The Metal Files

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Archive for the ‘1986’ Category

Dark Angel – Darkness Descends

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I’m pretty sure it was spring 1987 and I was down on Atlantic Ave at the Virginia Beach Oceanfront hanging out for dark angelwhatever reason.  There was a little record store there that I can’t remember the name of.  I’m pretty sure it was an independent store and don’t hink it lasted more than a few years.  I can’t even remember if anyone was with me…maybe Robert S.  Anyhoo, we were browsing the cassettes and I saw Dark Angel’s Darkness Descends.  I immediately knew that this would be my purchase.  I had seen the ads for this in various metal mags and it was on Combat Records which had a pretty good track record of bands so far.

I remember getting in my 66′ Nova 4dr and heading back home while the tape started.  I was immediately blown away.  The drums.  Holy shit, the drums!  I remember seeing fotos in magazines of the band and the big huge drummer in shades looming over them in every foto.  I was fortunate enough to meet him earlier this decade and he was the coolest mofo in the world.

But back to this massive album.  There’s not a stinker in the bunch but my faves are Burning of Sodom, Black Prophecies and Perish In Flames.  Sure it’s a tad sloppy and severely underproduced, but it set a/the standard for early thrash and death metal in my opinion, especially for drummers.

When I finally saw them live in 1989, I got to help sing Merciless Death as the new singer said he didn’t know the lyrics that well.  I was the happiest acne-faced, bad-haired kid in Virginia Beach that night!

If you’re into classic metal and especially early thrash, you NEED this album.

I finally found the foto of Gene and me from 2001.  gene hoglan me

These winter tears I’ll cry for you…

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So back in 1983 (or 84?) Kelz called me and told me of some tape he picked up at the Record Bar at Tower Mall by a band called Warlord. The album was called Deliver Us. It had a colorful little cover and was on Metal Blade Records, which we were discovering at the time seemed to have the greatest bands ever. He just kept going on and on about how great it was. So finally on a Sunday during church or sunday school, he slipped it to me for listening.

wow.

WOW.

This was one of those life changers. Seriously. The voice. The guitar work. This beast on the drums. Obviously this was pre-Internet so we had no way of knowing anything about these guys.

Now I’ve mentioned plenty of times before how some of us had parents who thought that metal was evil and was going to make us kids want to sacrifice goats and paints walls with the blood and such…ok, well there was that one time, but I digress. But this album wasn’t really one of those. Sure it has a song called Lucifer’s Hammer which is about nuclear war. And sure there’s a song called Black Mass which talks about the events of a black mass, but not in a way that made us want to become Satan worshippers. Such silliness. Unfortunately our parents were more brainwashed by this stuff than we were. I guess they meant well. Whatever. My mom found Kelz’ tape that I had hidden under my mattress and threw it away. So ultimately I had to buy him another one. I bought one for me too and just learned how to hide things better. It was tough being a metal kid in my house sometimes.

So in 1984 Warlord releases “…And the Cannons of Destruction Have Begun”. It was a bit of a let down as they had a new singer and they rerecorded most of Deliver Us. The new singer just didn’t have the feel as the original guy. The upside was that there were a few new tracks with the new singer and he sounded GREAT on those. Soliloquy, Lost and Lonely Days and Aliens were all fine songs, albeit played a little sloppily.

In 1986 when I met Big Bill, I turned him onto Warlord and he flipped out over them much like we did. He ultimately ordered the video that went with the …”Cannons” LP. We watched thiat thing practically every week. When he got the video and other merch that he ordered from them, there was a handwritten note that said “Call me if there are any problems…Thanks…Mark.” and had a phone number attached to it. So one day when we were hanging out, Bill called and it ended up being the number to Mark Zonder’s house in LA. We freaked out. I got to talk to the guy a few times and he was always super cool. He told us of the final split of Warlord and how he was making some extra cash doing studio work and touring with the dance band Animotion. I remember specifically one of the phone calls that we made to him. He was in his home studio and the guys from Fates Warning were over there. Granted this is before Mark joined the band but apparently he was already good friends with those guys. Unfortunately I didn’t get to talk to the FW guys but I could hear them in the background talking and playing a little bit of music. Trippy stuff.

Warlord had a penchant for writing good ballad style songs, sad songs…Winter Tears, Soliloquy, Ms. Victoria, Lost and Loney Days. Even their upbeat songs always seems to have a tinge of sadness to them. Maybe it was in the chords that Bill Tsamis used when he was writing, maybe in the vocal delivery…but it was there.

I really don’t know how to say it in any other way than “I LOVE WARLORD”. For a band that really only had on true studio album, it had such a major impact on me. OK, sure they did a “new album” a while back with Mr. Cans from Hammerfall on vocals, but it just wasn’t quite “Warlord-ish” enough for me. That’s not to say that’s it not a good album, because it is, but it’s not…ugh…I don’t know how to say it. I think you understand.

Winter Tear’s lyrics:

The morning woke, the day was breakin’ . . . she left me far behind
She was gone, I couldn’t take it . . . no more tears to cry.

We gathered ’round her place of resting, for the last goodbye
She lay in white like a dream unending, the saddened clouds they cried . . .

Tears for all the joy we had
Tears for all the pain
All the years I have to live
These Winter Tears, I’ll cry for you until we meet again

You gave me life, you gave me lovin’
Showed me what love could bring
And every night when I think about you
I begin to sing . . .

Tears for all the joy we had
Tears for all the pain
All the years I have to live
These Winter Tears, I’ll cry for you until we meet again

Tears for all the joy we had
Tears for all the pain
These Winter Tears I have inside
Will always cry your name.
The years I have to live . . .
These Winter Tears, I’ll cry for you until we meet again

Written by The Metal Files

May 15, 2009 at 8:13 am

Tear down the walls! 66 Crush!

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Fall of 1986.  Rob Saunders and I were out running around town on a Saturday or Sunday afternoon and saw that Trick or Treat was playing at the Suffolk Plaza Theater in downtown Suffolk.  We got there just in time to see the previews and such before the movie started.  I knew the guy who was the weekend manager and he gave us free popcorn and drinks which was very cool.

The only thing I really knew about this movie was that it was a horror flick and that it had a heavy metal soundtrack.  That was enough for me to want to see it.  So the movie starts and I see Skippy Handelman from Family Ties as “the metalhead”.  OK, not very fitting but whatever.  I was tripping out in the movie because of the various posters and albums he had.  Great stuff!  Lizzy Borden!

Gene Simmons played a good role as a DJ who gets killed by Sammi Curr.  Ozzy played a TV preacher and gets killed too.  I really do love this movie.  The guy who played Sammi Curr, Tony Fields, died on my birthday in 1995.  Up until recently most websites said it was complications due to AIDS, but now I see on the IMDB site that it’s listed as “cancer secondary to the AIDS virus”.  The dude was a Solid Gold dancer before doing this movie.  Apparently he was in the Thriller video and Lionel Richie’s Running With The Night.  So yeah, AIDS most likely.  Whatever, he did a fine job in this movie.

Sure, the acting is pretty bad but the story line always hit home for me a little bit.  Being practically the only metalhead in my school for a few years, I suffered some of the same silly taunting from the jocks and preppies like Eddie Weinbauer (Skippy!) did in the movie.  Unfortunately I didn’t have a dead rock star to conjure up and reak my revenge during a school dance.  hahahaha…lucky bastards!

Oh…the soundtrack.  Fastway.   Not their greatest effort but listenable just the same.

I bought it on DVD a few years back but it is not a quality version.  I’ll have to check to see if a better version was ever put out.  One can only hope.  I think I’ll watch this movie again tonight.  It’s been about a year or so.

Sanctuary 1986 Demos

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1. Insane
2. Incubus

Clickity!

Written by The Metal Files

November 12, 2008 at 11:42 pm

"There’s no message here; you’re gonna screw up your needle, asshole."

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“I have got a secret hidden behind my eyes
A violation tragedy of violence hate and lies.
Locked deep within a chamber, dark recesses of my mind
A tribute to insanity, through hours days and time.”
Overkill’s Feel The Fire came out in 1985 and I first put ears to it in 86 via a schoolmate of mine. My junior and senior years at a Catholic high school were tolerable because I finally had another metalhead to commiserate with. He turned me on to a lot of metal that I hadn’t had a chance to hear yet. Thanks Bill, forever grateful.
Anyway, back to this album. He loaned this and Savatage’s Dungeons Are Calling to me for a weekend and took them over to Kelz’ house to check them out. Now if you have been paying attention, Kelz’ mom and my mom thought that heavy metal was evil. OK, they were on to something in a way but evil music didn’t make us bad kids. We were just kids who liked to rock out with our big white hi-top sneakers with the pant leg of our acid washed jeans tucked in behind the tongue. We weren’t out to harm anyone or ourselves, but I guess parents have a different perspective. Our dads were pretty cool about the whole thing but generally went along with what our moms said just so they wouldn’t have to hear any excessive bitching. I remember my dad once saying, “Son, listen to what your mom says then go do what you want. Just don’t do anything stupid and you’ll be fine.” Sonofabitch, pops was right again. He was awesome. RIP, man. You were the coolest.
OK, so, back to this album. Kelz’ record player was in his attic so we went up and put the Overkill on first. Remember, we were zit faced 16 year olds. I snuck the 2 records in under my arm wrapped in a flannel shirt. I’m sure his mom knew I had records but she wasn’t overly nosey that day.
We put the needle on and heard the creepy intro. It was pretty wild. We had never heard Overkill and the opening track kicks in with a wicked evil laugh from Bobby “Blitz” Ellsworth. Were a little freaked out but the whole thing just crushed. We were also tripping out on the backwards masking at the end of the album. A year or 2 later we figured out that it said, “There’s no message here; you’re gonna screw up your needle, asshole.”
We spun the record once again. Completely badass…and evil. Perfection. Gustafson’s riffs, rat Skates’ frantic drumming and DD’s clanky Rickenbacker bass tone made for a perfect background for Blitz’ vocals.
There’s not a stinker on here and I will forever recommend it to any metalhead…although if you were a true metalhead, you’d already own it. Right? Right!
By the way, I don’t think we ever spun the Savatage, which is a good record in its own right, but it’s no Feel The Fire.

Written by The Metal Files

August 20, 2008 at 5:03 pm

Posted in 1986, heavy metal, kelz' mom, overkill

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