The Metal Files

My Life. My Music. Your Voyeurism.

Archive for the ‘high school’ Category

I Won’t Dance…The Elder’s Orient

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My introduction to the mighty Celtic Frost was through some knucklehead pal of ours named Chris Shelton. He had the cassette for The Emperor’s Return and I checked it out for a few days. I thought it was absolutely horrible. Total shit even. What was wrong with this singer? Was he trying to pinch one out or something?

Then after reading several glowing reviews of Into the Pandemonium in Aardschok America or Circus or whatever, I decided to give it a shot. I’m glad I did. This album is incredible. Very different than Emperor’s Return, which in later years was deemed to be neither a good nor bad thing.

Pandemonium came out in my senior year of high school.  A former friend from high school and I sat next to each other in Mr. Gordon’s english class and constantly caught hell for talking (about music) during class. I really wish I had kept my english book from that year as just about every page was covered in band names and song quotes, many of which came from this particular Frost LP.

A few years later I started backtracking into the older Frost albums and I am glad I did. I “got it”. Tom G. Warrior was a great songsmith. Sure a lot of the riffs were simple, but he was creating music that no one had created at the time.

I always respected Frost for trying something new with every album, even Cold Lake. Although I will say this…One In Their Pride…WTF? Just plain awful.

As for Cold lake, it’s not a great album by anyone’s standards, but I don’t consider it to be a total wash. I liked Downtown Hanoi, Juices Like Wine and Once They Were Eagles. When I met Frost back in 2006, Tom G. signed my Cold Lake CD with the word “ABOMINATION”. I told him that I liked some of it and he responded, “You’re the only fucking one who did.” haha…Tom G. Ugh!

Now back to Pandemonuim. Other than that stupid “Pride” song, this album is great. I even dug the cover of Mexican Radio (Wall of Voodoo). My favorites would be Babylon Fell, Mesmerized, Rex Irae, Inner Sanctum and I Won’t Dance.

Definitely an album that brought me a lot of joy during such a shitty year. I hated school and didn’t want to be there.

Funny thing…there was this girl we kenw named Theresa(?) that looked EXACTLY like Tom G. Poor girl. She was also such a sleaze bucket…of course we dubbed her “The Bucket”.

ha! The Bucket!

The wrecking crew is out of hand…

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January 1987.  Junior year at my bastard filled high school of people that primarily listened to Duran Duran, Depeche Mode, INXS, The Cure and REM.  *shudder*  There was one other metalhead in my class that year that turned me on to this album and let me borrow it.  Holy shit, what an album.  Deny the Cross kicks in and just blows your head off.  From there to the end the album never lets up.  I took a very long shower today and had this playing.  I got through the 3rd song (Fear His Name) and was steadily rocking out the whole time.  The album is incredible.  My first band used to play In Union We Stand which sounded like it was written as a single but it sill kicked ass.  I can still hear J. Rob’s voice when we would play it live…”This is a song by Ova-Keel.”  hahha.  Brings me great joy.

The overtly suggestive Fatal If Swallowed, Power Surge and Overkill II are skull crushers.  Electro-Violence is my least favorite on the album and it’s still a damn fine song.

So…thanks to Overkill for putting out a great album.  Too bad Rat Skates left after the tour.  Fortunately I got to see this tour when they opened up for Megadeth on the Peace Sells Tour, May 23, 1987…my junior prom night.  Definitely worth missing the prom to see Megadeth/Overkill @ the Boathouse (RIP).

Sucks that the original video isn’t on Youtube.

Written by The Metal Files

February 15, 2009 at 6:33 pm

Your sudden faith is all in vain…

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Spring 1988. I was a senior in high school and one of only 2 metalheads in that school. It was a small private Catholic school in Portsmouth, VA. I really hated that school and 90% of the people in it. My 9th and 10th grade years were pretty fucking brutal. New kid in a school in which most of them had known each other since kindergarten. I had nothing in common with them. I was an outcast. It was probably partially self-imposed.

To cope with all the bullshit that comes with being an awkward teenager, I immersed myself in music even more than I normally did from just being a huge music fan at a young age. Music was my life. Music is my life.

Back to 1988. I remember reading in one of the metal mags about a band coming out called Sanctuary and that their debut was being produced by Dave Mustaine. I was a big Megadeth fan at the time so this sparked my interest even more. I went to the Music Man on Friday night which was a pretty regular routine for me and my friends. We’d get our allowances and go blow it on music.

We put it in and sat silently while riding in my ’66 Nova 4-door. We were blown away. This voice. This high shrill that was cutting through everything. Warrell Dane. Who? Exactly.

We all got super excited when we found out that they were coming in concert as the opener for Megadeth and Warlock. We were right up front for the whole show. Dane hit every note perfectly. All 3 bands were great that night. Of course the majority of the crowd was there to see Megadeth, but I was mostly there for Sanctuary and Warlock. I got blown away.

This is one album that I wish would get remastered. It sounds like Peace Sells (Megadeth), which is to say that it’s very muddy, the drums sounds like shit and I think there may be a bass guitar in there somewhere. Their follow-up disc sounded much better. So please…someone re-release this with a remix/remaster!

Die For My Sins is definitely my favorite song. The whole album is badass except for their version of White Rabbit. I detested the original and this version. After getting to know Warrell Dane several years later, it made sense why he loved the song so much. I still think it sucks.

Poor production and one silly cover song aside, this album gets a 9/10. With it coming out in 1988 in the height of the pretty boy LA metal scene, it stands heads and tails above most other albums from that year.

Written by The Metal Files

October 12, 2008 at 2:08 pm