Posts Tagged ‘wasp’
Stephen Pearcy, LA Guns, Faster Pussycat, BulletBoys Concert Review, November 22, 2014
Night #2 of the eyeliner and hairspray weekend took me to Houston, TX to see Stephen Pearcy, LA Guns, Faster Pussycat, and The BulletBoys at the sold out Warehouse Live. I had booked a room at the famed Sam Houston Hotel in downtown. What a nice hotel. The rooms have been fully modernized and while small, they are very comfortable. I’ll likely stay there again when the opportunity presents itself.
This show was a free show and all you had to do was RSVP tickets. I was supposed to be on the VIP list as well (thanks to Faster Pussycat) but it didn’t happen. No big deal. One of the reasons I was going to this show was to get The Book signed by Phil Lewis and Steve Riley of LA Guns and hopefully Stephen Pearcy. More on these developments later.
My friend from Houston picked me up and we went to grab a quick dinner near the hotel and ended up at Frank’s Pizza in downtown which was delicious. From there we went to the venue and got in about halfway through BulletBoys’ set. This place is open and spacious and the sound was probably as good as you could get in a giant concrete room with very high ceilings. Bulletboys sounded good again and the crowd was very into it. I ran into some other Austin friends there and we all hung together for most of the night.
Next up was Faster Pussycat. They are one of the few bands of this genre that I’ve always liked. I think their scenes in The Metal Years softened it up for me. I had played with them back in Virginia about 12 years ago and always love seeing them live. Taime is a character and does his job as front man very well. They opened up with Cathouse and blew right into Slip of the Tongue. They played 9 songs including 2 covers (Supersuckers and Betty Blowtorch). They were very tight, which is no surprise as this unit has been together for the better part of 18 years. It’s always a good time seeing them.
After a quick set change LA Guns took the stage opening with Show No Mercy, Sex Action and Never Enough. Their set consisted of everything you’d want and expect to hear from Phil and the guys. Their lead player is a total badass, too. That guy shreds. Phil’s voice sounded great. I was super glad to see them since I missed them in Austin a few months ago as I was going out of town very early the next morning. Twelve songs total and it was a lot of fun.
Then Stephen Pearcy comes on. Look, I’m a pretty big Ratt fan and it was never really about his voice. I love the riffs and solos those guys used to lay down (minus the silliness of songs like Way Cool Jr). Pearcy never had a great voice although it was unique. I saw Ratt with the Scorpions in 2010 and his voice sounded pretty good. Saturday night not so much. I want to be careful to not dog him out as I don’t know if he was just having a bad night, can’t sing anymore or just didn’t care to try. He seemed to be phoning it in. His backup band sounded good but the voice was killing me and many others. We decided to leave about mid-set during I’m Insane. We weren’t the only ones. People were rolling out steadily and you could hear lots of people saying how poorly Pearcy sounded.
During Pearcy’s set, I went to the merch booth to see Shawn and the Bulletboys guys as Marq hadn’t signed the book yet. He thought it was great and cheerfully signed it. Hanging out with him 2 nights in a row did change my perspective a little bit. Aaron Samson (Odin) was also at the booth and while both he and Shawn had signed the book a few years back at an Odin show in LA, he hadn’t signed my rare Odin Caution! EP. Shawn and Jeff signed it for me a few months ago before sending it to me. Aaron was glad to see it. I still needed Phil and Riley from LA Guns though. I went over the VIP area to chat with Sean a bit while Pearcy was still playing and Phil came out. Chad Stewart, Pussycat’s drummer, grabbed Phil to come over and meet me to sign the book. He signed the band photo and flipped though it a little bit and asked where he could get a copy. I told him I’d send the link. Pussycat’s guitarist, Xristian Simon, was looking backstage for Riley and couldn’t catch him before he bailed out to the hotel. No biggie. Guns come to Austin every couple of years and I’ll be sure to get them next time.
All in all it was a great night with my friend, Myra, and my Austin friends. I was tired, so tired, and just needed to get back to the hotel to crash out and that’s exactly what I did.
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- My view at the hotel
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- Faster Pussycat
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- LA Guns
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- Aaron on the Caution! EP
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- Marq Torien signs The Book!
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- Phil signs The Book!
Here are some great photos taken by Jamie Miller! Please visit his page!
Quiet Riot – Metal Health (1983)
Let’s just be straight here, I love this album. I have since it was released. 1983. I was 13. It was a tough year for me…I 
guess 83-85 were a little difficult. Not necessarily because of going through the typical teenage bullshit, but there were other things going on that really made those some tough years. But hey, I got through it. I spent a lot of days and nights listening to this album. I used to have this little one speaker GE boombox that I would put under my pillow at night to keep listening to music as I went to sleep and so my parents wouldn’t hear it. Not that they had a problem with QR, they just had a problem with my obsession with music. haha It was a thin cassette player so I only needed to remove my bottom pillow to make it fit and not kink my neck. Usually sometime in the middle of the night the player ended up on the floor and the second pillow was back in its proper place.
I picked this up right after hearing Metal Health on the radio. “huhuhuhuhuh, the song says bang your head.” It was catchy. I never cared for Cum On Feel The Noize. It was goofy…still is. I was never a Slade fan, but I don’t dislike them, just never really got exposed to them beyond the 2 songs that QR did, which are goofy. Beyond the goofiness of COFTN, this album is pretty great. Especially songs like Breathless, Run for Cover, Don’t Wanna Let You Go…the whole damned thing. When I pop in the CD I never skip any tracks, not even COFTN, it’s just part of the flow of the record.
In 1999 I got to see them with this lineup. They did an autograph signing earlier in the day at Mars Music and of course I went. They were all in good spirits except for Frankie Banali who seemed to have his ass on his shoulders a bit that day. I brought a few things to get signed like some odd QR EPs, a few CD covers and a few WASP CD covers. Apparently Frankie didn’t have one of the WASP CDs that I brought and asked if he could have mine. I told him no and he got a little peeved about it. “Well I’m not signing anything else.” “Fine, dude, no biggie,” and I finished out my time with the rest of the band who were gracious. Cavazo gave a head nod towards Frankie and just shook his head at him in disapproval. They had about 200 people show up to meet them which I thought was a decent showing for a concert that was getting no promotion and was at a shitty venue.
I came home after the signing to chill out for a while before the show and realized that I had 2 of the WASP CD/EPs so I brought it to the show. We got to the Riverview Theater and I swear it looked closed. This place was trying to get revitalized and they were bringing some decent bands there but it never seemed to take off for them. For this show only about about 40 people showed up…FORTY PEOPLE. I felt really bad for them. They came out and played like there were 20,000 people there. Kevin never once commented on the size of the crowd. They were awesome. After watching Cavazo play I gained a lot more respect for him as a guitarist. That guy is really friggin’ good.
After the show the band came back out to hang out with everybody. I was talking with Rudy Sarzo about his days with Whitesnake and such Frankie came up to me and said, “Hey, come here a second.” “Sorry I was such a dick earlier. I was having a bad day.” I told him it was no big deal and pulled out the spare copy of the WASP EP that I had and handed it to him. He was shocked and gave me a big sweaty hug. haha. “Until today I didn’t even know that this EP existed.” I ended up talking with him quite a bit for the time they hung out. I told him that his first 2 albums with QR were big influences on me when I was learning how to play drums. All of them were nice and Kevin seeked out every person in the room and thanked them personally for coming out. That wasn’t the asshole Kevin Dubrow that I had read about in the ‘zines, this guy was actually nice.
It was a fun day and night and I finally got to meet a band that I had loved for 16 years. The news of Kevin’s death in 2007 really brought me down. I had read just prior to that that he had gotten himself clean and sober. It was too bad that those demons continued to haunt him and that he wasn’t able to continue down that path to recovery.
RIP Kevin.
The torture never stops!
This album can do no wrong. Seriously. This was another one that I first heard through a former friend from high school. I was 16 (1986) and drove my ’66 Nova 4dr to his house to hang out. I believe this was the first time that we hung out and I was in awe of his record collection and his bedroom walls filled with cool metal posters.
I’m flipping through his crate of records and see the WASP S/T album and asked him to play it. I’d seena nd read about them in the ‘zines but hadn’t put ears to it yet.
WOW.
WOW!
Being blown away doesn’t really even mildly describe how hard this album hit me upon my first listen. WASP was different, especially coming from the LA scene where lipstick and hairspray was ruling the scene. I never really got into that look or sound that came along with it except for the early Crue stuff.
Sure WASP had hairspray and makeup, but it wasn’t the same. There’s not a bad song on this album at all. Sure, School Daze had some goofy lyrics, but it is still a great jam.
Blackie Lawless has a very haunting quality to his voice. It’s vicious at times. These guys were the perfect combination of power, dark tones and tasteful metal.
When I put this CD in my car, it generally stays in there for a few weeks. I never grow tired of listening to it. If I have to pick my favorite cuts on this they would have to be Hellion, Sleeping in the Fire, Tormentor and L.O.V.E. Machine.
11/10…easily.
And let’s not forget what W.A.S.P. stands for. If you look on the inner ring of the actual album, it’s spelled out as “We are sexual perverts”.
That rules.
My current guitarist saw their first 2 shows in LA…@ the Troubador I believe. There’s some footage of these shows on YouTube I believe.
The Metal Files 
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