The Metal Files

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Archive for the ‘texas’ Category

Motley Crue & Alice Cooper Concert Review, Cedar Park, TX, July 15, 2014

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Last night marked the second time I’ve seen Motley Crue (1989) and Alice Cooper (1996).  Crue was OK that night…better to say that the band was just fine, but Vince Neil wasn’t.  He’s been awful the 2 times since then that I’ve seen him with his solo band.  Cooper’s show back then was awesome as expected.  I’m not the biggest Crue fan and really only like the first 2 albums, but they do put on a decent show.  I pretty much love all Alice Cooper.

Crue announced recently that they were calling it quits for good and that they signed some sort of silly contract stating that there would be no more Crue shows after this tour.  We’ll see.  I probably wouldn’t have gone to see this had it not been announced that Alice Cooper was opening.  DONE AND DONE.  I got the presale code from Alice’s website and scored decent seats in the front center section of the relatively new Cedar Park Center.

My close friend, Trans Am (TA), and I arrived around 6PM and I was surprised at how small the venue was from the outside.  It’s pretty small inside, too.  But it’s really cool.  Not really many bad seats in the place.  We hung out in the parking lot for a few then made our way in.  We both ran into a ton of folks we know, of course.  This is the type of show that you’d see pretty much everyone you know.  We found out last minute that there was an opening band.  They weren’t worth mentioning.  zzzzzzzz.

Cooper’s front curtain goes up and his intro music begins.  We rush back into the venue, the curtain drops and they open with Hello Hooray.  Alice sounded great.  He’s not young but he still moves around like he is and his voice is still quite strong.  Since he was the opener, his set wasn’t that long but he played some of my faves like Billion Dollar Babies and Ballad of Dwight Fry.  Killer and I love the Dead were only partials which is unfortunate.  With From the Inside being my favorite Cooper album, of course I wanted some songs from that, but such is life.  His band was solid and his drummer, Glen Sobel, was awesome.  That’s no surprise since Alice never hires any slouches for his band.  They close with School’s Out and that was that.  The crowd was into it and Cooper just sounded so good.  I really hope he does another headlining tour.  I’ll travel for it if I have to.

Crue hits the stage and opens with Saints of Los Angeles.  Lots of lights for this show.  They move right into Wild Side and Primal Scream.  I will admit that Vince sounded better than I had heard in recent years…at least for the first 3/4 of the show.  The band sounded solid although I thought their mix was a little muddy.  I think that may have been on purpose.  Mick was relatively mobile, surprisingly.  The show was obviously done with backing tracks as I heard lots of rhythm guitars that weren’t being played by Mick.  Lots of additional vocal tracks beyond Vince and Nikki and the newer version of the old Nasty Habits backing singers.  On With the Show, Too Young To Fall In Love and Too Fast for Love were highlights for me.  By the time they started playing Shout at the Devil, Vince’s voice started to give out.  He’s always been good at letting the crowd sing a lot for him and last night was no different.

They had lots of pyro which was pretty cool.  Nikki had a flamethrower bass set up that was fun…and hot.

Overall the show was good and we had a blast.  What a great venue, too.  Next month I’m seeing Chicago and REO Speedwagon there.

 

 

Devo Concert Review, Austin Tx, July 2, 2014

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Admittedly I’m not a big DEVO fan, but I’m not an un-fan.  I had Freedom of Choice and Are We Not Men on vinyl but they never got much play.  That being said, friends said that the last few shows here in Austin were great so I decided to get tickets and go.

After a few songs I realized some of the quirky genius behind what they were doing.  This tour was touted as the Hardcore DEVO Tour 74′-77′.  The early stuff they were playing was noisy but still very much controlled chaos.  The band was entertaining and everything was pretty scripted, but we had a blast.

The donned blue jumpsuits and hardhats early in the set and bounced and danced around a lot for guys in their early to mid 60s.  The lineup consists of original members Mark and Bob Mothersbaugh and Gerald Casale and drummer Josh Freese who has been in the band in 1996.  They were solid and a lot of fun and just what I needed this week.

One cool thing was seeing Mark jump off the stage into the photo/security pit during Jocko Homo and half jump into the crowd to have people sing “We are Devo!” with him.

All of my iPhone pictures look like crap, so nothing really to share.  Once of these days I’ll buy another decent small camera.

 

Eternal Champion on Bandcamp

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We’ve FINALLY got our 2 songs on Bandcamp for purchase.  They’ve been remastered and sound a little different (read: better) than the version on our recent cassette release.  Only $0.99 each.  Our 7″ of this recording should be out by the end of summer.

We’ve posted our debut show on YouTube and if you’re on Facebook, follow us there, too.

Eternal Champion

Eternal Champion

Written by The Metal Files

July 15, 2013 at 9:53 am

Yes Concert Review, Austin TX 3/20/2013

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March 20, 1964. That’s my middle brother’s birthday. He died just over a year ago but he was a huge Yes fan and subsequently I became one. Yes played the Moody Theater at ACL Live last night and it would have been his 49th birthday. He especially loved Fragile and Close to the Edge and both of those albums are very special to me.

When I saw it announced that Yes was going to play The Yes Album, Close to the Edge and Going for the One in their entirety, I had to go. Especially since it was going to be at the fantastic Moody Theater. It’s my favorite venue in town.

I typically buy 2 tickets to most shows that I want to see, one for me and one to sell to a friend or to offer as a special gift. My friend Chuck is a huge Yes fan and a phenomenal bassist and he was the first I thought of when I scored front row center balcony seats. That’s my favorite spot in the theater. It was Chuck’s first time there and he liked it a lot.

The show started slightly after 8PM and they opened the show with the Close to the Edge album. I hadn’t yet seen/heard the new singer, Jon Davison. Now let me drop back and say that I’ve seen Yes twice before with Jon Anderson…one in 1998 with The Alan Parson Project(!!!) and again in 2000 with Kansas. That show in 1998 was incredible while the 2000 show left me pretty bored.

But last night I was not bored. They came out and nailed it for the most part. The new singer left me not really even noticing or even missing Anderson. Davison has the pipes and he sounded incredible. The band went right into Going for the One, and album of their that I love. I’ll admit that my 3 faves are Drama, Tormato and Going for the One. After getting through GftO, they took a 20 minute intermission.

The closed the set out with The Yes Album. It was great.

I’ll admit to getting a little verklempt during the song Close to the Edge. Memories of my brother flushed through me hard. During several songs throughout the set I got chills, mainly because of the awesomeness of the songs…mainly And You and I and Wondrous Stories.

Sound-wise, I thought the keyboards were a little overbearing and the bass was a little low in the mix. Even though it was a phenomenal show and probably the last time I’ll ever see them, they weren’t perfect. Compared to the previous shows I’ve seen, they’ve collectively lost a step. While Steve Howe is one of my favorite players, he’s always had a bit of a choppy style. Last night he was missing some notes and it even sounded like he missed his cue in a few solos. However, vocally he still sounded great. His acoustic piece, Clap, was pretty awesome. Chris Squire seemed spot on and his vocals were great, too. Finally, Alan White. He wasn’t playing with the power that I had seen before, but he is 63 and still touring, so there’s that. And again, Jon Davison’s vocals were stellar. That dude can flat out sing.

The encore was Roundabout (see below).

If they do end up touring again, I’d certainly go. Glad I got to see them again, for sure.

Written by The Metal Files

March 21, 2013 at 8:29 pm

Cheap Trick Concert Review, Austin, TX 7/29/12

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Let’s face facts.  I was never really a big Cheap Trick fan although at some point or another I owned their debut album and Dream Police.  It’s not that I didn’t like them, to be honest, I think I’ve liked every song I have ever heard by them.  But for whatever reason I just never got in to them.  I believe part of that was due to my brother Robert’s lack of interest in them in 70s and I pretty much drew my musical tastes in those days from what he fed to me.  However I do remember myaunts Diane and Debbie liking them but we only saw them once a year when we’d visit Pennsylvania.

I saw Cheap Trick one time before in 1999 at the Hampton Bay Days Festival but I was pretty far back in the crowd and couldn’t really grasp the energy.  I also don’t remember the crowd being that excited either.  When tickets went on sale for last night’s show at The Moody Theater / ACL Live, I had to get tickets for it.  That venue is awesome and has been bringing in some great shows so far.

In the early 2000s, I was playing in a band called The Renegades of Sluts (this is not a typo) and we did She’s Tight and Hello/Goodnight in our set sometimes.  Good fun.  I’ve always loved She’s Tight and was hoping we’d get to hear it.  Perusing recent setlists for Cheap Trick’s Global Warming Tour.  Last night was an off night for them while on tour with Aerosmith and they played Dallas the night before.

When I can, I try to buy extra tickets to shows.  Sometimes to resell for profit and sometimes just to go ahead and get them on presale when maybe a friend isn’t able to do it at the time.  I bought 2 for this show and ended up asking my dear friend Molly to come with me a few weeks ago.  Perfect!

We get to the show and the opener is on.  I had no interest in seeing them after listening to a few tracks on Youtube earlier in the day.  Not my bag at all.  We hung around the lounge until they were finished.  Signs were posted around the venue stating that Cheap Trick would be on at 9.  We went and found our seats and were getting excited for the show.  Molly wanted to hear Southern Girls but they ended up not playing it.  I did get to hear She’s Tight, though.

The lights go down right at 9 am the band hits the stage opening with Clock Strikes Ten.  Zander was wearing a band leader type uniform and hat for most of the show.  Nielsen is dressed like he always dresses.  I don’t know what Peterssen was dressed like, but it was out there.  He had an Elton John thing going for sure.  Unfortunately Bun E. Carlos no longer tours with the band, but Rick’s son, Daxx, has been handling the live duties for the last 2 years and did a fine job.

They played a good set and the highlights for me were certainly She’s Tight, Oh Candy, The Flame (always loved this song), I Know What I Want and Borderline.  I was a bit surprised as to how many songs I recognized.  The great thing about their music is that every song is right around 3 minutes long, old rock and roll style.  The Beatles influence on them is overt and it’s a wonder I even like them due my my disdain for the Beatles.

Robin’s voice started a wee bit rough but got stronger and stronger as the night went on.  In The Flame, he nailed the high note at the end.  I was truly shocked.  He still has a lot of power in his singing.  While I’ve never looked at Rick as a stellar player, he’s certainly solid and entertaining.  He jumps around a lot for a man who is 65.  Tom Peterssen apparently invented the 12-string bass and he used a few different ones all night.  Of course Rick used about a dozen different guitars and an 8-string bass for one song.  The whole band was really good in general.

I did notice from our balcony set that there was a piece of paper taped to the floor in front of Zander’s mic that said “AUSTIN TEXAS”.  Rick wasn’t sure where he had played last night as he stated, “Where did we play last night?  Atlanta?”  Funny.  But I guess when you’re touring that much, things get blurry.  What a wonderful problem to have, eh?

During Surrender, Rick grabbed the hand of a little kid with a mohawk and yanked him on stage.  They handed him a ton of guitar picks and he was tossing them out to the crowd.  He also helped to sing the song with Robin and knew all of the words.  It was pretty neat thing to see.

After Surrender, they left the stage.  After about 2 minutes they came back on and played 3 more songs:  Dream Police, Gonna Raise Hell and Goodnight.

It was a great show and hopefully I’ll have another chance to see them again.  I also wish I would have taken the opportunities to have seen them more in the 80s and 90s.  Such is life.

One thing I thought was weird was that during the main part of the set, security made the people in the floor seats stay at their seats, no one was allowed at the stage at all.  They were hardcore about it.  If you don’t want people rushing the stage at a rock show, put up a barricade.  Easy.  I’ve seen them used at this venue before (Megadeth anyone?).  After the encore started, everyone rushed the stage and security didn’t try to gain control again.  I also noticed that the venue was barely 3/4 full, which I found a bit surprising seeing that the place only holds a few thousand folks.  I guess they’re just not that popular here.

Go see them if you get a chance, you won’t be disappointed.

“AUSTIN TEXAS” on the paper in front of the mic

I will be the the flaaaaaame

beauty and the beast

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