The Metal Files

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Posts Tagged ‘king diamond

King Diamond Concert Review, Austin, TX, November 8, 2014

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It’s tough writing reviews sometimes because I have trouble being objective when trying to talk about seeing some of my favorite bands.

There was something incredibly special about last night’s King Diamond show that I just don’t know if I can put my finger on it or properly describe in words better than just saying, “That was fucking awesome!”

And it was. It was fucking awesome. Really fucking awesome.

I’ve loved King Diamond (KD) since Abigail came out. That album had me delve back in time to quickly get into Fatal Portrait and Mercyful Fate. But Abigail is #1 for me in KD’s catalog.

I’ve see King twice before tonight (’88/2000) and Fate twice (’93/’99).  All of those shows were special in their own ways, especially that ’88 show on the Them tour.  King sounded great in all 4 of those shows.  With it being 14 years since the last time I had seen him, I had concerns that his voice wouldn’t be what it once was.  That thought was quickly removed from my head once they broke into the opener, The Candle.  They quickly kept it running hard and heavy with Sleepless Nights and Welcome Home which went over very well with the crowd.  Everyone knows the “grandma song”.

They mixed it up with songs from Them, Puppet Master and Give Me Your Soul…Please, not to mention 2 Mercyful Fate songs, Evil and Come To The Sabbath.  It was a very metal crowd that was very into the show.  King’s stage set up was over the top filled with a giant goat’s head pentagram and upside crosses.

Andy LaRouque and Mike Wead were shredding it as expected.  Matt Thompson did a fine job handling Mikkey Dee’s drum lines, but he’s no Mikkey Dee.  Few are.  That’s no slight to Matt, he was killer.  Pontus Edberg held down the bass perfectly.  The mix was great, especially for an outside venue.

Highlights for me were Sleepless Nights (love that drum line), Family Ghost and especially Black Horsemen.  That song is the best ending to any album I have ever heard and it was the perfect closer to last night’s set.  It gave me goosebumps last night and I have them again writing this.  It was such a powerful show all the way around.  I did notice, however, that King had a female backup singer that sang some of the high notes along with him.  I tried to listen to the difference in the voices (his and hers) and really couldn’t tell.  There were times that he was hitting the notes perfectly and she wasn’t singing at all, so maybe she was just there for harmony and melody purposes.

What a great fucking show!

King Diamond – August 16, 2000

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In 2000, I still had my online music store (Acacia Music) and was still getting into shows free that had bands on Century Media and Metal Blade Records as they were my 2 main wholesale distributors.  Lucky me.  This King Diamond show at famed Jaxx Nightclub was certainly one of them.  Shdaows Fall, Deep and Babylon Whores opened up this show.

After the show I was hanging out behind the venue hoping to meet the King.  I did get to speak with Andy LaRocque for a little bit and had him sign a few CDs for me, including my Death CD that he played on.  He saw that both Chuck Schuldiner had signed it and asked me where I got his signature.  Cool dude.

Someone tapped me on the should and said, “There’s King!”  He was getting in a car, no makeup on and I just put my hand out and said, “King, thanks for all the great music over the years!”  He shook my hand as he was getting in the car and said, “Thanks!  Gotta run, man.  Thanks for coming.”  Perfect.  I was totally happy with that.

 

Written by The Metal Files

June 8, 2011 at 9:21 pm

The Black Horsemen

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This song still gets to me.  Every once in a while a band ends an album perfectly and this is one of those times.  The last 35 seconds of this has been giving me goosebumps for over 20 years now.

Written by The Metal Files

February 7, 2010 at 7:35 am

Dokken – Up From The Ashes

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I remember it like it was yesterday.  I was living in Western Branch off of Taylor Rd with my cousin.  I don’t remember album-up-from-the-ashesexactly what day it was on but it was Jan/Feb 1991 only weeks before my 21st birthday.  I believe it was a Saturday and I was driving home from somewhere listening to Z-Rock and the local affiliate comes on the air to interview Don Dokken and Mikkey Dee about their concert that night at the Boathouse in Norfolk, VA.  A former friend from high school and I had tickets and were pretty excited about the show.  I had been listening to Up From The Ashes since it came out a few months prior.

So as I am listening to them interview Don and Mikkey, I pull over to a gas station a few miles from my house and try to call the station to see if I could talk to them.  I was so damned excited that I kept fat fingering push buttons on the pay phone.  After about 3 or 4 tries I got through off air and got to talk to Don and Mikkey.  I asked if there was a way to meet Mikkey prior to the show and he told me what time to be at the Boathouse (super early).  I told him that I was a huge fan of his from the King Diamond days.  He said make sure I don’t have more than one person with me and everything would be cool.

So at this point I am flipping out (of course not on the phone but internally).  I get home a few minutes later and told my buddy what the plan was and that he had better be ready when I came by to get him.  He was notoriously slow at everything.  I told him if he wasn’t ready when I got there that I was leaving his ass behind.  Fortunately he was ready when I got there and we headed to Norfolk to the Boathouse.

We’re the first people in the lot along with the staff cars and Dokken’s bus.  Some dude came to the door of the bus and said they were coming from the hotel in a few minutes and to wait.  So we waited only a short amount of time and a minivan with Don, Mikkey Dee, John Norum and Billy White in it.  Mikkey gets out of the van and asks, “Are you Sean?”  I acknowledged and we were instantly escorted onto the bus.  So Don hands me a band photo which was already signed by Baltes (who was inside the Boathouse already).  So Don and the rest of the band sign it along with some other stuff like cassette covers and such (I hadn’t gotten into CDs yet).  He stood with us for a few minutes then hightailed it to the back of the bus to take care of stuff.  At this point I am freaking out because one of my all time favorite drummers and musical influences and standing next to me.  I don’t get start struck easily as I’ve met a lot of musicians over the years but this one was different.  This was Mikkey Dee…the guy who played drums on King Diamond’s Abigail.

We hung out for what seemed like an hour but was likely a lot less.  Talking with John Norum and Billy White was pretty neat.  Unfortunately in my giddy starstruck state I had forgotten that Billy White played on Watchtower’s debut.  To this day in my head I still hear my inner voice say, “You’re an idiot.”  Kelz reminds me of this regularly and he pointed out after the show, “Dude, how was it to meet Billy from Watchtower?”  Ummm…D’oh!  I am a Watchtower fanatic as well.  What a doofus.

But all in all, I was there to hang out with Mikkey which was the first of 3 times that I got to spend time with him, the other 2 being with Motorhead in 1993 and 2000.  Will post about those meetings some other time.

In my conversation with Mikkey, I noticed he was wearing an Abigail backstage pass.  It had one of the heavenly aura’s around it.  haha.  So being the fanboy that I was that night, we talked about drums and about some certain aspects of his playing that I tried to emulate.  I asked him if he was going to do a drum solo and he said there would be one.  I asked him if he could incorporate the intro to Welcome Home from the Them album.  He said, “That’s a good idea, we’ll see.”

So the opening act was on the stage at this point and it was time for us to get off the bus so they could get ready.  I can’t overstate how accommodating these guys were.  I honestly didn’t even need to see the show after that!  But we went in and caught the 2nd half of the set by The Blonz.  Wow.  They were just awful.  One of the worst bands I have ever seen.

So we make our way towards the front of the stage and got on the barricade at stage left which ultimately was in plain view of Mikkey when he was on the kit.  Perfect!

So out comes the band and they rip into their set.  They were absolutely incredible and it was one of the tightest sets I have ever seen by any band.  Watching Mikkey slay the drums and both Norum and White manhandling their guitars with such precision was pretty incredible.  Definitely one of the best shows I have ever seen.  Don’s vocals were clean and clear and he was an excellent frontman.

So I guess this blog is really about an album review, eh?  I’ve seen this one get trashed in many a metal review and I could never understand why.  It’s easily Don’s second best album behind Tooth and Nail and pretty much the last album that he actually sounded really good on.  Initially the main reason I bought the album was because I had read that Mikkey Dee was drumming on it.

Even with some of the slightly cheesier songs like Mirror Mirror and Stay, it’s an album of which I don’t ever feel the need to skip any of the tracks.  Good production as well.

This one gets 10/10.

My Life With Mercyful Fate

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I got into Mercyful Fate after my introduction to King Diamond’s solo work, Abigail specifically. His voice took some getting used to but coupled with the brilliant guitar work by Denner and Shermann, I grew to love them. As most know, Mercyful Fate flaunted the whole Satan worship thing. While that sort of thing never really bothered me, there are a few tracks of theirs here and there that still give me the willies.
Melissa – 1983
What a haunting album. The production is pretty thin but this album is absolutely incredible. The weakest track is Satan’s Fall and only because it’s a tad too lengthy. The title track is so very dark and just oozes evil. My favorites are definitely the title track, Curse of the Pharaohs and Black Funeral.
9/10

Don’t Break the Oath – 1984
Easily one of the most evil album covers ever…at least to me. To be honest, I keep the CD cover facing inwards. Yes, I know, silly. But whatever. This album has some better production than Melissa and while the songs are very strong on this one, I generally still listen to the debut first. Standout tracks are certainly Come To the Sabbath, Welcome Princes of Hell (album was misprinted to read Princess of Hell), Night of the Unborn and Desecration of Souls. Gypsy sort of annoys me and The Oath still creeps me out. Mission accomplished, King!
8.5/10

In the Shadows – 1993
This was a reunion album of sorts sans Kim Ruzz on drums. While I like this album a lot, I rarely listen to it. Egypt is a badass tune. There are no real stinkers in the bunch but the new version of Return of the Vampire annoys me, mainly because I detest Lars Ulrich (who played on this track) so much.
7/10

Time – 1994
Enter Sharlee D’Angelo and Snowy Shaw on bass and drums, respectively. Sharlee is a Ric player and even though I wasn’t a Ric fan at the time, I remember him using one on the tour. It was a great show and I got to hang out with Sharlee and Snowy before and after the show. I like this album a tad better than In the Shadows. I love Snowy’s drum style. Nightmare Be Thy Name is a great tune and was the opening video I played when I had my own little local cable access metal show in 98 or 99. One of the ladies I worked with at the time saw the show (late nights) and confronted me at work with, “Are you a Satanist?” I replied with “I don’t know, Marianne, do YOU think I am?” I let off an evil laugh and walked away. She didn’t speak to me again for the new few years she worked there. Hilarious.
6.5/10

Into the Unknown – 1996
Ugh. This album just wasn’t necessary. It’s boring. Under The Spell and Holy Water are pretty decent, but in general the album is weak.
3/10

Dead again – 1998
I’m glad I was working for Metal Blade Records at the time because I got this one for free as a promo. Mike Wead (Candlemass, Hexenhaus, memento Mori etc) was brought on to replace Michael Denner. I really don’t remember much of the album if any at all.
0/10

9 – 1999
This album was a little bit better than Dead Again. I can certainly hear Wead’s guitar influence much more which is a good thing. I saw this tour at the 930 Club in DC with nevermore opening. It was a fun show and I got to spend some time with Mike Wead before and after. Great guy, badass guitarist. Last Rites, Sold My Soul and Kiss the demon are my faves.
3/10

Written by The Metal Files

June 20, 2009 at 4:41 pm