The Metal Files

My Life. My Music. Your Voyeurism.

Posts Tagged ‘1991

Classic Buttons

with one comment

I was never much of a button collector but I bought a few.  Here are 2 of the 3 I know that I had.  The other was a Stryper button from 1985 (my first metal show) that I lost a few years back.

The Yngwie one came from Triumph/Yngwie 1986.  Thomas’ dad took us to the show.  He sat in the rafters while we stayed close to the front.  Triumph was on the Sport of Kings tour and Yngwie was on the Trilogy tour.  Jeff Scott Soto had come back into the band for the tour.  Don’t really know why Boals left but we were all happy to see JSS on stage.  Both bands were great.  I couldn’t afford a shirt so a button was my souvenir.

The other is from Iron Maiden/Anthrax in 1991.  I am pretty sure that I bought a Maiden shirt that likely disintegrated shortly after the show.

Yngwie and Anthrax buttons (click to enlarge)

 

Written by The Metal Files

June 18, 2011 at 7:46 pm

Slayer – Seasons In The Abyss Concert Ticket And More…

with 2 comments

Since today is the International Day of Slayer, I thought I’d post this Slayer memory.

February 17, 1991, 10 days prior to my 21st birthday.  Slayer and Testament invaded The Boathouse in Norfolk, VA.  Slayer was promoting Seasons In The Abyss and testament was on The Souls of Black Tour.  I had seen testament at least once before and they were awesome.  To this day they are one of the best bands I have ever seen and I try to catch them every chance I get.  I had never seen Slayer before this night and I wasn’t much of a fan of the Seasons album but liked everything before it.  I remember going to buy my ticket and complaining that it was $15.  Hell, I was only making about $6.50/hr or so at the time.

It was an awesome show though.  Both bands delivered.  Testament was phenomenal and Slayer was probably more intense than any band I had ever seen.  There were mosh pits everywhere during Slayer.  Like a fool I decided to get into one at the back of the venue.  I may have gone around the circle once or twice when I fell over some dude who hit the floor in front of me.  My face lands square on his back and I thought I broke my nose.  Luckily there was no blood but my nose has been slightly off center ever since.  Damn that hurt.

On the wall in various parts of the venue were printouts as seen below with the band’s photocopied autographs.  I snagged one immediately when we walked in.  After the show the staff was trying to clear the parking lot and a few of use were trying to ditch them and see if we could meet some of Slayer.  I was able to get about 30 seconds with Kerry King who walked out with a towel around his neck.  I asked him to sign the back of this piece of paper and he asked what I thought of the show.  I told him I thought it was great.  He signed it, shook my hand, thanked me and got on the bus after a few other folks got to talk with him for a moment.  Total class act that night.  Jeff Hanneman came out and had a group of guards around him.  No one got close so we bailed.

It was a pretty cool night and overall an awesome show.  I got to meet Lombardo several years later and will talk about that meeting some other time.

Slayer sign (click to enlarge)

Kerry King's autograph

Written by The Metal Files

June 6, 2011 at 8:29 pm

Dokken – Up From The Ashes

with 5 comments

I remember it like it was yesterday.  I was living in Western Branch off of Taylor Rd with my cousin.  I don’t remember album-up-from-the-ashesexactly what day it was on but it was Jan/Feb 1991 only weeks before my 21st birthday.  I believe it was a Saturday and I was driving home from somewhere listening to Z-Rock and the local affiliate comes on the air to interview Don Dokken and Mikkey Dee about their concert that night at the Boathouse in Norfolk, VA.  A former friend from high school and I had tickets and were pretty excited about the show.  I had been listening to Up From The Ashes since it came out a few months prior.

So as I am listening to them interview Don and Mikkey, I pull over to a gas station a few miles from my house and try to call the station to see if I could talk to them.  I was so damned excited that I kept fat fingering push buttons on the pay phone.  After about 3 or 4 tries I got through off air and got to talk to Don and Mikkey.  I asked if there was a way to meet Mikkey prior to the show and he told me what time to be at the Boathouse (super early).  I told him that I was a huge fan of his from the King Diamond days.  He said make sure I don’t have more than one person with me and everything would be cool.

So at this point I am flipping out (of course not on the phone but internally).  I get home a few minutes later and told my buddy what the plan was and that he had better be ready when I came by to get him.  He was notoriously slow at everything.  I told him if he wasn’t ready when I got there that I was leaving his ass behind.  Fortunately he was ready when I got there and we headed to Norfolk to the Boathouse.

We’re the first people in the lot along with the staff cars and Dokken’s bus.  Some dude came to the door of the bus and said they were coming from the hotel in a few minutes and to wait.  So we waited only a short amount of time and a minivan with Don, Mikkey Dee, John Norum and Billy White in it.  Mikkey gets out of the van and asks, “Are you Sean?”  I acknowledged and we were instantly escorted onto the bus.  So Don hands me a band photo which was already signed by Baltes (who was inside the Boathouse already).  So Don and the rest of the band sign it along with some other stuff like cassette covers and such (I hadn’t gotten into CDs yet).  He stood with us for a few minutes then hightailed it to the back of the bus to take care of stuff.  At this point I am freaking out because one of my all time favorite drummers and musical influences and standing next to me.  I don’t get start struck easily as I’ve met a lot of musicians over the years but this one was different.  This was Mikkey Dee…the guy who played drums on King Diamond’s Abigail.

We hung out for what seemed like an hour but was likely a lot less.  Talking with John Norum and Billy White was pretty neat.  Unfortunately in my giddy starstruck state I had forgotten that Billy White played on Watchtower’s debut.  To this day in my head I still hear my inner voice say, “You’re an idiot.”  Kelz reminds me of this regularly and he pointed out after the show, “Dude, how was it to meet Billy from Watchtower?”  Ummm…D’oh!  I am a Watchtower fanatic as well.  What a doofus.

But all in all, I was there to hang out with Mikkey which was the first of 3 times that I got to spend time with him, the other 2 being with Motorhead in 1993 and 2000.  Will post about those meetings some other time.

In my conversation with Mikkey, I noticed he was wearing an Abigail backstage pass.  It had one of the heavenly aura’s around it.  haha.  So being the fanboy that I was that night, we talked about drums and about some certain aspects of his playing that I tried to emulate.  I asked him if he was going to do a drum solo and he said there would be one.  I asked him if he could incorporate the intro to Welcome Home from the Them album.  He said, “That’s a good idea, we’ll see.”

So the opening act was on the stage at this point and it was time for us to get off the bus so they could get ready.  I can’t overstate how accommodating these guys were.  I honestly didn’t even need to see the show after that!  But we went in and caught the 2nd half of the set by The Blonz.  Wow.  They were just awful.  One of the worst bands I have ever seen.

So we make our way towards the front of the stage and got on the barricade at stage left which ultimately was in plain view of Mikkey when he was on the kit.  Perfect!

So out comes the band and they rip into their set.  They were absolutely incredible and it was one of the tightest sets I have ever seen by any band.  Watching Mikkey slay the drums and both Norum and White manhandling their guitars with such precision was pretty incredible.  Definitely one of the best shows I have ever seen.  Don’s vocals were clean and clear and he was an excellent frontman.

So I guess this blog is really about an album review, eh?  I’ve seen this one get trashed in many a metal review and I could never understand why.  It’s easily Don’s second best album behind Tooth and Nail and pretty much the last album that he actually sounded really good on.  Initially the main reason I bought the album was because I had read that Mikkey Dee was drumming on it.

Even with some of the slightly cheesier songs like Mirror Mirror and Stay, it’s an album of which I don’t ever feel the need to skip any of the tracks.  Good production as well.

This one gets 10/10.

Rapeman – Two Nuns and a Pack Mule

with one comment

In 1992 I went to visit Kelz at JMU during his junior year there.  I drove my sweet 82 Trans Am up there.  It was a total blast, at least what I remember of it.  266-1Actually, there are only a few memories of that weekend in tact in my brain.  We drank a lot of beer, mostly at some bar called JM’s.  We played the video bowling game there and seemed to get better the more we drank.  We went to some guy’s house and listened to Dwight Yoakam.   I met some girl named Ursula.  I was extremely hungover that Saturday morning.  Somewhere there’s a photo of me dead on his couch in so much pain.  But the main thing I do remember from that weekend was the music I was introduced to…Foetus, Rapeman, Iron Prostate and Motorpsycho (USA band) and even Motorhead to a lesser degree.  I was also introduced to the Spawn comic book that weekend.  That was a great series fro about 50 issues.  But more on the other bands some other time, today is about the Rapeman album.  I liked it the 2-3 times I listened to it while up at JMU that weekend and never bothered much with it again.

Flash forward to July 4, 2009.  Jason McMaster and I rode down to San Antonio to check out a legendary record store called Hog Wild Records.  The place has been there since the 70s and I always like seeing the independent shops that are still around, even if they are making it by the skin of their teeth.  It is a cool shop and I dropped $60 easily in there.  One of the things I picked up was Rapeman’s Two Nuns and a Pack Mule CD used for $5 in mint condition.  I hadn’t thought about that album in years and had to buy it.  I was hoping I’d still like it.  There have been a few purchases of “back in the day” albums that I loved then and don’t care for now.  Fortunately for me, this one still sits well in my listening palette.  I’ve spun it at least 10 times since last weekend and I like it more and more each time I hear it.

I’ve seen it classified as post-hardcore.  To me it sounds like a live Foetus album in some ways.  A little frantic yet controlled…and without the digital samples.  The guy’s voice even resembles Thirwell’s in places.  The version I am posting has the BUDD EP include as well.

Download it here.