Posts Tagged ‘album reviews’
White Witch – S/T 1972
Here’s an odd one from my old vinyl collection. Danile and I were at Electric Smiles Records in Virginia
Beach about 15 or so years ago rummaging through their $1 bins and I ran across both LPs from White Witch. They were automatically interesting for 2 reasons…band name and imagery. I bought them without hearing them. Why not? They were only $1 each. I think that was the same day we saw Pantera’s first 4 albums on LP as well, but they were like $15 each and I wasn’t into spending that kind of cash that day.
I had no idea what to expect from this band. Seeing that they were an early 70s band, I expected something sort of Sabbath-esque and maybe a little proggy like YES. Instead it’s a little more psychedelic with a few flashes of prog rock. Maybe a little Uriah Heep and Wishbone Ash thrown in for good measure. Overall this first eponymous album is pretty good with some catchy chorus and musical hooks here and there. I bought the CDs for these several years ago and they apparently sell for decent cash on eBay these days. I sold their 2nd CD on eBay a year or so ago for $40. I preferred the debut album so I kept it. Now it’s in the stack to be sold with much of my CD collection and I am making the transition to going almost completely digital. Interesting that they toured with Alice Cooper. That would have been a cool show to see for sure.
So if you’re into the trippy 70s rock, I highly recommend that you download this. It’s been out of print for a few years. Read up more on the band here.
I really dig the guy’s vocals. He has a Barry Gibb tenor thing sans the falsetto. Favorite tracks are You’re the One, Don’t Close Your Mind, And I’m Leaving, Illusion (double bass!) and Help Me Lord. I do tend to skip over Home Grown Girl and It’s So Nice To Be Stoned. They’re both a bit goofy but pretty normal for the time they were written.
Iron Maiden – The Final Frontier Review
I’m at a loss for words (pun intended) on trying to review this album. Anyone that knows me knows I always have words, especially when it comes to talking about music. But this is a little bit difficult. But now I am reviewing an album by my all time favorite band ever…EVER! There is no other band that could be #1 for me, it’s just not possible. But for the sake of my adoring public *cough*, I’ll try to scribble out some drivel for your voracious reading palettes.
I don’t need to go back into the annals of The Metal Files and rehash my love for Maiden, it’s all there for you to peruse on your own. But for as much as I have loved them since 1984, I have not been so blinded by fandom to think that they can do no wrong. They’ve released their share of shit over the years. What? You want that list? It’s ugly and many will disagree, but here goes:
- Seventh Son of a Seventh Son (I can tolerate it better now than when it was released, but I detested it for years upon years)
- Fear of the Dark
- The X-Factor
- Virtual XI
- Dance of Death
Did you notice that The Final Frontier didn’t make the list? Look again, it’s not up there. Don’t get me wrong, this album is not ‘awesome’ or ‘great’ or ‘brilliant’ or even ‘ground-breaking’, but it is quite a solid album…with some warts. It’s the album that I expected after A Matter of Life and Death, which I loved.
I heard 30 second clips from each of the songs about a month ago and noticed something going on with either Bruce’s voice or the production of his voice. It sounded raspy, unclear and low in the mix. I honestly thought Maiden leaked rough mixes as a joke to fool their adoring public. I was wrong. Bruce sounds tired on this which is a bit surprising as he sounded great on the tour. While I don’t hear any auto-tuner done on his voice, it is pretty clear that much of his vocals were punched in. There are too many areas where even the mighty Air Raid Siren would physically not be able to catch his breath if he tried to sing some of this stuff straight through. And that’s not a big deal, bands have been recording vocals like this for decades.
When first seeing the tracklistings and the lengths of the songs, I knew what we were going to get; lots of intros and outtros and long repetitive choruses. We get some of that on this record for sure, but it doesn’t seem as much of the repetitiveness as we’ve seen on recent recordings by “Ron Maiden and the Dixie Chickens” (aka Iron Maiden).
Something I noticed on this album and the last one is the “absence” of Steve Harris. Sure you can hear him in the intros and in the main parts of the songs clanking along on his P-bass, but where are the signature ‘Arry bass runs? I just don’t hear them and have missed that in recent years. There are some areas where Nicko’s right foot still lets you know that he’s a bad mofo, but some of his fills seems to lack the energy and creativity that my favorite drummer used to have. Yes, he’s always been “Mr. 4-on-the-floor”, but it seems to happen way too much on this album.
While it pains me to say this, my favorite track on the album was penned by Jannick Gers: The Alchemist. It’s the shortest song on the album clocking in at a mere 4’29”. It’s also the most energetic and upbeat song on the record. Everything else is mid-paced with a few bursts here and there. But still, get Jannick out of the band already! Sure he’s been there for 20 years now but make him go away.
Adrian Smith has writing credits on 6 of the 10. Some of his stuff in the classic Maiden era were Maiden’s best songs. He’s a talented guy and I loved his solo album, but what I am hearing on here doesn’t have the classic “H” feel to it. Of course, this isn’t your father’s Maiden either.
Dave Murray gets some credit on The Man Who Would Be King. Upon my first listen to that track, I thought to myself, “Self? This one must’ve been written by Dave Murray.” It just seems like a Dave song, I don’t know any better way to explain it. Neither good nor bad.
I’ve read some other reviews of this album where people are giving accolades to the closing track When The Wind Blows. It’s 10+ minutes long, Maiden’s 3rd longest song ever. In general I don’t care for it. I don’t like the way that the guitar follows the vocals or vice versa. But the last few minutes of this song give us a flash of classic Maiden.
It took me a few listens but I realized something…this album reminds me a lot of one of their older albums…No Prayer For The Dying. I’m not sure exactly why it brings back memories of that album but it does, sans the retardedly goofy lyrics of NPFTD. Since Dance of Death, Maiden has been plodding along, playing it safe. It’s worked well on some songs, on others not so much.
All in all, The Final Frontier isn’t terrible and I’ll spin it several more times before this week is over, but it won’t rank up there in my favorite Maiden albums, not even close. Still, it’s better than what some of the other “classic” metal bands have been putting out in recent years (Nostradamus anyone?). If you’ve liked Maiden’s stuff since Brave New World (or anything from the Gers era), then you will not be disappointed. If you only care for the pre-1990 stuff, don’t bother with this. It will be a waste of time for you.
6.5/10 is my rating. It could have been a lot worse, and like anything else, it could have been a lot better. I guess I really wasn’t at a loss for words…big ‘orra!
Eagles – The Long Run
This is definitely one of my “back in time” or “nostalgia” records. I can remember my oldest brother bringing it home on 8-track (late ’79 or early
’80) and playing it in his POS ’76 Mustang.
Just seeing the cover takes me back to a time when things were so much easier. We had just moved from the ‘burbs to a farm (which I was none too happy about) and I was about 10 years old. Dad had just retired from the NAVY a year before after 20 years of service. Everything was different. Dad was home more (which was great) and my brothers (6 and 8 years older than me) were getting into trouble all the time. What was a kid to do to escape a little? Music!
For whatever reason over the last few days, the song I Can’t Tell You Why has been playing over and over in my head. I love that song and it’s quite possibly one of my favorite songs of all time, definitely my favorite Eagles song.
In general I love this album but there are a few tracks that while I probably loved them as a kid, I can’t stand them now…Heartache Tonight, Those Shoes and The Greeks Don’t Want No Freaks. When the album is playing I always skip those 3.
But then there’s the rest of the album…man, what an album. The title track, In The City (although I prefer the original version from The Warriors soundtrack a little more), I Can’t Tell You Why, Disco Strangler, King of Hollywood(!!!), Teenage Jail and The Sad Cafe. All of these are such wonderfully written and performed songs. King of Hollywood definitely ranks highly for me all time as well. So dark and brooding. Love it.
While I’m not the biggest Eagles fan in the world, I certainly would say this is their best effort.





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