH, Uriah Heep, The Stones, The Who and thankfully Alice Cooper.
Now, I’m not the biggest Cooper fan in the world even though I own pretty much everything up to and including Constrictor. But some of his albums are very special to me…especially From The Inside. This seems to be one that alot of Cooper fans love to hate. For me it’s brilliant. Sure it got slick production and had songwriting credits from Bernie Taupin (Elton John) and guitar work from Steve Lukather (Toto). Philip Bailey even adds a cameo falsetto on the album albeit uncredited.
Throughout the late 70s and early 80s I spun this album a lot. I know every lick and sound on this album by heart. I can recite it in my sleep. When we lived on the farm, Thomas would come over from time to time and hang out and we’d spin this one. I remember he especially liked the closing track “Inmates (We’re All Crazy)’.
There’s not a stinker on here. As a kid I didn’t get some of the references on this album like this from “Nurse Rosetta”:
I’m suddenly twice my size
My pants are all wet inside
C’mon. I was under 12 years old, I had no clue. haha.
In case you didn’t know and have been living under a rock, this is a concept album about living in a mental institution. Sure, a bit cliche for Cooper but it worked. I really like “Millie and Billie”, “For Veronica’s Sake” and especially “Jackknife Johnny”, “How You Gonna See Me Now” and “The Quiet Room”. Cooper really displays the sadness and depression of the characters in these songs.
And of course when I spin this on CD now, it really takes me back to those days in the late 70s and early 80s…far simpler times. I mean really, what worries did I have when I was 10 or 11? Not too many. Mostly just worried about my brother and the trouble he was getting into. That really did take a toll on me at a young age. I looked up to him a lot and watched him go down some pretty bad paths. Unfortunately I couldn’t help him although I wanted to. I felt it was my job. But there was nothing I could do, especially being 6 years younger than him. I was his bratty little brother and with the things he was getting into, we weren’t as close as we were when we were both younger.
I will say that even today I am surprised that he’s still alive. I had to learn at a young age that I couldn’t live his life for him…a life lesson for me. A difficult lesson when it’s about someone that you love and looked up to.
So again, when I listen to this album and think about the time when I first heard it (I was 8 and he was 14), those were good times…sunny days…but really the beginnings of some dark years ahead.
Written by The Metal Files
March 27, 2009 at 8:00 am
Posted in Uncategorized
Tagged with 1978, alcohol, alice cooper, bernie taupin, drugs, elton john, from the inside, my brother, rehab, steve lukather, suffolk, the farm, the metal files, thomas, toto, virginia, www.themetalfiles.com
In memory of a legend…
Well, he is a legend to me. My Dad. 1942-1997.
Around the time that my Dad was dying of cancer, I was living at their house in North Carolina trying to help out a bit. My drive to and from work was an hour each way so I was listening to music for the drive. At that time I was really into Amorphis’ Elegy CD. It’s very folky, heavy, dark and moody and seemed to be the perfect enabler to the sadness I felt knowing that my Dad wasn’t going to be around much longer.
I absolutely love this record but even now, some 11 years after the fact, this album reminds me of my Dad. There’s no real lyrical connection or anything like that, just one of those things that reminds you of an era in your life, good or bad. I was also listening to Nocturnal Rites’ Tales of Mystery and Imagination. Both kept steady rotation in my minivan for months on end and both remind me of Dad.
Written by The Metal Files
March 13, 2009 at 1:46 pm
Posted in Uncategorized
Tagged with 1997, ahoski, amorphis, cancer, dad, death, elegy, heavy metal, nocturnal rites, north carolina, parent, suffolk, tales of mystery and imagination, the metal files, virginia, www.themetalfiles.com
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