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Graven Rite – The Summoner’s Pit (2012 demo) Review

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From the ashes of Iron Age, Integrity and featuring current members of Ancient VVisdom comes Graven Rite from Austin, TX.  I was handed cassette and CD demos a week or so ago by the singer at a St Vitus show .  I know all the guys in the band and have been told several times that I’d like it.  “Like” is a poor choice of words, really.  I love this demo.  This is good ol’ American traditional metal that sounds like it could have been on one of the old Metal Massacre compilations.  I understand this is a demo, but it really is too short.  I really like Jason’s vocals on this much more than what he did with Iron Age, which wasn’t bad either.  I just prefer cleaner vocals in general and that’s what you get with this demo.  It’s primarily mid-paced, but flows well.

I believe the 2-song cassette demo will be available in July 2012, not sure about the full 5-track CD.  If you’re into that classic Metal Blade sound, you’ll want to pick this up when it’s released.  A bit derivative?  Probably, but what isn’t these days?  It’s worth the listen for sure.

You can listen to 2 of the tracks here.

Tracks:

  1. Preface
  2. The New Faith (Wulfhere’s Prayer)
  3. The Summoner’s Pit
  4. A Slave To The Night
  5. Bloodstone Ring

cassette cover

Written by The Metal Files

June 10, 2012 at 5:56 pm

Paco de Lucia Concert Review, Austin, TX 5/2/2012

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I don’t quite know how to review this show.  My brain hurts yet I’m extremely relaxed because of the events of last night’s show with Paco de Lucia.

It was because if Al Di Meola that I found out about Paco…and really it was Riot<Di Meola<Paco.  The album Friday Night In San Francisco with Di Meola, McLaughlin and de Lucia was my introduction to his playing.

I’ve always heard that after Segovia died, Paco pretty much was deemed the greatest living guitar player.  I think that may be true.

I bought tickets for this show 14 months ago and we were 2nd row in the center section.  The amazing One World Theatre put on this show and they used The Riverbend Church for the venue since it holds a few thousand people.  The place was beautiful and the sound was great.  With our tickets we had VIP status which basically just gave us a nice dinner before the show.  All this week leading up to this show I’ve been a little giddy.  Last night’s show and this weekend’s Arch/Matheos show close some gaps for me for bands to see before I die.

After the dinner and milling around the courtyard we went in and got a nice look at the venue.  Really not a bad seat in the place.

The lights finally come down and Paco takes the stage on his own and plays for a while.  It was beautiful.  Even in his mid-60s the man showed why he has such a high status of a guitarist.  He was just phenomenal.   After about 10 minutes some of his band mates came out to add some vocals.  The vocal stylings sounded very Arabic but were clearly in Spanish.  Of course there is that whole invasion of the Moors thing and this sounded like an influence from that.  It was quite interesting.

For a few numbers one of the singers did some flamenco styled dancing and it was pretty impressive.  His percussionist was great as were the harmonica/keyboardist, the bassplayer and the 2nd guitarist.  It was a great combination of musicians and musicianship.

Paco didn’t have a vocal mic and only spoke into his guitar mic to introduce the band.  I heard rhythms tonight that I don’t think I have ever heard before.  Listening to the music and watching Paco’s leg in the count was pretty mind-numbing.   And of course Paco shredded in some spots, but not in the same way you’d see Yngwie or Di Meola do it.  It was just f’n awesome and damned near perfect.

Cameras were not allowed during the performance but I managed to catch a shot or 2 when he came out for the encore.

The show looked to be just around 3/4 full, maybe a little less, which is a pity.  He doesn’t come to the US very often and he’s not getting any younger.  Many thanks to One World Theatre for putting this on!

The Courtyard

The stage before the show started

The first adios

Encore!

The final adios.

Militia – Strength and Honor (2012) Review

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Militia just released an album of all new material a few weeks ago. Yes. Militia. You know, Militia from Austin, Texas that’s been around since forever.

Before moving here I didn’t know who they were although I had heard their singer on the track Dangerous Toy by Watchtower as Mike Soliz was the interim singer between Jason McMaster and Alan Tecchio. It wasn’t until I moved here that I ended up meeting Mike and subsequently the rest of the band as they were doing some reunion shows. The original pressing of their EP The Sybling has fetch a few thousand dollars on eBay. Cult classic to say the least.

I was excited a year or so ago when they decided to start writing for a new album. I love all of the old Militia stuff and the other stuff that Mike has been involved in (Assalant and Oblivion Knight) so I was surely excited to hear some new product.

Strength and Honor is a self-engineered and self-produced record by he boys and because of logistics, Mike also played the drums. I got my copy on Monday and on my drive to Dallas yesterday I gave it several good listens. It’s fantastic. Really. Front to back the album flows well and I think the track order is perfect. Mike’s vocals are still superb. He’s taken good care of it over the years. Mike is also an underrated drummer. I was pleasantly surprised by his drum work on the album. The riffs and solos by Tony and Jesse are really quality and as always, Robert’s bass work is top-notch.

The songs that really stand out for me are Before The Fall, We Need A New Enemy, And The Gods Made War and The Judas Dream.

Now, I only have one complaint and that’s in the production. It’s a bit rough but it’s not un-listenable. To be honest, it almost gives it more of an 80s metal feel to it. The production value doesn’t detract from the quality songwriting, though. This album has it all and I highly recommend it to any who is a fan of 80s underground power thrash. You can get the CD directly from the band HERE.

9.5/10

Thrash to destroy!

Written by The Metal Files

April 4, 2012 at 6:10 pm

Lionel Richie Concert Review, Austin, TX 3/14/2012, SxSW

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Another concert review from the “Not So Metal Files”.  My musical tastes are pretty diverse and there’s no doubting that my favorite genre of music is metal.  It’s been in my life since the mid-70s and I live for it.  But through the years there are other genres and artists that have been on my radar.  One of them is Lionel Richie.

Like most, my introduction to his music was via The Commodores in the 70s.  While I’ll never be accused of being a fan of funk, I am a fan of a good ballad and The Commodores cornered that market in those days with songs like Easy, Three Times A Lady, Sail On and Still.  Lionel decided to go solo and continued the ballads in the 80s with great songs like Truly (my fave of his), Lady (used by Kenny Rogers), Endless Love, Stuck On You, Hello and a slew of others.

A little additional background into my love for Lionel’s music…in junior high (82-84) I was in the school choir.  I had quite a nice baritone back in those days, at least Ms. Matthews thought so.  In choir, we did a lot of Lionel’s ballads and I really grew quite fond of those tunes.

Enter 2012’s SxSW Music Festival.  Earlier this week we learned that Lionel was going to be playing the awesome Moody Theater for the Billboard Magazine showcase.  For those that don’t know, SxSW gives people the option to buy a badge or wristband to give you access to all of the official shows as space allows.  I’ve never bought one as I generally can get in to most of the shows I want to see.  But this one was different.  My pals and I got into freakout mode trying to figure out how the hell we could get into the show.  We assumed that since there’s an additional 100,000 people in town, the place would have the typical long lines of badgeholders to get in.

It was announced the day before the show that they would releases some tickets to the public the day of the show.  As soon as I got off work, I met up with my friend at the bar across the street from the venue.  Shockingly to me, there was no one in line at the badge area and only 10 folks in line to buy tickets.  WTF?  We sat in line from about 6:15PM to 8PM when they finally opened up the box office.  $30 a ticket.  That’s it!  For Lionel!  If would have paid $100 with no question.  We got our tix and went in.

Have of the balcony area was closed off and the mezzanine level was for special guests only.  There were 4 opening groups and we sat through them all.

The first was Wallpaper.  A dancy, hip-hop-ish sort of thing with 2 drummers.  Not my thing but they were solid and the co-singer/dancer girl was quite cute.  I thought I heard someone say she was Sly Stone’s daughter.  I don’t know.

Up next was Vintage Trouble.  Four dudes dressed 40’s style.  Guitar, bass, drums and vocals.  It wasn’t my thing but it wasn’t bad.  The singer was definitely influenced by James Brown in the way he dressed, moved and sang.  If JB was in a rock band, this would be it.

Poliça came on next.  Another group with 2 drummers.  My friend put it best…”Everything But the Girl mixed with Dido.”  That nailed it.

Terius “The-Dream” Nash was next.  Hip hop.  My switch was off.  I wanted to see Lionel.  I will say that The-Dream’s drummer was pretty incredible though.

They opened up the mezzanine area to everyone and we bolted down there from the balcony and got some decent seats.  The place was still lightly attended.  What a shock.  But it didn’t matter.  I was there, that’s what was important.

After a quick set change, Lionel comes on.  A pre-recorded dancy version of Hello opened the show then they went right into Running With The Night.  We were in freak out mode.  After 2 or three songs, Lionel tells his band to leave the stage as he wanted to do some songs without the band.  Lionel is 62 years old.  He looked young, he sounded young and I think he made all of us feel younger again.  During Dancing On The Ceiling they broke into a little bit of Van Halen’s Jump.  Half of the set was Commodores songs.

The show was just plain awesome.  The waves of emotion that hit me during certain songs, remembering that time and place when those songs first entered our lives.  It was quite special and surely an experience I will never forget.  He said there will be an upcoming tour and that he’d be back.  I’ll be there!

Kenny Rogers came out and did Lady with him.  That was cool.  I will say I was a bit disappointed not to hear Truly.  I adore that song.  He also didn’t do Endless Love or Three Times a Lady.  Maybe next time!

For some great pro shot pictures, click here.

Here’s the setlist as I remember it, but I know it’s not in the right order and I think I may be leaving out a song or two.

What a night!

Written by The Metal Files

March 16, 2012 at 12:31 pm

Megadeth/Volbeat/Lacuna Coil Concert Review, Austin, TX 3-03-12

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Motorhead cancelled their last remaining dates from Mustaine’s Gigantour because of some lung and throat issues that Lemmy was having.  What a pisser.  I love seeing Motorhead live and coupling them with Megadeth is a super extra bonus!  But no luck.  Get well, Lem.  Next time!

We missed Lacuna Coil completely and I wasn’t bothered by that at all.  Not a fan in the least.

Volbeat comes on and they weren’t what I thought I remembered listening to online.  It was just “happy fun rock”.  First few songs kind of reeled me in then every song after that started sounding the same.  I was over it

and couldn’t wait for them to stop playing.  Annoyingly they kept doing little 5 second spats of “Ace of Spades” and it was utterly annoying.  Then at the need of their set they broke into a Slayer snippet.  I thought it was silly.  But hey, when you need a crowd to get excited, what do you play?  SLAYER.  They’re singer was good, however, and reminded me a lot of Dave Maneketti of Y&T.  The only reason I even mildly wanted to check them out was because Hank Shermann of

Hank Shermann

Mercyful Fate fame was paying guitar for this tour.  Every once in a whole you’d hear a classic Shermann fill or something, but overall he didn’t do much.  Maybe just trying to pay the bills with them?  Who knows.  At least he’s doing something, eh?  Again, I was ready for them to stop.

Time for Megadeth.  I love them for the most part.  Sure, I stayed away from the Friedman era, but the albums they have done since 2000 have all been really good.  Dave Mustaine, as I have stated before, is one of the best metal guitarists on the planet.  No, you won’t get the neo-classical widdly-diddly stuff, but the man has chops and again tonight he was on.  The band sounded great, except for the drummer.  I’ll get to him in a bit.

Dave’s voice sounded good, his playing was fucking great and he just brought a really positive energy to the whole show.  Dave Ellefson did as well.  They both looked like they were having fun.  Throw a shredder like Chris Broderick in the mix and you’ve got a potent combination of musicians.  Mustaine and Broderick are from 2 totally different schools of guitar playing.  Chris is a technical shredder where Dave is just a true player and a riff machine.  You can feel the passion in his riffs and solos.  They were just great and I am so glad I got to see them again.

Now, on to Shawn Drover and his drumming.  I’ll go ahead and say it, Dave should find a better drummer.  Drover is such a stale and boring player.  I’ve said that since the first time I saw him in Megadeth.  Not to mention the dude doesn’t play a lot of the old stuff correctly.  Personally I think he ruins Peace Sells.  He’s like

Dave's Heavenly light?

the Matt Sorum of metal.  What a fucking bore!  Jimmy Degrasso was more interesting and even Nick Menza, who I also thought was stale, was a step up from Drover.  BORING!

The Megadeth setlist was pretty good, but as always I was hoping for some more older material.  I think

because of Dave’s religious convictions, we’ll never see Looking Down The Cross or the Conjuring live ever again.  Too bad.  I was also really hoping for My Last Words, but no luck.  They did play Set The World Afire, Peace Sells, Wake Up Dead and In My Darkest Hour.  Some of the other shows also got Hook In Mouth, but oh well.  They did mix the setlist up from all of the other shows which was cool.

Again, the band brought such a positive energy that you couldn’t help but get into it.  And you know what?

DAVE MUSTAINE > METALLICA

There, I said it.  For as much as Dave has never let go of being thrown out of the biggest “metal” band on the planet, I’d argue that he’s written better albums continuously than they have.  Popularity is one thing and Metallica surely has that game won.  But quality of music and musicianship is, in my opinion of course, Mustaine’s game.

It was such an awesome show and I can’t wait to see them again…and again…and again.

Setlist:

  1. Set the World Afire
  2. Wake Up Dead
  3. Hangar 18
  4. Trust
  5. Angry Again (dedicated to Alex Jones)
  6. In My Darkest Hour
  7. She-Wolf
  8. Public Enemy No. 1
  9. Whose Life Is It Anyways?
  10. A Tout Le Monde w/Christina Scabbia
  11. Ashes In Your Mouth
  12. Sweating Bullets
  13. Head Crusher
  14. Symphony of Destruction
  15. Peace Sells
  16. No Class
  17. Holy Wars…The Punishment Due

Peace Sells...

A Tout Le Monde w/Christina Scabbia

Jr.

Chris Broderick

MegaDave

Uncle Vick showed up!

"Said I was out with the boys..."

Thank you and goodnight!

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