Archive for the ‘boathouse’ Category
Goodbye to The Boathouse – RIP
These hallowed walls scream…and the walls of The Boathouse at Bessie’s Place in Norfolk, VA were certainly hallowed. Like just about anyone from that area will tell you, The Boathouse was THE place to see shows. I’ve lamented more than once on the website about how much I loved that place and some of the great shows I saw there. The national/international 80s metal scene flourished there for us kids. Megadeth, Overkill, Yngwie, Lita, Testament, Anthrax, Obsession, Sanctuary, Warlock, Metal Church, At War, Dianno’s Battlezone, Winger, Black Sabbath, King Diamond, Don Dokken, etc. Even into the 90s and 2000s I saw some great shows there like Sepultura and Motorhead. Pretty much any band that wasn’t big enough at the time to play the Hampton Coliseum or Norfolk Scope ended up at the Boathouse.
The Boathouse was finally torn down this week. Hurricane Isabel ruined it in 2003 and it never reopened. It was pretty obvious when Harbor Park was built next to it, nothing would happen there again. Pity.
Back in 2005 (or maybe 2006…whenever Gigantour played Portsmouth), I got the chance to meet Dave Mustaine at a charity softball
game. I saw Megadeth there twice: Peace Sells and So Far, So Good. Great shows. We were standing on the ball field at Harbor Park and I asked Dave if he remembered playing the Boathouse in the 80s. “That fucking dump! I hated that place!” I told him to look over the left field wall and he’d see the roof. “Good riddance!” Funny.
And really one important thing about The Boathouse for me…I saw my very first metal show there in 1985. Stryper. I was 15, my first time there and it was great. Definitely my favorite place to see shows back in those days. I think the last show I saw there was Motorhead/Supersuckers/Nashville Pussy in 2000.
RIP…and thanks for the memories, all of them were awesome.
Slayer – Seasons In The Abyss Concert Ticket And More…
Since today is the International Day of Slayer, I thought I’d post this Slayer memory.
February 17, 1991, 10 days prior to my 21st birthday. Slayer and Testament invaded The Boathouse in Norfolk, VA. Slayer was promoting Seasons In The Abyss and testament was on The Souls of Black Tour. I had seen testament at least once before and they were awesome. To this day they are one of the best bands I have ever seen and I try to catch them every chance I get. I had never seen Slayer before this night and I wasn’t much of a fan of the Seasons album but liked everything before it. I remember going to buy my ticket and complaining that it was $15. Hell, I was only making about $6.50/hr or so at the time.
It was an awesome show though. Both bands delivered. Testament was phenomenal and Slayer was probably more intense than any band I had ever seen. There were mosh pits everywhere during Slayer. Like a fool I decided to get into one at the back of the venue. I may have gone around the circle once or twice when I fell over some dude who hit the floor in front of me. My face lands square on his back and I thought I broke my nose. Luckily there was no blood but my nose has been slightly off center ever since. Damn that hurt.
On the wall in various parts of the venue were printouts as seen below with the band’s photocopied autographs. I snagged one immediately when we walked in. After the show the staff was trying to clear the parking lot and a few of use were trying to ditch them and see if we could meet some of Slayer. I was able to get about 30 seconds with Kerry King who walked out with a towel around his neck. I asked him to sign the back of this piece of paper and he asked what I thought of the show. I told him I thought it was great. He signed it, shook my hand, thanked me and got on the bus after a few other folks got to talk with him for a moment. Total class act that night. Jeff Hanneman came out and had a group of guards around him. No one got close so we bailed.
It was a pretty cool night and overall an awesome show. I got to meet Lombardo several years later and will talk about that meeting some other time.
Your sudden faith is all in vain…
Spring 1988. I was a senior in high school and one of only 2 metalheads in that school. It was a small private Catholic school in Portsmouth, VA. I really hated that school and 90% of the people in it. My 9th and 10th grade years were pretty fucking brutal. New kid in a school in which most of them had known each other since kindergarten. I had nothing in common with them. I was an outcast. It was probably partially self-imposed.
To cope with all the bullshit that comes with being an awkward teenager, I immersed myself in music even more than I normally did from just being a huge music fan at a young age. Music was my life. Music is my life.
Back to 1988. I remember reading in one of the metal mags about a band coming out called Sanctuary and that their debut was being produced by Dave Mustaine. I was a big Megadeth fan at the time so this sparked my interest even more. I went to the Music Man on Friday night which was a pretty regular routine for me and my friends. We’d get our allowances and go blow it on music.
We put it in and sat silently while riding in my ’66 Nova 4-door. We were blown away. This voice. This high shrill that was cutting through everything. Warrell Dane. Who? Exactly.
We all got super excited when we found out that they were coming in concert as the opener for Megadeth and Warlock. We were right up front for the whole show. Dane hit every note perfectly. All 3 bands were great that night. Of course the majority of the crowd was there to see Megadeth, but I was mostly there for Sanctuary and Warlock. I got blown away.
This is one album that I wish would get remastered. It sounds like Peace Sells (Megadeth), which is to say that it’s very muddy, the drums sounds like shit and I think there may be a bass guitar in there somewhere. Their follow-up disc sounded much better. So please…someone re-release this with a remix/remaster!
Die For My Sins is definitely my favorite song. The whole album is badass except for their version of White Rabbit. I detested the original and this version. After getting to know Warrell Dane several years later, it made sense why he loved the song so much. I still think it sucks.
Poor production and one silly cover song aside, this album gets a 9/10. With it coming out in 1988 in the height of the pretty boy LA metal scene, it stands heads and tails above most other albums from that year.
You must be logged in to post a comment.