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ProgPower XVII Review, Atlanta, GA, September 9-10, 2016

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Four years ago, Kelz and I went to Connecticut to see Arch/Matheos.  It was a pretty magical and at the time I didn’t think it could be topped…

That was until ProgPower announced that Fates Warning would be playing all of Awaken the Guardian with the band lineup from that album.

What?

I bought 3 tickets right when they went on sale last year as it was obviously going to sell out.  Kelz was automatically in and Rodney claimed the other.  Done and done.  And I mean done!  To be truthful, Fates and Refuge (aka Rage from Germany) were the only two bands on the lineup that I really wanted to see.  Anneke Van Gierbergen, formerly of The Gathering, was a little added bonus.

Thursday:  I flew into Atlanta that evening and Kelz was already at our hotel a couple of blocks from the venue.  We decided to get a couple of drinks and I contacted my friend, Charlotte, who is also from Austin about her whereabouts and knowing that she was planning to have dinner with John Arch and his crew.  She told me they had left the restaurant already but thought he may still be there.  I looked for them when we walked in and didn’t see them and just went to the bar to grab a burger and some beers.  After being there for a bit, all of a sudden like an apparition (yes, I went there), John popped up beside me at the bar.  My favorite singer of all time standing next to us.  What an awesome surprise.  He and his friends were on their way out and it was awesome that he saw us and said hello for a few minutes before heading back to his hotel to rest for Friday’s show.  We finished our food and drinks and went back to ours as well.

Friday:  We got up and made out way down to the hotel’s worthwhile breakfast buffet.  Mmmm…bacon.  After breakfast and getting cleaned up we headed down to the venue, Center Stage, in the Midtown part of Atlanta.  Doors opened at 1:30PM and we arrived about that time to see a few friends in line from here in Texas or from other festivals that we’ve attended.  Once inside, we jumped in line for band merch to get the 30th anniversary of Awake the Guardian shirts.  Done.  Canada’s Ascendia was on stage and I peeked in for a second to see the inside of the venue area.  I wasn’t into the band at all and to be honest not into any of the other bands that weren’t named Fates Warning or Refuge.

Fates was scheduled to do a signing at 4:30PM and the line was already forming by 3.  We got in line around 3:30 and just waited it out with our stuff to get signed.  I made the joke several times about all of the prog nerds in attendance, but I’m just as much of a nerd for the stuff that I love as well.  So the pot calls the kettle black…with glee!  Once the line got going and we get to the band, Joe DiBiase stood up and gave me a hug.  I gave him a Grand Slamm box set that he didn’t have as it was a spare copy.  He was stoked.  We’re both Thin Lizzy fanatics.  I just brought the first 3 album covers as I got all of my other stuff signed in CT at the Arch/Matheos show.  A few quick words with the rest of the guys as the line behind us was long.  We were originally told 3 items only and they were starting to limit it to 2 by the time we got to the band.  We got lucky to get all of our stuff done as the line was pretty long.  After the signing, Kelz took our stuff back to the hotel.  I’ve not been feeling so great for a week or so and am thankful that he made that run a couple of times.  I didn’t go in and listen to the next couple of bands either but by the time Kelz returned, we figured we should go inside, find some seats and hunker down as the room would surely be filled for Fates.  Rodney showed up right at this time and we went in and got some good seats on the side.  We sat through Gentle Storm’s set which was utterly boring except for the 2 Gathering songs she did.  Her voice still sounds great and her band was solid but the music just didn’t do anything for me.  I literally dozed off twice.  Scar Symmetry was direct support for Fates and I dozed for a second during their set as well.  They were heavy but….but…ugh.  I can’t deal with that stuff.  They have a lead singer who sings clean-style and a separate singer who does the cookie monster vocals.  NO.  That was a tough set to sit through, but we didn’t want to lose our spots.  After their set, they showed a video announcing the lineup for next year and it was very clear that I’d not go.  Angel Dust was the only interesting band named and from what I have been told, they don’t touch their first 2 albums, so I can’t really care.

Then Fates came on and the packed house went crazy.  They opened the show with The Sorceress and played all of Awaken in its entirety.  John looked very happy to be there and very comfortable.  His interactions with the band and the crowd were great and his voice was just plain fucking awesome.  The whole band was great although there were some apparently some technical difficulties with their monitors which caused a couple of slight mishaps but no train wrecks.  It was great hearing that whole album live, especially Guardian, Fata Morgana and Giant’s Lore.  Again, John’s voice was out of this world and I think he sounded better at this show than in CT 4 years ago.  After they finished with Exodus, the stage went dark for a few minutes and they came back for a 4 song encore which included Damnation, The Apparition, Kyrie Eleison and Epitaph. Their Keep It True show had Night on Brocken in the Kyrie slot. Their setlist showed both songs but DiBiase told me after the show that it was going to be one or the other and they obviously chose Kyrie.  So many emotions and great memories during their set.  They could have played any of those first 3 albums all the way through and I would have felt the same.

After the show we went out to the street.  The entire crowd was in awe and all you could hear was everyone praising the show and with good reason.  After a few minutes out there, John comes up to me and says, “Grab your friends and come with me.”  Wait. What?  YES SIR!  So I grab Charlotte and Steve when they were coming out and the 5 of us went backstage.  I really didn’t expect that but there we were just outside of Fates’ dressing room.  I saw some other friends back there as well.  After a little bit of time, we were welcomed into the dressing room.  It was very casual and I got to speak with DiBiase and his son for quite a while.  John hung out with us for a bit.  What an awesome guy.  He’s just a dude like us…but not really.  Mike Portnoy was back there and I said hello.  He didn’t care.  haha.  I wish I would have had the Book with me, though, as he’s listed with Majesty.  Oh well.  As things were winding down back there, we got to say goodbye to the band and I got to talk to Matheos for just a minute along with Zimmerman.  The conversation was pretty humorous but that story will be left in the dressing room.  Afterwards we met up with Oliver from Keep It True and Kiri at Gladys Night’s Chicken and Waffles.  The perfect end to an incredible night.

Saturday:  Another roll through the breakfast buffet.  Their bacon is on point.  We were trying to decide if we wanted to head back to the venue to do the Anneke signing or go bumming around to some records stores.  The record store decision won out.  I found some cool stuff at Fantasyland Records and Wax N Facts Records.  After returning to the hotel and getting our Rage stuff together, we grabbed some very boring pseudo-Mexican dinner then got back to the venue right before Refuge hit the stage.  We grabbed our seats and waited for the band to start.  It was clearly obvious how under-attended Saturday’s show was.  The floor was pretty open and there were tons of available seats.  Refuge hit the stage and just blasted through their set playing only material from their era as a trio, which meant I’d not get anything from my favorite album, Execution Guaranteed.  They sounded great all the way around.  Peavey’s vocals were solid and they were obviously having a great time on stage.  I remembered about 5 or 6 of their songs and seeing the songs Don’t Fear The Winter and Refuge live were certainly highlights.  It was just a fun set overall.  Haken was on next and I popped in for a minute before getting line for the Refuge signing.  BORING.

The Refuge signing line went pretty quickly as most of the folks in front of us were just getting either their tickets signed or the festival program.  Kelz was ahead of me in line and had quite a few items and they happily signed it all.  I had them sign the Book.  The guitarist was slightly interested in it, the drummer was just happy to be there and Peavy was asking questions about it.  Another great addition!  After we finished with the signing, Haken was still playing.  Ugh.  Devin Townsend was up next but neither of us cared so we went down to the merch room for a bit, had a couple of beers, said our goodbyes and went back to the hotel where we ordered a pizza and drank a beer while reflecting on another incredible weekend that is also another one of our Mitchfests.  Then sleep.

Sunday:  What?  Yes…breakfast buffet.  My flight wasn’t until later in the day so we hit one more record store at noon and didn’t find anything of note.  Kelz dropped me off at the train station, we said our goodbyes and I headed off to the airport on a couple of different trains filled with Atlanta Falcons fans.  That was fun.  At the airport I met Malik, who was also at the festival.  Great dude that loves prog metal.  He gave me a spare copy of Serious Black’s debut that I have yet to listen to, but I will.  I love the metal connections.

As I’ve said elsewhere, this show was the tops for both of us.  I can’t think of another show that could ever come close to that again.  I said that after Arch-Matheos as well, but this was even more intense than that show.

I met a lot of new friends of friends and it was great catching up with some older friends that I don’t get to see very often.

 

Buzzard – Exercises & Transmutations of the Applicable Techniques for the Chrome-Plated Mystical Squeegie of Destiny (1998)

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OK, this Buzzard album is even more rare and obscure than Churp!!! I have heard many of these songs live at shows and at their practices and hearing the studio versions for the first time today is absolutely making my brain hurt.  Patrick Walsh & Co. deliver another fine prog-metal-jazz-science fiction teenage crap album that really should get a proper release on CD and not just around the blogosphere.

The songs on here are all very short but transition into each other a lot like they did on Churp!!!  It’s an album that certainly needs to be heard from beginning to end.  I hear some things on hear that I didn’t really hear on the previous album…Goblin!  You know Goblin, right?  Italian prog rock band whose music was used for a ton of classic Italian horror flicks?  Maybe it’s just me, but I can hear some of that in there.

If you’re into odd timed, whacked out, progressive jazz, fusion, metal etc, then this album may even appeal to you more than Churp!!! does.

  1. The return of the Son of the 35-8Solution
  2. Blind daughters of Polyphemus
  3. Harvestors of Cust
  4. Cranial fist stench
  5. The dreaded deep doodoo motif
  6. Pythagoras
  7. The 35-8 solution
  8. Peeyurmp
  9. The coronation of King eggplanthead
  10. Exile for the house of flounderface
  11. The sun of flounderface as the rightful heir
  12. Full brown exile
  13. The Lament of simon Magus
  14. Quantum flux bedris field
  15. Probe M 87
  16. Pungent crust metaphor
  17. Circus Plantia – I. Watched them fall from the sky
  18. Circus Plantia – II. Time is like water to him
  19. Circus Plantia – III. The Corinthian picks his teeth
  20. Circus Plantia – IV. Light still bends to him
  21. Sweet grey Chitterlings
  22. Blind daughter of Polyphemus
  23. Mr.Spocks ancient vulcan secrets
  24. I.  ChicknFingrFuckr
  25. II. ChicknFingrFugato
  26. III. The stuccato Fugato Mulato
  27. The potato wedgie Mulato
  28. Mr Spocks Fragant Vulcan secret

Guitars – Patrick Walsh
Drums – Mark Henry
Bass – Kevin Anderson

Thanks to hofee (Germany) for getting these in my hands.

Download it here.

Buzzard – Churp!!! (1993)

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Here’s another rarity for you fine readers out there.  Buzzard’s debut album Churp!!! on Hellhound Records.

I remember back in the early 90s going to see these guys at Kings Head Inn (RIP) on Hampton Blvd in Norfolk, VA.  A buddy of mine said, “Dude you have to see this band.  They are insane.  Their drummer is phenomenal and he’s only got one leg!”  So I went.  I was completely floored by everything that this band was doing.  They were tight.  They were erratic.  They were brilliant.  They were ugly.  Dudes that looked like street urchin gutter punks with beards and dreads.  Never got close enough to see if they smelled badly.  Didn’t matter.  They were a machine.  A force to be reckoned with.  I went to see them whenever I knew that they had a show.  With that original era of the band I think I saw them 4 or 5 times within a year or 2.  Every time I was blown away.  Never really tried to speak to the guys as they all pretty much looked like they didn’t wan to be spoken to.

Buzzard was on Hellhound Records which was primarily a doom metal label…but Buzzard was anything but a doom band.  They mixed metal with jazz, punk, Miles Davis, Zappa, Yes, Mahavishnu Orchestra, Return to Forever…

Their live show was pretty mind-numbing.  Odd times signatures, stops and starts, no real cues given to each other.  They all knew what they had to do and when.  At that time they consisted of Patrick Walsh (Guitars), AJ Long (Vocals), John Finney (Horns), Andy Brown (Bass) and Joey Rudacil (Drums).  Just insane I tell you.

Several years later I am hanging out with some friends and see Patrick Walsh from Buzzard come in the bar I was in.  I was there with his sister and didn’t realize that they were related.  Buzzard was reformed at this point as a 3-piece with Kevin Anderson on bass and Mark Henry on Drums.  Patrick and I quickly connected and started hanging out a lot.  Ultimately he became one of my best friends.  Brilliant guy.  Phenomenal guitarist.  Helluva a nice guy.  We jammed together briefly with Joey Rudacil and Todd Owens.  It only lasted about 3 or 4 practices but it was fun.  I ended up in another band with Joey a few months later and had a blast but we could never secure a singer.

Anyway, I was working the door at the Taphouse in Norfolk and Buzzard was scheduled to play their first show in 7 years.  I was fortunate enough to get to sit in on several of their practices and was blown away even more by how much their sound had progressed.  It went from the Mahavishnu-esque psychojazz to a math metal thing like Watchtower on meth. people came from up and down the east coast for this show and the place was over capacity with a line of people out the door and wrapped around the building trying to get in.  It was an incredible show.  They have done some subsequent shows but I think the last one may have been in 2007.  It’s time for more!

I keep praying that they put out a new record with the newer songs on it.  They recorded a 2nd album several years ago that never really saw the light of day.  You can listen to some of it on their website.

Churp!!! is one of the toughest releases of Hellhound’s to find nowadays.  I fortunately have 2 copies that I cherish.  The album is an incredible piece of music…of art…an experience.  AJ’s vocals are simply incredible.  If you download this, please listen to the album as a whole.  Don’t skip any of the 16 tracks.  You’d be doing yourself a great disservice.

Download it here.

Tracks:

1. Cyclops 02:28
2. Shadows Without Substance 03:03
3. The Fellowship (varieties) 04:45
4. The Given/Grinding Wheel (including, but not limited to the following) 08:38
5. Ear To The Ground 03:44
6. His Descent 01:35
7. Carpetbaggers 05:13
8. Fluorescent Orange Bag O’Goodness 02:09
9. Thirteen o’clock (frumpy smokes a fattie) 05:21
10. Escape From The Island Of Misfit Toys 06:01
11. The Secret Doctrine According To Simon 03:36
12. Grand Poo-Bah 00:48
13. The Return Of Frumpy And The Scrubby Jazz Hippies 01:55
14. Musica d’Apocryphonica (no. I adagio) 00:48
15. Savage Paisley Vortex (part I) 00:59
16. Savage Paisley Vortex (pert II) The Ritual Dance And Initiation Of Chicky Boy 07:01

Check out the vids from back in the day…

Written by The Metal Files

December 16, 2009 at 9:28 pm

Watchtower – Energetic Disassembly (1985)

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I remember clearly the first time I saw this on cassette.  It was at the Music Man at Military Circle Mall in Norfolk, VA.  WATCHThe cover was upside down as compared to how the majority of cassette j-cards were printed.  It always struck me as odd but I always felt it was intentional, especially after listening to this album at least 100 times since I first heard it.  It certainly turned my mind upside down several times.

My friends and I were pretty shocked by this one.  Most of us were into thrash ala Overkill’s Feel the Fire, Anthrax, Testament etc…but this was something different.  Something special even.

The album opens with a frenetic frantic pace with crazy guitar riffs, insane bass lines and hyperactive drumming.  They don’t stop until the end of the album.  Mix all of this with Jason McMaster’s incredible vocals that cut through all of this madness and you have a perfect technical thrash album…perhaps the first truly technical thrash album.  Some may debate that one but for me, this is the first.

While I love every song on this album, my absolute favorites are Tyrants In Distress, Violent Change, Meltdown and Argonne Forest.  The whole band really seems to just be together and well-rehearsed.  Billy White (f. Don Dokken), Doug Keyser and Rick Colaluca just flat out lay it down on this album.  Period.

I still don’t feel that this album gets enough respect although some of the major metal players loved them such as Chuck Schuldiner (RIP) and Dream Theater.  Watchtower set the standard early for technical metal.  Their popularity is Europe still seems to be pretty strong as I believe they’re playing one of the Euro-Metal fests in 2010.  It seems that they are still pretty huge in Greece.

While Control and Resistance was a good follow-up and was partially written by Billy White, a lot changed in their sound.  Ron Jarzombek (Spastic Ink) and Allan Tecchio (Hades, Non-Fiction) do a fine job, but the loss of Jason McMaster and Billy White took them down a slightly different progressive thrash metal path.  Both albums are certainly worth owning, but I have always preferred the debut.

Watchtower is in the studio recording a new album with McMaster on vocals (!!!) and I can’t wait to hear the whole thing.  Hopefully I’ll finally get to see them live.

Living here in Austin, TX now, it is great to see how much that band is loved and respected around here.  It gives me a warm tingly feeling.  It’s also pretty incredible for me to have McMaster in my Motorhead tribute band.  He’s a talented musician all the way around and bring a lot of energy to the band on rhythm guitar and backing vocals.  Certainly one of my musical idols.

If you don’t own Energetic Disassembly and you like thrash, prog-metal, RUSH on steroids, you need to own this one.

Just do it.

“Breakdown, warning – Nuclear nightmare, reality”

Vauxdvihl – To Dimension Logic (obscure prog)

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I really can’t remember exactly when I first heard this but it was undoubtedly via Kelz and Denis Gulbey of Sentinel Steel Records around 96 or 97.  Doesn’t matter.  This is a great album all the way around and pretty obscure.  Vauxdihl hail vauxdvihlfrom Melbourne, Australia.

I highly recommend checking this out if you’re a fan of Fates Warning’s Perfect Symmetry.  It reminds me a lot of that album although not quite as good.  No, this album isn’t particularly groundbreaking but it’s a nice change from all the trad and the death metal that I have been spinning lately.

Since this is very out of print and relatively hard to find, I uploaded it for your listening pleasure.  Download here.