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Meeting Sepultura 1994

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Sepultura was on the Chaos AD tour with Fear Factory, Clutch and Fudge Tunnel in 1993/94.  I get a call on the day of the show from my friend Steve who owns Skinnies Records in Norfolk, VA and he says he’s guestlisted +1 and offers it to me.  Hell yeah!  I didn’t really care for the Chaos AD album that much but not having seen Sepultura before, I was definitely interested.  The other bands on the bill were not even mildly interesting to me.

I pick Steve up and it’s a cold rainy night in early March 1994.  We get to the Boathouse (I miss that place!) and go to the will-call window.  The girl hands Steve and envelope and tells one of the employees to see us inside.  I don’t recall getting a ticket for this one as it’s not in my ticket stub collection anywhere.  Steve put the envelope in his jacket and we go in.

The 3 opening bands were pretty dull.  I think Fear Factory was on right before Sepultura and Steve pulls the envelope out and opens it.  Two Sepultura after show backstage passes!  Score!  We were both excited and I remember Steve saying, “Damn, glad I decided to look in the envelope!”  Me too!

Sepultura comes on and they were great.  They mostly played stuff from Chaos AD and Arise but threw in Mass Hypnosis, Policia, My Inner Self and Beneath The Remains.  Score!  They were tight and entertaining.

After the show, we just hang out as people were leaving.  Several of our friends stopped to say hello and we both kept the passes under wraps until most everyone had left.  We then went to the backstage door with our passes displayed and got ushered in.  Saw some folks we knew back there and talked it up a bit.

My favorite memory was hearing someone in a thick yet higher-pitched Brazilian accent ask, “Does anybody want a beer?”  I turn around and right behind me is Max Cavalera holding 3 or 4 bottles of Beck’s beer.  I jokingly said, “Hey man, you sound like a girl!”  He laughed, handed me a beer and said, “Drink up!”

We chatted with him and the rest of the guys for a few minutes and I got them to sign the envelope that the passes came in.  They were very amiable and joked around with everyone a lot.  Steve and I were pretty worn out and left.

I’ve been pretty lucky meeting bands over the years.  And this was definitely another great experience.  Sepultura was very gracious and seemed to love playing in the States.

So, thanks to Steve and Sepultura for a great night of metal comradeship!

Sepultura backstage pass, Beck's bottle cap and autographs (click to enlarge)

Written by The Metal Files

September 11, 2010 at 7:00 pm

Asia – Concert Review – Austin, TX – August 21, 2010

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1982. I was in 6th grade at Southwestern Intermediate School in the middle of nowhere Virginia. Heat of the Moment was the number one song dominating the charts. Asia was huge already and everyone knew them. We were in some class and someone had a boom box with this song playing and one of my classmates, Kevin F., was playing along to the song on his desk. Kevin was a drummer. For as much as I was into music, I never really thought about playing an instrument until that day in class when I asked Kevin t show me what he was doing. Just as simple as that, he showed me what Carl Palmer was doing on the drums. I wanted to be a drummer. Right then. Boom. It took 2 more years before my parents actually bought me a drum set, but I finally got there. And thanks to Kevin taking 10 minutes to show me “how” to play something, a new chapter…a very important chapter of my life had begun.

For all of the following school years after that, I constantly heard, “Sean, stop banging on your desk!” “Sean, stop tapping your feet!” “Sean, stop tapping those pencils!” and so on. The drums became a way of life for me between 1984 and 2000 when I was forced to give them up due to permanent hand injuries due to drumming. I loved playing the drums and still miss it every day. Fortunately I was able to pick up the bass in 2000 and able to continue on as a musician (yes, drummers are musicians too!).

So basically it was because of Asia and Kevin that I ended up playing drums. Sure, something else probably would have happened to get me there, but that was, as I remember it, the catalyst. So…blame them!

It’s also a big reason why the debut Asia album sits so very near and dear to my tiny black heart. It’s one of those albums that I can never grow tired of, no matter how many times I hear it. Their follow-up album, Alpha, wasn’t too bad either, but the debut is the one.

Being that I was also a YES fan, thanks to my older brother, it gave me an interest in Asia. Steve Howe is a great guitarist.

When I found out a month or so ago that Asia was coming here on their Omega Tour with the original lineup, there was almost no way that I could or would miss this show. I bought tix the instant they went on sale and ended up 7th row on the left side. My friend John ended up scoring front row on the same side the day before the show. Curses! Haha. But whatever. I was there and that’s all that mattered. The guy I play bass for, Doug Morrison, also wanted to go so I ended up getting 2 tix.

The show was at the Paramount Theater here in Austin and I had only seen one other show there, Return to Forever, which was quite awesome in its own right. We get to the venue around 7ish and the band was slated to start at 7:45PM. We were both a little tired from playing a gig of our own the night before. I was checking out the merch and ended up buying the shirt for their current tour as it had the tour dates on the back. One thing I noticed after I bought it was that the band’s name was nowhere on the shirt. Odd. No biggie, I know what it is and that is all that matters.

So finally the lights go down and they open up with I Believe from the Omega album. Everyone stands up to applaud them coming on stage and then we all sat for pretty much the remainder of the show. Kind of odd sitting at a rock show, but oh well. The Paramount is an old theater and the seats aren’t very comfortable, but we suffered through it.

Asia plays songs from the debut, Astra, Phoenix and Omega. The overall sound mix wasn’t that great in my opinion. It may have been because we were 7 rows back from the mains on that one side, not sure. The drum mix got better though the night but his snare was still pretty quiet. Wetton’s bass was almost silent. I even put in earplugs to see if it would help but it didn’t.

The band looked good. I mean these guys are all in their 60s now, so you don’t expect too much. Steve Howe looked like he was about 104 years old, almost like a combination of The Cryptkeeper and Dr Jim from Taxi combined. His playing was great. Nice to see those old fingers still doing those fast runs. He was solid as a rock. He wasn’t very animated but then again he never was. He was playing a double cutaway Gibson semi-hollowbody through 2 Line 6 amps. It was cool that the band took a break and he sat down and did an acoustic solo which included Ram, a great little acoustic number of his.

John Wetton was playing an old black Gibson Victory bass through a 1×15 Ampeg combo amp. Like I said before, I never really heard much of what he was doing but saw some flashes of his talent in the runs that he was playing in a few tracks. I liked that he rarely looked at the bass, he knew what to do and where. He was, however, using a teleprompter and relied on it quite often. I’m not the biggest fan of those things in general, but hey, I guess he’s gotta do what he’s gotta do. His voice was stellar. I don’t think they tuned down at all and he was hitting almost every high note with relative ease for a 60-something year old dude.

Geoff Downes really looks the same as he always has, just a little chubbier (I feel his pain!). He had the usual 3 stacks of keyboards surrounding him and his playing was fine. He also handled all of the backing vocals. Some were synthed but most were raw and he sounded great. He’s a fine keyboardist.

Finally…Carl Palmer. In general I’ve never really paid attention to him as a drummer other than what he did on the first album to inspire. It surely wasn’t because of his “badassedness”. My opinion of his playing changed a bit last night. Even as a drummer, I usually didn’t care much for drum solos. I never did them in bands I was in and most of the time would get bored seeing them by other bands. There were always a few exceptions. Carl Palmer became one of those exceptions. His solo was tasteful and entertaining. He did a lot of jazz stuff, which is what I prefer to see in drum solos. Super fast quads and triplets and blistering double bass is just so cliché. Carl played traditional grip on his left hand the whole night and during his solo he threw in some cool Buddy Rich licks, both aurally and visually. It was pretty cool. The dude has some chops. I just wish the drums were mixed a bit better. But…nice work, Carl.  By the way, Carl looks like Richard Mulligan from the TV show “Soap”.  Pretty funny.

One thing I noticed was the interaction (or lack thereof) of the band members. I’d see Wetton and Downes make eye contact a few times and I’d see Palmer and Downes smile at each other a bit. But there was no eye contact between Howe and Wetton, not even once. I sensed a little animosity. It may also be because Howe seems like he is blind nowadays. He was wearing some thick glasses.

We found out before the show that there was a no camera policy for this night. No biggie. People were still snapping shots with their camera phones (me included). By the last 2 songs, everyone seemed to be taking pictures and Howe seemed pretty annoyed by it. He made some funny faces to a few folks who got up and walked to the stage to take pictures and actually took one guy’s camera and acted like he was taking pics of the crowd. People were laughing but I don’t think Steve was doing it to be funny at all.  I was also surprised that the show didn’t sell out.  The venue isn’t that big and there were several empty seats.

Overall the show was better than I had expected. The band took a 15 minute break mid-set and the whole show was over at 9:45PM. I was very glad that I went and it was worth the ticket price for sure.  So…Thanks Kevin.  Thanks Asia.

Here’s the setlist:

  1. I Believe
  2. Only Time Will Tell
  3. Holy War
  4. Never Again
  5. Through My Veins
  6. Don’t Cry
  7. Steve Howe Guitar Solo
  8. The Smile Has Left Your Eyes
  9. Open Your Eyes
  10. Go
  11. Time Again
  12. An Extraordinary Life
  13. End Of The World
  14. The Heat Goes On
  15. Carl Palmer Drum Solo
  16. Sole Survivor
  17. Days Like These (encore)
  18. Heat of the Moment (encore)

Asia 2010 @ The Paramount Theater, Austin, TX

Concert Review – Hirax – Austin, TX – 08/29/09

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It was 1986 and Metal Blade Records was practically the greatest metal label on the scene.  They consistently released hiraxgreat compilations like the Metal Massacre and Best of Metal Blade series.  Best of Metal Blade Volume 1 (1986) included Call Of The Gods by Hirax.  I always loved that song but for no logical reason whatsoever did I never check them out any further.  I also liked Bombs of Death from Metal Massacre 6.  There’s really no explanation as to why I didn’t follow through on these guys, and after last night I feel like I missed out on some additional great metal in the last 23 years.

So about a month or so ago I read in the local show listings that Hirax was coming to Red 7.  Even though I was not even remotely familiar with any of their material beyond the 2 aforementioned songs, I definitely wanted to see this show.  Through the years I’ve always seen Hirax playing the Euro festivals and have read interviews with Katon W. DePena and have always respected his attitude about music.  The guys has proudly been flying the flag of metal since day 1.

So I get to the club a little early to get MM6 and Best of Metal Blade 1 signed as well as my copy of “Headbangers: Worldwide Megabook of Heavy Metal” (Mark Hale, 1993).  I know the club owner pretty well and he let me go in to the green room to meet Katon and the band.  I was looking forward to this for a few reasons.  One to meet Katon, who really is a true metal legend.  The other reason was to meet Glenn Rogers, former guitar player of Deliverance.  I dug those guys back in the day.  When I went into the room, Katon was in there with his lovely wife, his bassist and guitarist Lance and Steve Harrison and some other guy that I didn’t know.  Glenn was out and about with a friend so I would catch up with him later.

Katon invited me over and we talked for a bit just about music and such and Katon asked about my book.  As he’s flipping through it reading about his band and tons of other obscure bands that are listed in the book.  He signed it and my 2 CD covers and said, “Is DRI in here?  The guy beside me if Felix from DRI.”  Felix thought they wouldn’t be in there but I knew they were.  Much to everyone’s pleasure, there was even a picture of band during the era that Felix was in it (85-90).  I hung out for a bit and asked Katon if he ever had any interactions with Billy Milano, which he had.  So I asked if he wanted to walk over to the club that Billy works in to say hello.  We popped over there for a bit and they shook hands and caught up for a few minutes then I took them over to another club so Katon could catch up with an old friend who unfortunately wasn’t there at the time.  Back to Red 7.  It was great seeing the respect this guy was getting from people in the club, some of who came from Houston and I think a few from Mexico to see this show.

I really expected a much larger crowd, especially with this being on a Saturday.  Typically the San Antonio crew would come up for a show like this but I only saw a few folks from that crowd there.  The Sword was playing up the street for the 2nd night in a row and I can’t imagine they stole much of the crowd from this show.  The club booked 4 grindcore bands to open up which I thought was a bad pairing.  I didn’t go in to check out the other bands as I’m not really a fan of the grind stuff in general.  While the grind bands were playing I got to talk to Glenn Rogers who let me know that Deliverance was going to do one more album with the original lineup sans the drummer.

But then it was time for Hirax.  It was already around 1 or 1:10 AM but the crowd had increased.  I’m guessing there were about 90 people in there.  Cover charge was $15.  Well worth it for me.  Hirax kicked in and just kicked ass.  Katon is a great frontman, reminds me a lot of Jason McMaster.  Knows to to work a crowd and keep them interested during guitar tunings and such.

I have to say that I was truly blown away and really felt a bit guilty about not having checked them out deeper.  But there’s no time like the present, right?  Their set was cut short due to time restraints and I must say I was a little let down that Call of the Gods wasn’t on the set at all.  But it didn’t matter, they were great and I hope they make their way back to Austin again.

Setlist as I remember it:

  1. El Dia De Los Muertos
  2. 100,000 Strong
  3. Blind Faith
  4. New Age of Terror
  5. Chaos and Brutality
  6. Hate, Fear and Power
  7. Broken Neck
  8. Bombs of Death
  9. El Diablo Negro
  10. Walk With Death
  11. Mouth Sewn Shut?

I am not so sure about the ones after El Diablo Negro.

Katon W. De Pena (Hirax), fat dude (me), Felix Griffin (DRI)

Quiet Riot – Metal Health (1983)

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Let’s just be straight here, I love this album.  I have since it was released.  1983.  I was 13.  It was a tough year for me…I MetalHealthQuietRiotguess 83-85 were a little difficult.  Not necessarily because of going through the typical teenage bullshit, but there were other things going on that really made those some tough years.  But hey, I got through it.  I spent a lot of days and nights listening to this album.  I used to have this little one speaker GE boombox that I would put under my pillow at night to keep listening to music as I went to sleep and so my parents wouldn’t hear it.  Not that they had a problem with QR, they just had a problem with my obsession with music.  haha  It was a thin cassette player so I only needed to remove my bottom pillow to make it fit and not kink my neck.  Usually sometime in the middle of the night the player ended up on the floor and the second pillow was back in its proper place.

I picked this up right after hearing Metal Health on the radio.  “huhuhuhuhuh, the song says bang your head.”  It was catchy.  I never cared for Cum On Feel The Noize.  It was goofy…still is.  I was never a Slade fan, but I don’t dislike them, just never really got exposed to them beyond the 2 songs that QR did, which are goofy.  Beyond the goofiness of COFTN, this album is pretty great.  Especially songs like Breathless, Run for Cover, Don’t Wanna Let You Go…the whole damned thing.  When I pop in the CD I never skip any tracks, not even COFTN, it’s just part of the flow of the record.

In 1999 I got to see them with this lineup.  They did an autograph signing earlier in the day at Mars Music and of course I went.  They were all in good spirits except for Frankie Banali who seemed to have his ass on his shoulders a bit that day.  I brought a few things to get signed like some odd QR EPs, a few CD covers and a few WASP CD covers.  Apparently Frankie didn’t have one of the WASP CDs that I brought and asked if he could have mine.  I told him no and he got a little peeved about it.  “Well I’m not signing anything else.”  “Fine, dude, no biggie,” and I finished out my time with the rest of the band who were gracious.  Cavazo gave a head nod towards Frankie and just shook his head at him in disapproval.  They had about 200 people show up to meet them which I thought was a decent showing for a concert that was getting no promotion and was at a shitty venue.

I came home after the signing to chill out for a while before the show and realized that I had 2 of the WASP CD/EPs so I brought it to the show.  We got to the Riverview Theater and I swear it looked closed.  This place was trying to get revitalized and they were bringing some decent bands there but it never seemed to take off for them.  For this show only about about 40 people showed up…FORTY PEOPLE.  I felt really bad for them.  They came out and played like there were 20,000 people there.  Kevin never once commented on the size of the crowd.  They were awesome.  After watching Cavazo play I gained a lot more respect for him as a guitarist.  That guy is really friggin’ good.

After the show the band came back out to hang out with everybody.  I was talking with Rudy Sarzo about his days with Whitesnake and such Frankie came up to me and said, “Hey, come here a second.”  “Sorry I was such a dick earlier.  I was having a bad day.”  I told him it was no big deal and pulled out the spare  copy of the WASP EP that I had and handed it to him.  He was shocked and gave me a big sweaty hug.  haha.  “Until today I didn’t even know that this EP existed.”  I ended up talking with him quite a bit for the time they hung out.  I told him that his first 2 albums with QR were big influences on me when I was learning how to play drums.  All of them were nice and Kevin seeked out every person in the room and thanked them personally for coming out.  That wasn’t the asshole Kevin Dubrow that I had read about in the ‘zines, this guy was actually nice.

It was a fun day and night and I finally got to meet a band that I had loved for 16 years.  The news of Kevin’s death in 2007 really brought me down.  I had read just prior to that that he had gotten himself clean and sober.  It was too bad that those demons continued to haunt him and that he wasn’t able to continue down that path to recovery.

RIP Kevin.

Rolling Stones Review – Bomb Scare Show – 10/06/05

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DSCN2284

As you may know if you’ve either known me for a while or read back through some of my ramblings, I am a huge Stones fan.  My #2 band of all time actually, only to be beaten out by Iron Maiden.  I finally got an oppurtunity to see them in 2005 at Scott Stadium in Charlottesville, VA.  I originally bought 5 tickets, 3 nosebleeds and 2 good ones.  I planned to use the good seats for myself and whoever I decided to bring along with me and resell the other 3 for a profit.  Yep.  Capitalist pig I am!  But…I ended up selling the 2 good seats to my friend Jeanne as she wanted to take her mom to the show.  No profit to be made.

Right about a year or so before I got the tickets, I started to frequent the Taphouse in the Ghent section of Norfolk, VA.  I had been there before with friends but never really “hung out” much there.  I liked the place and started going there mroe often for shows and such.  I lived about 25 minutes away so I didn’t do much of my partying there because of the drive.  As I was sitting at the bar one afternoon, I was talking to one of the owners, Al, about how I had some spare tix for the Stones show if he knew anyone that wanted them.  He said he’d buy them and take his guitarist along.  Done deal.  We ended up going to the show together with his brother as his guitarist bailed at the last minute.

I didn’t really know these guys that well but what the hell.  I knew a lot of people who knew them and they were good to me as a patron in my early days there.  These 2 guys play in a band called Rylo.  Rylo is a boogie/honkytonk/jazzy/upbeat type band.  Hard to classify really but they do what they do very well.  Of course in my car I only brought metal stuff to listen to.  Maiden, Dokken, Mercyful Fate, KISS, etc.  Ended up that these 2 dudes were metalheads.  It was the beginning of a wonderful relationship.

We drove to the show, a 3 hour trip, and had a blast.  We met Jeanne and her mom in town for some Italian food then parked and walked to the stadium for the show.  We parked in some dude’s yard for $20 and walked about a mile.  No biggie, the weather was perfect.

We definitely had nosebleed seats.  Trey Anastasio of Phish opened up.  B O R I N G.  I was amazed at how many people left after Trey played.  Whatever.  The Stones were the Stones.  Sloppy.  Energetic.  Funny.  To be honest, I shed a tear when they hit the stage.  Lifelong dream for me to see them.

Halfway through the set, Mick stops and does introductions then says they need to take a break per the “authorities”.   We figured someone called and complained or something.  Turned out to be a bomb threat.  They cleared the floor for the first 40-50 rows and brought in bomb sniffing dogs.  No bomb.  Of course.  The big treat for me was that they played Sweet Virginia.  They NEVER play that song.

They came out and finished their set.  From what I understand we only lost 2 songs…Infamy and The Worst.  No big deal.

We decided to drive back to Norfolk that night.  It was slow getting out of there but we had a blast.  Mountain Dews, beef jerky and Doritos all around for the ride home.  It was a blast, almost as fun as the show.

Soonafter that I moved to Ghent and the Taphouse became my place.  I ended up working there as a doorman as needed and loved every moment of it.  I made some friendships there that will last forever.  I miss that place a lot and when I go to visit Virginia, it’s usually the first place I stop in.

stones

Setlist:

  1. Start Me Up
  2. It’s Only Rock’n Roll
  3. Shattered
  4. Tumbling Dice
  5. Rough Justice
  6. Ruby Tuesday
  7. Sweet Virginia !!!! with additional sing-along after the song had ended
  8. All Down the Line !!
  9. Night Time is the Right Time
    — band intros, thru Ronnie.
    Time: 9:43pm
    “We have to take a 10 minute break, according to the authorities”. Band leaves the Stadium, they bring in bomb sniffing dogs, clear out the stage people entirely, and vacate everyone in the first third of the field and the seats at the ends of Mick’s catwalks.
    Time: 10:38pm
  10. Miss You (to second stage)
  11. Oh No, Not You Again
  12. Get Off My Cloud
  13. Honky Tonk Women (from second stage)
  14. Sympathy For The devil
  15. Midnight Rambler!
  16. Paint It Black
  17. Brown Sugar
  18. Jumping Jack Flash
  19. You Can’t Always Get What You Want (encore)
  20. Satisfaction (encore)

Download the show.

Written by The Metal Files

July 10, 2009 at 4:41 pm

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