The Metal Files

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Posts Tagged ‘concert review

Bob Mould Concert Review, Austin, TX 4/21/2013

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For the 5th time in 13 months Bob Mould played Austin last night at the Mohawk.  His setlist has been pretty consistent lately, so no real surprises…and none were needed.  Bob’s live show is energetic and his backup band is as solid as anyone could want.  During a break, Bob introduced the band.  He told the crowd that his drummer loved “rock docs” and asked what he had just bought today.  The drummer piped up and said he had picked up one about Saxon but didn’t know anything about them.  A dude up front said, “Their big one is denim and leather brought us all together.”  Bob smiled and said, “Well, I don’t know if we can follow that one.”  haha

Fun show but only about 2/3 full.

Written by The Metal Files

April 21, 2013 at 9:47 am

SxSW 2011 Quick Hits & Misses

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I’ll post reviews of some of my favorite happenings later, but here are some quick posts about some of this year’s SxSW happenings that I found.

  • Flatstock 29 – Flatstock is a poster art show where artists from all around showcase their wares andoffer them to the public for sale.  Since my first year of attending SxSW (2007), there has been a guy there named Brian Mercer who I think is an incredible artist and a helluva a nice dude.  I think I have bought a poster from him every year and got to see him away from the art show in a few clubs during the week.  I highly recommend his work, no matter if you’re a collector or you need some work done.  Check out his site:  Mercer Rock.  There were a lot of other good artists there but most made posters for bands I had no interest in.  Local artist Billy Perkins who sings for Butcherwhite was showing as well.  He has a current collection of works in process called “77”.  I picked up his Ace Frehely poster at FunFunFunFest a few months ago and this week picked up his Alice Cooper poster.  I love his style.  He also does band posters as needed.
  • Wednesday night I wanted to get into the Warbeast/Arson Anthem show at Emo’s.  The line was insanely long and none of the bands on the whole bill were really worth waiting that long for.  I can catch Warbeast again as they play Austin pretty regularly.
  • That same Wednesday I did get to catch Chicago’s Easy Action at the Ale House.  I had seen them a year or 2 prior and enjoy their brand of garage punk rock.  I met up with my friend Diane Kamikaze from WFMU.  We met last year at VoiVod and became fast friends.  She’s awesome and I’m glad I got to see her and her friend every day during the festival.
  • I did get to see quite a few bands throughout the week that just didn’t do a thing for me.  I won’t mention any by name but here’s a photo of one band from France that was pretty terrible except for their drummer.  The caption should read, “My shorts are more FuBu than yours!”  They were a ‘metal’ band, by the way.  Luckily most of the other bands on the bill saved the night.
  • People watching during SxSW is pretty interesting.  The influx of hipsters and gutter punks is crazy.  The hipsters seem to enjoy wearing vintage 80s “fashions” that really don’t fit.  I don’t know…most of what I see on them looked bad back in the 80s and still looks bad now.  I guess everyone’s got their thing, that just isn’t mine.  I’ll stick to my 80s looks of black t-shirt, blue jeans and black boots.   I at least wash my hair and bathe regularly.  It’s also cool meeting some of the foreigners who attend the festival.  After seeing the Bobby Liebling movie “Last Days Here“, I ran into some guys from Japan who were commenting on the patches on my jacket.  I told them I was seeing Loudness pretty soon and one of the guys pulls out his travel case with a 25th anniversary Loudness sticker on it.  He mentioned that their new drummer is a friend of his.  We had a quick discussion about Japanese metal and then parted ways.  The saw me again on the street the following night and handed me a CD of some J-Pop stuff.  Nice guys.
  • Street food/food trailers are a big thing in this town nowadays and even more so during the festivals.  Simms’ BBQ trailer at the corner of 7th and Red River is top notch in my book.  Their pulled-pork sandwich with pickles and onions really tastes like a McRib.  At least this is real pork.  Everything from this place is good.  The other usual suspects did me right as well like The Hot Dog King, Kebabalicious and Jackalope.  I did hit a veggie burger place yesterday that was pretty awful.  I hadn’t eaten since the previous day and there was no line there…I now know why!  I could not add enough pickles, spicy mustard and bbq sauce to drown out the nasty drabness of that burger.  Lesson learned.  Besides eating the street food, I am pretty sure I managed to lose some weight over the last few days.  I did tons of walking and my feet and knees are aching, but it’s a good thing.
  • Saturday morning I was able to catch The Rods at Cheapo Records at 11AM.  While I’ve never been a fan of them, I wanted to go see them for posterity’s sake and to get the book signed.  Mission accomplished.  Their set was lively and some of their true fans were there and that was great to see.  They were solid, I’m just not a big fan of their style of hard rock.  Their bassist, Gary Bordonaro was really good though.  I ended up seeing Gary and Carl Canedy on the street later that night as they were loading in for another gig downtown.  Apparently Wendy Dio was in attendance for that one!  Pretty cool.
  • I got to run into a few folks that I’ve wanted to meet for a while.  On Friday I ran into Wino from St Vitus at Scoot Inn and snapped a quick photo with him.  Dude’s a legend.  I didn’t make the Vitus show that night but heard it was good.  earlier that day I went to the D’Addario showcase and to see The Alex Skolnick Trio.  It was a fun show and Alex is a damned good player.  He was giving out free copies of his latest CD.  Repping for D’Addario was Frank Aresti from Fates Warning.  Oh man.  I’m a freak for early Fates Warning and especially the John Arch era.  A friend of Frank’s told me he was going to be there so when given an oppurtunity I chatted with him a bit, snapped a photo or 2 and got him to sign the book as well.  He told me a little about the upcoming album with John Arch and how John’s vocals still sound the same after 25 years.  I can’t wait for it to come out.  Before leaving I got to snap a show with both Alex and Frank.  That will be a moment cherished forever.
  • The Texas Guitar Show was pretty weak.  Much smaller than last year and I’m sure the economy has a lot to do with that.  Nobody was making deals either.  I did find one 80s Fender Jazz bass that I was interested in and he had it listed at or slightly above book value.  I offered a few hundred less and he said “all prices are what they are.”  Fine, I put my credit card back in my wallet and moved on.

All in all this has been a fun week.  I’m super tired, my feet and knees are killing me, I think my liver stopped working and I think I could go without seeing another band for a good week or 2…but I will make one more trip out this evening when Danava plays again.  They were my highlight of the festival along with spending time with Pentagram, both of which I will post about later.

Written by The Metal Files

March 20, 2011 at 1:42 pm

Billy Cobham – Concert Review – Austin, TX – October 13, 2010

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I hate printable tickets!

 

 

Sometime in the mid-80s, I think, a friend of mine turned me on to some jazz stuff and the one band that stuck with me was Mahavishnu Orchestra.  Their album Birds of Fire remains the greatest jazz/fusion album I have ever heard.  Part of the reason, a big part really, was because of the drummer, Billy Cobham.  He was a very musical drummer and I loved his work on his first solo album, Spectrum and the Miles Davis albums Bitches Brew and Live-Evil.  He’s just a man-beast of a drummer in his chops, but he plays such a light fluid style.

That Mahavishnu album is very special to me.  When I was still drumming (84-2000), I used to practice along with Birds of Fire quite often.  No, I wasn’t able to play a lot of the stuff he was doing on there, but I tried my damnedest to play along and keep up.  It was good practice.

When I saw that he was playing at the One World Theatre here in Austin, I had to go.  I was able to score second row seats on the center aisle.  Doug Morrison came along.  I’d never been to this place but Doug mentioned several times how small and awesome it is.  He was right.  You almost feel like you’re in your own house watching a band with perfect acoustics.  The place is pretty awesome.  The sound was great.

Billy’s band consists of all foreigners, including Billy.  I never knew he was Panamanian.  The whole band was just great and one would expect no less.  But then there’s Billy.  I’ve never seen such a big drummer with such a soft style.  He proved all night that power drumming has absolutely nothing to do with how hard one hits.  He was so fluid and solid.  He did hit harder for accent in spots, but it wasn’t his main thing.  It was quite awesome to watch how he was conducting things from behind the kit.  Normally he’d play with his eyes closed, but when they were opened, it was usually to give someone a cue as to what was coming next.  In one spot he looked over to the bassist and guitar player and just said, “four” and they just nodded and smiled.  Some of the stuff they played really had that early 70s Mahavishnu feel to it.

He is so musical of a drummer and it really took me back to my playing days.  It made me miss it badly.  Not that I was even remotely a jazz/fusion style drummer, but I did try to be a little musical about it instead of just keeping the beat.  Both Doug and I sat there in awe.  For 64 years old, he is still incredibly awesome.

After the show Billy was doing an autograph signing and I didn’t bring anything as I didn’t expect him to come out and hang out.  I did have him sign my ticket and he was gracious enough to do a photo with me.  They didn’t allow cameras during the show so I have no photos of the band.  Pity.  But I do have the awesome shot below!

If this tour comes anywhere near you and you even remotely like jazz/fusion, you will not be disappointed.  Just go!  I’m even more excited about seeing John McLaughlin, Colin Hay and Al Dimeola there in the coming months.

 

Billy Cobham and yours truly. I'm obviously more excited than he is.

 

 

Asia – Concert Review – Austin, TX – August 21, 2010

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1982. I was in 6th grade at Southwestern Intermediate School in the middle of nowhere Virginia. Heat of the Moment was the number one song dominating the charts. Asia was huge already and everyone knew them. We were in some class and someone had a boom box with this song playing and one of my classmates, Kevin F., was playing along to the song on his desk. Kevin was a drummer. For as much as I was into music, I never really thought about playing an instrument until that day in class when I asked Kevin t show me what he was doing. Just as simple as that, he showed me what Carl Palmer was doing on the drums. I wanted to be a drummer. Right then. Boom. It took 2 more years before my parents actually bought me a drum set, but I finally got there. And thanks to Kevin taking 10 minutes to show me “how” to play something, a new chapter…a very important chapter of my life had begun.

For all of the following school years after that, I constantly heard, “Sean, stop banging on your desk!” “Sean, stop tapping your feet!” “Sean, stop tapping those pencils!” and so on. The drums became a way of life for me between 1984 and 2000 when I was forced to give them up due to permanent hand injuries due to drumming. I loved playing the drums and still miss it every day. Fortunately I was able to pick up the bass in 2000 and able to continue on as a musician (yes, drummers are musicians too!).

So basically it was because of Asia and Kevin that I ended up playing drums. Sure, something else probably would have happened to get me there, but that was, as I remember it, the catalyst. So…blame them!

It’s also a big reason why the debut Asia album sits so very near and dear to my tiny black heart. It’s one of those albums that I can never grow tired of, no matter how many times I hear it. Their follow-up album, Alpha, wasn’t too bad either, but the debut is the one.

Being that I was also a YES fan, thanks to my older brother, it gave me an interest in Asia. Steve Howe is a great guitarist.

When I found out a month or so ago that Asia was coming here on their Omega Tour with the original lineup, there was almost no way that I could or would miss this show. I bought tix the instant they went on sale and ended up 7th row on the left side. My friend John ended up scoring front row on the same side the day before the show. Curses! Haha. But whatever. I was there and that’s all that mattered. The guy I play bass for, Doug Morrison, also wanted to go so I ended up getting 2 tix.

The show was at the Paramount Theater here in Austin and I had only seen one other show there, Return to Forever, which was quite awesome in its own right. We get to the venue around 7ish and the band was slated to start at 7:45PM. We were both a little tired from playing a gig of our own the night before. I was checking out the merch and ended up buying the shirt for their current tour as it had the tour dates on the back. One thing I noticed after I bought it was that the band’s name was nowhere on the shirt. Odd. No biggie, I know what it is and that is all that matters.

So finally the lights go down and they open up with I Believe from the Omega album. Everyone stands up to applaud them coming on stage and then we all sat for pretty much the remainder of the show. Kind of odd sitting at a rock show, but oh well. The Paramount is an old theater and the seats aren’t very comfortable, but we suffered through it.

Asia plays songs from the debut, Astra, Phoenix and Omega. The overall sound mix wasn’t that great in my opinion. It may have been because we were 7 rows back from the mains on that one side, not sure. The drum mix got better though the night but his snare was still pretty quiet. Wetton’s bass was almost silent. I even put in earplugs to see if it would help but it didn’t.

The band looked good. I mean these guys are all in their 60s now, so you don’t expect too much. Steve Howe looked like he was about 104 years old, almost like a combination of The Cryptkeeper and Dr Jim from Taxi combined. His playing was great. Nice to see those old fingers still doing those fast runs. He was solid as a rock. He wasn’t very animated but then again he never was. He was playing a double cutaway Gibson semi-hollowbody through 2 Line 6 amps. It was cool that the band took a break and he sat down and did an acoustic solo which included Ram, a great little acoustic number of his.

John Wetton was playing an old black Gibson Victory bass through a 1×15 Ampeg combo amp. Like I said before, I never really heard much of what he was doing but saw some flashes of his talent in the runs that he was playing in a few tracks. I liked that he rarely looked at the bass, he knew what to do and where. He was, however, using a teleprompter and relied on it quite often. I’m not the biggest fan of those things in general, but hey, I guess he’s gotta do what he’s gotta do. His voice was stellar. I don’t think they tuned down at all and he was hitting almost every high note with relative ease for a 60-something year old dude.

Geoff Downes really looks the same as he always has, just a little chubbier (I feel his pain!). He had the usual 3 stacks of keyboards surrounding him and his playing was fine. He also handled all of the backing vocals. Some were synthed but most were raw and he sounded great. He’s a fine keyboardist.

Finally…Carl Palmer. In general I’ve never really paid attention to him as a drummer other than what he did on the first album to inspire. It surely wasn’t because of his “badassedness”. My opinion of his playing changed a bit last night. Even as a drummer, I usually didn’t care much for drum solos. I never did them in bands I was in and most of the time would get bored seeing them by other bands. There were always a few exceptions. Carl Palmer became one of those exceptions. His solo was tasteful and entertaining. He did a lot of jazz stuff, which is what I prefer to see in drum solos. Super fast quads and triplets and blistering double bass is just so cliché. Carl played traditional grip on his left hand the whole night and during his solo he threw in some cool Buddy Rich licks, both aurally and visually. It was pretty cool. The dude has some chops. I just wish the drums were mixed a bit better. But…nice work, Carl.  By the way, Carl looks like Richard Mulligan from the TV show “Soap”.  Pretty funny.

One thing I noticed was the interaction (or lack thereof) of the band members. I’d see Wetton and Downes make eye contact a few times and I’d see Palmer and Downes smile at each other a bit. But there was no eye contact between Howe and Wetton, not even once. I sensed a little animosity. It may also be because Howe seems like he is blind nowadays. He was wearing some thick glasses.

We found out before the show that there was a no camera policy for this night. No biggie. People were still snapping shots with their camera phones (me included). By the last 2 songs, everyone seemed to be taking pictures and Howe seemed pretty annoyed by it. He made some funny faces to a few folks who got up and walked to the stage to take pictures and actually took one guy’s camera and acted like he was taking pics of the crowd. People were laughing but I don’t think Steve was doing it to be funny at all.  I was also surprised that the show didn’t sell out.  The venue isn’t that big and there were several empty seats.

Overall the show was better than I had expected. The band took a 15 minute break mid-set and the whole show was over at 9:45PM. I was very glad that I went and it was worth the ticket price for sure.  So…Thanks Kevin.  Thanks Asia.

Here’s the setlist:

  1. I Believe
  2. Only Time Will Tell
  3. Holy War
  4. Never Again
  5. Through My Veins
  6. Don’t Cry
  7. Steve Howe Guitar Solo
  8. The Smile Has Left Your Eyes
  9. Open Your Eyes
  10. Go
  11. Time Again
  12. An Extraordinary Life
  13. End Of The World
  14. The Heat Goes On
  15. Carl Palmer Drum Solo
  16. Sole Survivor
  17. Days Like These (encore)
  18. Heat of the Moment (encore)

Asia 2010 @ The Paramount Theater, Austin, TX

Black and Blue Concert Movie Review

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Last night our local independent theater chain, The Alamo Drafthouse, played the 35mm version of  the legendary Black and Blue concert from
1980 which featured Black Sabbath and Blue Oyster Cult live in Long Island, NY.  I hadn’t seen this movie in about 20 years and had forgotten a lot about it.  For some reason I thought that there were some interviews along with the concert footage, but I was sadly mistaken.

The movie starts out with some silly little movie by BOC called Here’s Johnny.  Completely goofy.   Then the live footage starts.

Let’s clear the air here.  I’m no true BOC fan.  They have a handful of  songs that are friggin’ brilliant, but most everything else of theirs is hokey cheeseball stuff.  I’ve tried time and time again to get into them and just can’t do it save those handful of songs that I really like.  Their stage show was completely goofy.  Sure, it was 1980, but c’mon.  For the song Divine Wind, they dedicated it to the Ayatollah Khomeini and were flipping him the bird.  Yes, I know that it was a big deal when all that was going on, I remember it well.  And I guess that the news reflects in music quite often.  Remember all the songs in the last 80s and early 90s about TV preachers and such?  But still.  Too goofy for me.  Maybe had I been at the show I would not have thought the same.  The only songs that BOC did in this set that I moderately liked were Cities On Flame and Godzilla (purely for nostalgic reasons).  BOC’s stage presence is pretty boring as well.  I met those guys about 7 years ago and they were a bunch of douches.  It was at a biker rally in Virginia Beach, VA and they were doing a little meet and greet before their set.  They treated every person there like shit.  We stayed for 2 songs and left.  Fuck ’em.  But that experience plays no hand in this review.

Now, on to better things.  Black Sabbath with Ronnie James Dio.  Ronnie always seems more animated when the cameras are running.  When I saw DIO in 2002, he was lively but not cartoonish.  When I was at Radio City Music Hall (NYC) in 2007 for the filming of the Heaven and Hell DVD, he was certainly more lively.  Gotta play it up, eh?  But in this movie, he’s over the top, more so than I have ever noticed in past live footage.  Ronnie is very good with his between song banter.  He throws the horns aplenty.  He even says in one spot, “A lot of people mistake this sign for being something evil when it really just means long live rock and roll.”  They play a lot of the Ozzy era stuff and I never thought Dio sounded good on it.  Just like Ozzy would sound terrible doing the Dio era stuff.  They some Dio era stuff and it sounds pretty good.  Tony and Geezer are killing it although Tony looks wasted.  Geezer is playing an awesome BC Rich Eagle bass, unfortunately they don’t show him as much as I would like.  It was interesting watching him use a pick in a few songs.  Overall they sounded great but would have been a little greater had Bill Ward been behind the drums.  When they did N.I.B., Dio made the comment that it doesn’t stand for Nativity In Black, it just stands for N.I.B.

The crowd in the theater was about half full, not too shabby for a 10:15PM showing on a Monday night.  Tickets were $2 each.  Our whole row seemed to know each other and that was fun.  My friend and singer for local doom band Mala Suerte sat next to me.  I cracked him up when I leaned over and said, “This is definitely a night for mustache rock!”

In the end, it was cool to see this on the big screen and to hang out with some good friends while doing…but I am tired today.

Here’s the setlist:

BOC

  1. Here’s Johnny
  2. The Marshall Plan
  3. Doctor Music
  4. Cities On Flame
  5. Divine Wind
  6. Godzilla
  7. Roadhouse Blues (The Doors)
  8. Born To Be Wild (Steppenwolf)

Black Sabbath

  1. Warpigs
  2. Neon Knights
  3. N.I.B.
  4. Iron Man
  5. Paranoid
  6. Heaven and Hell
  7. Die Young

This came out on VHS and Betamax in 1980 and a few years later on Laserdisc.  It was supposedly being released on DVD in 2002 and for unknown reasons got canned.  You can view the entire show on YouTube on this girl’s channel.

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