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Uli Roth, Jennifer Batten & Andy Timmons Concert Review, San Antonio, TX, March 5, 2016

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Uli!  Still one of the best alive.  I had bought the meet and greet pass a few weeks ago mainly to get Jennifer Batten in The Book.  I’ve met Uli in the past and had him sign it in 2004.  Great guy.  I got lucky that Batten was out on the patio for a few minutes prior to the show and graciously signed the book.  “What’s this?”  I explained it a bit and showed her the band that she was in.  “Whoa.  That was a short-lived time in that band.”  After that I was able to put the book back in my car and not have to lug it around for the night.  Sweet!  I gave my pass to a buddy.

Prior to Andy Timmons’ set, David Klosinki from Uli’s band got up and played one song, likely from his solo album.  It was a shredder.  That guy is a pure bad ass.

Andy got on stage and played over backing tracks.  It was my first time seeing him and he’s pretty good although not anyone I’d really like to see again.

Jennifer came on playing to backing tracks as well with choreographed  video.  In case you didn’t know, she toured with Michael Jackson for years and did a few years with Jeff Beck.  Her set was enjoyable.  She’s obviously a good player.  She did one song called Cat Fight and prior to playing it pretty much stated that she was a crazy cat lady.  haha.

Uli hits the stage with a bigger band than last time as he’s added a third guitarist.  Unnecessary in my opinion, but whatever.  They opened up with Scorpions’ All Night Long and Sails of Charon.  The set consisted mostly of classic Scorpions and 2 from his solo work.  We left as the encore was starting.  It was all Hendrix stuff and apparently they did an instrumental version of Gary Moore’s Still Got the Blues.  For a set that only consisted of 12 songs, it ran almost 2 hours.

His band was fantastic and John West’s vocals were outstanding.  The third guitarist provided some great backing vocals and sang lead on Fly to the Rainbow.

The sound sucked for Uli, though.  Korova doesn’t have great sound to start with but Uli’s personal sound guy didn’t help things.  Everything was far too loud for that room.  The only time it sounded good was when I went close to the front.

The only other issue was with ticketing.  Why offer digital tickets if they’re not accepted at the door?  Even when the door guy has the list of everyone who bought a ticket.  I was directed to go across the street to the hotel and print it out.  It caused a lot of problems.  I’ll know better for that venue.

Anyway, I bought an Uli Earthquake shirt and the Scorpions Revisited CD and they gave me an Uli Roth record bag.  Anyone want it?  The actual Uli tour shirt looked horrible although it had tour dates on it.

 

 

Written by The Metal Files

March 6, 2016 at 4:58 pm

Uli Roth and Black Knights Rising Concert Review, Houston, TX, February, 13, 2015

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When I saw that the Extreme Guitar Tour was coming through Houston, on a weekend night no less, I had to make arrangements to go.  It was a tough drive since the Alice Cooper after party from the night before gave me a bad case of rock and roll pneumonia.  haha

Opening the show was a Canadian band called Old James.I couldn’t quite get a bead on them.  While I could tell that they were all proficient musicians, nothing sounded congruent.  No hooks.  They covered Thin Lizzy’s Cold Sweat but I couldn’t tell what it was until the chorus.  I heard a few other folks say the same thing.

Black Knights Rising (BKR) is a bit of a supergroup featuring Tim “Ripper” Owens (Winter’s Bane, Judas Priest, Iced Earth, Yngwie Malmsteen, Dio Disciples and many more), Craig Goldy (DIO, Giuffria, Rough Cutt), Vinny Appice (Black Sabbath, DIO, Rick Derringer), Elliott Rubison (Uli Roth, MSG, CEO of Dean Guitars) and sometimes John West (Uli Roth, Royal Hunt, Artension). Based on the BKR Facebook page, Bobby Rondinelli was slated to take over drums after February 9th. That didn’t happen. Either way, both Bobby and Vinny are both in The Book, so I was set either way.  The band comes out and opens with Death Alley Driver by Rainbow and they sound great.  This show was the final night of he tour.  Everything played was either by Deep Purple, Rainbow, Black Sabbath or DIO.  John West came out and went back and forth vocally with Owens on Burn.  They both sounded great!  Highlight for me, though, was Stand Up and Shout.  Vinny’s insane snare work always blew me away in that song and watching him that close live gave me a new appreciation for his playing.  He’s still a beast.  Goldy’s playing was spot on as well.  Effortless player and I’m glad I finally got to see him live.  Last time I saw Ripper live was on the Jugulator tour in Norfolk, VA.

Half of the crowd left after BKR.  Seriously.  Uli was up next and half of those folks left.  I’m still shaking my head over that.  His band is made up of John West, Elliott Rubison, Kofi Baker (son of Ginger Baker), David Klosinski (guitarist from one of the Sky Academy classes) and Allesandro Bertoni on keys.  Uli opens with All Night Long then in to Sails of Charon.  Holy crap.  To finally see him playing these Scorpions classics live was a dream come true.  His playing style is so fluid and relaxed.  He almost looks bored up there.  But even watching the old vids of Scorpions, he always has that look.   Klosinski played rhythm guitar and did some harmony soloing with Uli and was spot on with it.  How cool it must be to have Uli as a mentor.  John West sounded great.  There’s only one Klaus, and West wasn’t trying to imitate him.  He was a great fit.  Kofi’s drumming was great and you could tell that he and the band followed Uli’s every move.  He directed some jams with the wave of a hand, a nod or just some quick eye contact.  Seeing them play We’ll Burn the Sky and In Trance gave me goosebumps.  Maybe even a little verklempt during Burn the Sky.  I absolutely love that song.  The final 3 songs were all Hendrix covers, which is not surprising.  I’m not a Hendrix fan but respect his influence.  He’s obviously very important to Uli.  It was a great show.

After the show I got to meet Vinny and Goldy.  They were both very inquisitive about the book.  They signed on the DIO group photo that features both of them, so it was great that Vinny was there.  I also broke my own “no selfie 2015” rule.  Uli was available, too, but I had met him in 2000 and he signed the book back then.  It was also getting late and I was dog tired.  Great seeing some friends there as well.

My Life With The Scorpions

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Like most people around my age, I first heard the Scorpions with the song No One Like You as it was a radio staple in 1982. I thought it was a cool song but it didn’t spark my interest enough to delve further. Then Love at First Sting came out and EVERYONE owned it. White cassette in the standard tan Polygram tape case. Helz yeah. Lots o’ memories thinking about that. I subsequently bought World Wide Live and Savage Amusement but still didn’t go back in time with them.

If you read my Thin Lizzy post, you saw that I acquired a friend’s LP collection around 1997/1998. In that same collection were all of the pre-Love at First Sting LPs. I owned a record player at the time and started spinning. Wow. WOW. So here goes the review.

Lonesome Crow – 1972
I really dig this album. It’s dark, moody and all around weird. Lots of jazz stuff going on. Some of the songs drone on a little long but it’s a really strong debut. There are some great promo vids on YouTube from this album.
6/10

Fly to the Rainbow – 1974
Enter God…erm, I mean Ulrich Jon “Uli” Roth. This album is a complete 180 degree turn from Lonesome crow. They got upbeat and the goofy lyrics are abound. I love it! Highlights include They Need a Million, Drifting Sun and This is My Song, but there’s not a bad song on here at all.
7/10

In Trance – 1975
It blows my mind that this album is 33 years old. Uli’s guitar work really shines and their use of the double guitar is great. This is probably my favorite album of theirs. Not a stinker in the bunch. Have I mentioned how badass Uli Roth is yet? Super nice guy, too. Met him a few years ago @ Jaxx and he was super cool. I got to help load in his vintage gear. When he saw me rolling a cabinet he said, “Do you work for me now, too?” I told him that his tour manager asked for some extra hands so I offered to help. I then asked him if these cabs were the same ones he used with the Scorpions. “Definitely!” he said with a smile. I bent down and wrapped my arms around the cab and he said, “Vas zis you are doing now?” I replied with, “Uli, I’m just hugging history, man.” He laughed and thanked me for my help.
10/10

Virgin Killer – 1977
OK…WTF is with that album cover? Beyond that, this is about another flawless album with the insane guitar work from Roth. Don’t get me wrong, Rudy is a badass in his own right, but he’s no Uli. Neither is Michael Schenker. That’s right, I said it. Polar Nights, Pictured Life, Catch Your Train. The only let down would be Hellcat. Uli really should not ever be given a microphone. NEVER. Just play your strat, homie. Did you see the movie called Stoned Age? There’s a quote in there where someone says “Dude, she looks like the girl from the Virgin Killer album.” WRONG Poindexter. They should have said the In Trance cover, but fewer people would have even gotten that reference.
9/10

Taken By Force – 1978
Things started changing for the Scorps around this time. Their popularity in Germany and Japan had made them celebrities. It’s a good thing to be successful, but I think their music started suffering for it a bit. This is a fine album, but not up to snuff of the previous 2. I guess the only real stinker is He’s a Woman – She’s a Man (also covered by Helstar). I never dug this track. Steamrock Fever is a bit goofy too. Then you hear We’ll Burn the Sky and Sails of Charon and all goofiness is forgiven. Uli. Damn. Go ahead, son.
8.6/10

Lovedrive – 1979
Uli! Come back! Why hast thou forsaken us? So Matthias Jabs, eh? OK, so he was and wasn’t in the band at the time since they wanted to bring Mikey back. He lasted 3 months on tour *cough* alcoholic*cough*. In general, this is a very good album, but very different than the Uli era. Gone are the classical licks and some of the space rock tones. Enter the happy sing-a-long era. Like I said, this album is excellent for what it is, just a bit of a shock. Not a stinker in the bunch.
9/10

Animal Magnetism – 1980
This is a bit of an odd record for me. I never really liked it although the LP cover is badass. “Take that bitch!” haha. I really only like 3 songs…Falling in Love, Lady Starlight and The Zoo. I see a trend though…POWER BALLADS. Damn.
5/10

Blackout – 1982
Helz yeah. This album is badass. Funny they wrote a song called Arizona and now they live there. In case you live under a rock, Don Dokken originally recorded the vocal tracks to this album while Klaus was getting surgery done on his vocal chords or something. I’d give up all 3 of my testicles to hear his versions.
10/10

Love at First Sting – 1984
What a year for metal. 1984. Lots of good stuff. This is a really strong album and I like it front to back. It’s sort of a let down to know that Jimmy Bain played bass on the whole damned thing, but it makes sense. I think Bucholz is a lot better than Bain and always thought that the basslines on this LP were pretty weak. It all makes sense now.
9.5/10, only because it was overkilled on the radio for so long and the sing-a-long-ness.

Savage Amusement – 1988
I think I am one of the few who really likes this album. I was excited when it came out and played it incessantly for months. Lots of great songs such as Believe in Love, Love on the Run, Every Minute Every Day…the whole damned thing really.
10/10

Crazy World – 1990
Besides Send Me an Angel, I detest this album. I did see this tour, however, and they were phenomenal live.
1/10

I really didn’t bother with anything else after this but saw them again in 1999 and they were awesome. They played “We’ll Burn The Sky”! I almost shit myself. 3/4 of the crowd were clueless tot he song.

I’ll see them again given the chance as they always put on a great show. I do prefer the Uli era over the Matthias era, but both are really good.

Written by The Metal Files

December 30, 2008 at 1:36 pm