The Metal Files

My Life. My Music. Your Voyeurism.

Posts Tagged ‘1987

Tyton – Mind Over Metal

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So back in the day there was this great music store at Military Circle Mall called The Music Man.  That’s pretty much tytonwhere we spent our allowances and paychecks in the 80s as thy typically had the coolest selection of metal.  The Music Man was pretty cool and had a really cool staff.  They also offered a replacement guarantee on their cassettes and CDs if they became defective.  We knew the staff there pretty well and if we bought something we didn’t like, they would typically let us trade it in for something else.  I was fortunate to work there for a year or so, an experience that I will never forget.

One of the cassettes I bought in 1987 was Tyton’s Mind Over Metal.  I didn’t know anything about them but they were on an Enigma sub-label which usually meant you had a pretty good chance of buying something listenable.  I played this cassette quite a bit.  They weren’t over the top awesome but this album had some pretty good songs on it like Destiny Calls, Will You Follow Me (wimpy ballad but not too bad), and the title track.  They were sort of mid-paced swords and shields style metal.  I listen to it about once or twice a year still.  It takes me back to some fun times with some former friends riding around Churchland trying to find a party or someone to buy us beer.  Those were fun days and I am amazed that the 3 of us are even still alive.   Come to find out years later that they hailed from Houston, TX and some people I know here in Austin knew those guys and even did a show or 2 with them.  Living here in Austin and getting to spend time with guys that are metal legends (to me) is pretty incredible.  Our metal round table discussions are pretty amazing.

I’ve attached the download to the album.  It was never officially released on CD but some Euro label bootlegged it a few years back and I ripped the tracks from the CD.

Download.

Written by The Metal Files

July 11, 2009 at 11:52 pm

Dark Angel – Darkness Descends

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I’m pretty sure it was spring 1987 and I was down on Atlantic Ave at the Virginia Beach Oceanfront hanging out for dark angelwhatever reason.  There was a little record store there that I can’t remember the name of.  I’m pretty sure it was an independent store and don’t hink it lasted more than a few years.  I can’t even remember if anyone was with me…maybe Robert S.  Anyhoo, we were browsing the cassettes and I saw Dark Angel’s Darkness Descends.  I immediately knew that this would be my purchase.  I had seen the ads for this in various metal mags and it was on Combat Records which had a pretty good track record of bands so far.

I remember getting in my 66′ Nova 4dr and heading back home while the tape started.  I was immediately blown away.  The drums.  Holy shit, the drums!  I remember seeing fotos in magazines of the band and the big huge drummer in shades looming over them in every foto.  I was fortunate enough to meet him earlier this decade and he was the coolest mofo in the world.

But back to this massive album.  There’s not a stinker in the bunch but my faves are Burning of Sodom, Black Prophecies and Perish In Flames.  Sure it’s a tad sloppy and severely underproduced, but it set a/the standard for early thrash and death metal in my opinion, especially for drummers.

When I finally saw them live in 1989, I got to help sing Merciless Death as the new singer said he didn’t know the lyrics that well.  I was the happiest acne-faced, bad-haired kid in Virginia Beach that night!

If you’re into classic metal and especially early thrash, you NEED this album.

I finally found the foto of Gene and me from 2001.  gene hoglan me

Renee Reviews stuff.

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So way back in 1987 when my first real band first got together, this beautiful girl with big hair (no offense Renee) Renee Roland small_57049_2009-06-16 10-22-42.671and her gorgeous friend Carla used to come over to our house on the farm and hang out during band practice. Realize that my band practiced in my bedroom…9pc Pearl drum set, 2 guitars, bass and sometimes a singer, a bed, a desk and a dresser in a roughly 12×12 room. It was pretty cramped in there. It was always fun having them over there because they were a lot prettier than us sausage heads.

A few years later I started working for VDOT as a surveyor. I had met him a time or 2 back in the band days when we would either go to Renee’s house to pick her up or drop her off. It was never a pleasurable experience but we won’t discuss that any further. Renee’s dad was one of the survey chiefs and ultimately the big boss of the survey department during my tenure as one of the “grubs”. He was always a cool guy. He ultimately moved into a position in the design section and I moved to utilities shortly after. It was cool because I got to work with him more closely. I knew that Renee had moved to LA some years before and had lost touch with her, but her Dad gave me her number when I decided to make a trip to LA to do some business with a few record labels there (Century Media and Metal Blade). Renee graciously invited me to come over and I went there the evening after we landed in LA. We ultimately went to the Hard Rock to see Wayne Kramer (MC5) do a spoken word thing with some poet dude. It was a weird show but fun to meet Wayne and hang out. Before the show, we hung out at Renee’s for a bit and I got to speak to James Hong JamesHongon the phone for a minute as he was friends with Renee. One of the folks hanging out with us that night was John Skipp who wrote Fright Night! The dude was super cool. Anyway, that night and next morning were the only times I got to see Renee when I was there as my schedule was pretty tight with the record labels, but she made my trip that much better.

We spoke a few times since 1997 but not at all in the last 5-6 years. Thanks to social networking we’re in touch again and I’m happy about it. She was/is always the coolest. Now she’s doing movie reviews for The Examiner website. Renee has a very creative mind and I highly recommend that you check out her stuff.

Click here for Renee’s movie reviews, old and new.

I Won’t Dance…The Elder’s Orient

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My introduction to the mighty Celtic Frost was through some knucklehead pal of ours named Chris Shelton. He had the cassette for The Emperor’s Return and I checked it out for a few days. I thought it was absolutely horrible. Total shit even. What was wrong with this singer? Was he trying to pinch one out or something?

Then after reading several glowing reviews of Into the Pandemonium in Aardschok America or Circus or whatever, I decided to give it a shot. I’m glad I did. This album is incredible. Very different than Emperor’s Return, which in later years was deemed to be neither a good nor bad thing.

Pandemonium came out in my senior year of high school.  A former friend from high school and I sat next to each other in Mr. Gordon’s english class and constantly caught hell for talking (about music) during class. I really wish I had kept my english book from that year as just about every page was covered in band names and song quotes, many of which came from this particular Frost LP.

A few years later I started backtracking into the older Frost albums and I am glad I did. I “got it”. Tom G. Warrior was a great songsmith. Sure a lot of the riffs were simple, but he was creating music that no one had created at the time.

I always respected Frost for trying something new with every album, even Cold Lake. Although I will say this…One In Their Pride…WTF? Just plain awful.

As for Cold lake, it’s not a great album by anyone’s standards, but I don’t consider it to be a total wash. I liked Downtown Hanoi, Juices Like Wine and Once They Were Eagles. When I met Frost back in 2006, Tom G. signed my Cold Lake CD with the word “ABOMINATION”. I told him that I liked some of it and he responded, “You’re the only fucking one who did.” haha…Tom G. Ugh!

Now back to Pandemonuim. Other than that stupid “Pride” song, this album is great. I even dug the cover of Mexican Radio (Wall of Voodoo). My favorites would be Babylon Fell, Mesmerized, Rex Irae, Inner Sanctum and I Won’t Dance.

Definitely an album that brought me a lot of joy during such a shitty year. I hated school and didn’t want to be there.

Funny thing…there was this girl we kenw named Theresa(?) that looked EXACTLY like Tom G. Poor girl. She was also such a sleaze bucket…of course we dubbed her “The Bucket”.

ha! The Bucket!

Foodeater!

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I guess it was late 1987.  I went over to my friend Don’s house to see River’s Edge on HBO.  He had cable and I believe it was a Sunday night showing of the flick.   Unfortunately it was a 9PM showing and it was also a school night.  I only got to see the first hour of it because of my stupid curfew.

The main reason any of us wanted to see the movie is because we had read that Slayer and Fates Warning were in the soundtrack.  I finally got to see it in full about a year or 2 later when I found it for rent on VHS…or maybe I bought it.  I don’t quite remember.  I just remember watching it several times; both then and now.

This is in my top 5 or 10 movies of all time.  not only because of the soundtrack, but because of the movie itself.  Crispin Glover and Dennis Hopper have some great one-liners.  “I know, Feck.  You had to kill her.  Women are evil.”  “You…know this?” and the greatest line delivered by anyone in the flick was by *gasp* Keanu Reeves (worst actor ever?  maybe).  The scene (shown below) is between Matt and Jim (Matt’s mom’s boyfriend).  Really it’s the whole conversation, but when Matt replies to Jim calling him a “mother fucker” with “foodeater!”, it’s simply awesome.

But yeah, the whole movie rules.  I think I have watched it at least 50 times and watch it at least twice a year.  Really, Glover’s character makes this movie what it is and Hopper’s performance is right behind it.  Daniel Roebuck plays  a perfect role as someone who really doesn’t give a damn about anything.  The character of Tony has a great line too.  He’s getting interviewed by a reporter talking about how it’s hard to be subjective because he knew the perpetrator in question…then he stops and says, “Oh, by the way I play guitar.”  hahaha.  Awesome!

Glover has another great line when he’s asking for gas money for his baja VW…”What, do you think this car runs on God’s own methane?”

Here’s a list of quotes:  http://www.imdb.com/title/tt0091860/quotes

If you’ve never seen it, please do so, especially if you were a metal kid of the 80s.

10/10

The wrecking crew is out of hand…

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January 1987.  Junior year at my bastard filled high school of people that primarily listened to Duran Duran, Depeche Mode, INXS, The Cure and REM.  *shudder*  There was one other metalhead in my class that year that turned me on to this album and let me borrow it.  Holy shit, what an album.  Deny the Cross kicks in and just blows your head off.  From there to the end the album never lets up.  I took a very long shower today and had this playing.  I got through the 3rd song (Fear His Name) and was steadily rocking out the whole time.  The album is incredible.  My first band used to play In Union We Stand which sounded like it was written as a single but it sill kicked ass.  I can still hear J. Rob’s voice when we would play it live…”This is a song by Ova-Keel.”  hahha.  Brings me great joy.

The overtly suggestive Fatal If Swallowed, Power Surge and Overkill II are skull crushers.  Electro-Violence is my least favorite on the album and it’s still a damn fine song.

So…thanks to Overkill for putting out a great album.  Too bad Rat Skates left after the tour.  Fortunately I got to see this tour when they opened up for Megadeth on the Peace Sells Tour, May 23, 1987…my junior prom night.  Definitely worth missing the prom to see Megadeth/Overkill @ the Boathouse (RIP).

Sucks that the original video isn’t on Youtube.

Written by The Metal Files

February 15, 2009 at 6:33 pm