The Metal Files

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Buzzard – Exercises & Transmutations of the Applicable Techniques for the Chrome-Plated Mystical Squeegie of Destiny (1998)

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OK, this Buzzard album is even more rare and obscure than Churp!!! I have heard many of these songs live at shows and at their practices and hearing the studio versions for the first time today is absolutely making my brain hurt.  Patrick Walsh & Co. deliver another fine prog-metal-jazz-science fiction teenage crap album that really should get a proper release on CD and not just around the blogosphere.

The songs on here are all very short but transition into each other a lot like they did on Churp!!!  It’s an album that certainly needs to be heard from beginning to end.  I hear some things on hear that I didn’t really hear on the previous album…Goblin!  You know Goblin, right?  Italian prog rock band whose music was used for a ton of classic Italian horror flicks?  Maybe it’s just me, but I can hear some of that in there.

If you’re into odd timed, whacked out, progressive jazz, fusion, metal etc, then this album may even appeal to you more than Churp!!! does.

  1. The return of the Son of the 35-8Solution
  2. Blind daughters of Polyphemus
  3. Harvestors of Cust
  4. Cranial fist stench
  5. The dreaded deep doodoo motif
  6. Pythagoras
  7. The 35-8 solution
  8. Peeyurmp
  9. The coronation of King eggplanthead
  10. Exile for the house of flounderface
  11. The sun of flounderface as the rightful heir
  12. Full brown exile
  13. The Lament of simon Magus
  14. Quantum flux bedris field
  15. Probe M 87
  16. Pungent crust metaphor
  17. Circus Plantia – I. Watched them fall from the sky
  18. Circus Plantia – II. Time is like water to him
  19. Circus Plantia – III. The Corinthian picks his teeth
  20. Circus Plantia – IV. Light still bends to him
  21. Sweet grey Chitterlings
  22. Blind daughter of Polyphemus
  23. Mr.Spocks ancient vulcan secrets
  24. I.  ChicknFingrFuckr
  25. II. ChicknFingrFugato
  26. III. The stuccato Fugato Mulato
  27. The potato wedgie Mulato
  28. Mr Spocks Fragant Vulcan secret

Guitars – Patrick Walsh
Drums – Mark Henry
Bass – Kevin Anderson

Thanks to hofee (Germany) for getting these in my hands.

Download it here.

More concert shirts for sale

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Check them out here.

Rush, Frank Marino, Triumph, April Wine, AC/DC, Santana.  More to come in a few days.

Written by The Metal Files

January 16, 2010 at 3:39 pm

Arsis – Starve For The Devil (2010) – Pre-Release Review

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As much as I hate to admit it, I illegally downloaded the new Arsis from a file sharing site today.  I really don’t like doing that but this is one time that I couldn’t control myself.  In my own defense (not that there is one), I pre-ordered both versions of the new one.  OK, I’m a thief.  Call Lars Ulrich!

Anyway…I am a fanboy of certain bands and Arsis is certainly one of them.  Sucks that I haven’t seen them play since like 2005 or 2006.  WTF?  I don’t need to go back into my history with the band, it slathered through this site.

But you’re here to read my review.  Let me start with welcoming back Mike Van Dyne on the drums.  Nice work, man.  We Are the Nightmare (WATN) was my #1 album of 2008 and this album is different, but not in a bad way.  The production isn’t quite as thick as the last album meaning that the drum production isn’t over the top like on the last one.  I didn’t mind it at all but I like how this sounds.  And it has Van Dyne written all over it.

Overall the songs don’t seem as over the top as WATN but it’s kicking my ass.  This is the album I expected.  The solos and riffs are all there.  I’m only through one and a half listens but this is great.

If you’ve liked any or all of the other Arsis albums, you will not be disappointed, I promise.

Written by The Metal Files

January 15, 2010 at 6:15 pm

Paul Dianno is coming back the the USA?!

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According to published reports, Paul got his visa cleared to do a US tour.  I guess I will try to go since he will be playng a few blocks from my apartment.

My history with seeing Paul live is pretty interesting, well to me it is. 

The first time was Battlezone/Obsession in 1987 at the Boathouse in Norfolk, VA.  I loved the Battlezone records and got stoked on seeing 2 bands that I loved.  The whole time Battlezone was on stage, we were hanging out with Obsession and I never really got to check them out.  Pity.

The second time was in 1993.  The bill was Paul Dianno’s Killers and Solitude Aeturnus at the original Peppermint Beach Club in Virginia Beach, VA.  At this point, I was a HUGE Solitude fan and was more stoked on seeing them than seeing Paul.  I thought his Killers stuff was terrible.  I get to the venue early that afternoon as I was always prone to do to get some stuff signed and Solitude was inside hanging out.  I had them sign both of my cassettes(!!!).  Super cool guys.  Shortly thereafter Paul and his band came in and I had him sign my Battlezone LPs, Iron Maiden’s Live +1 (Greek pressing) and a compilation called The Best of British Rock which featured Dianno’s first post-Maiden band “Dianno” doing Antigua which was a great song.  That album also had Persian Risk on it which featured some of the guys that were in Battlezone/Killers.  Paul called his bandmates over and they all signed it and we hung out for a while.  Paul asked me if I played pool and drank beer.  Yes!  We shot pool together and drank a few pitchers of beer and just talked about stuff.  I never talked about Maiden with him other than to say that I was a big fan.  He was pretty cool.  Now, if you’ve read his book “Beast”, you’d see the other side of Paul that it seems most people saw and I got to see later than evening.

After Solitude Aeturnus played to a crowd of a whopping 30 people or so, I helped them get their gear offstage and ended up hanging out backstage with them during Dianno’s set, missing him play one more time.  About ¾ through the set we hear the music stop suddenly and one of the Solitude guys opens the backstage door.  On stage you see Graham Bath holding his jaw and Dianno says, “We’ll start playing again as soon as my guitar player stops playing like a c*nt!”  I remember looking at John Perez of Solitude and thinking WTF?  John said it was a common occurrence.  Paul talks about his habit of fighting people over stupid stuff quite a bit in his book.  I feel lucky to have survived my few hours with him unscathed!

So…2 times I’ve gone to see Paul play and missed him both time.  Hopefully in February I’ll actually get to see him play.

It was a cold night in February 1988…

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…when I met Nicko McBrain. He had come to town to do a drum clinic for Sonor Drums and Paiste Cymbals. As a zit -faced, poofy-haired kid who loved Iron Maiden more than just about anything, this clinic was like a taste of Heaven. There were only about 30 people there as Whitesnake were in town touring for the ’87 LP. I was one of 2 people who actually got to get up on stage and play his drums with him standing right there. It was awesome. During one of his rambles, he mentioned the size of the crowd being small due to Whitesnake being in town. Under my breath from the front row I said “Fuck Tommy Aldridge.” Nicko stopped his speech and said, “Steve, give that man a beer!” So his tech handed me an ice cold Heineken which I had Nicko autograph after the show. I still have that bottle, unopened and it’s all chunky inside. I didn’t drink at the time so there was no reason to open it.

Here it is:

Written by The Metal Files

January 10, 2010 at 12:16 pm

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