Archive for the ‘pentagram’ Category
Pentagram – Last Rites
The new Pentagram came out today! I had pre-ordered it a few days ago and right when I got up this morning, I fired up my PC and let the download start. All total today I’ve got 4 listens into it including letting it play while I am writing this and feel that it’s enough to give it a proper review.
I’ve got to say that I didn’t really care for any of the Pentagram stuff after Victor Griffin’s departure from the band in 1994 (no offense to Joe Hasselvander), it just was missing something special…and obviously it was VG’s guitar playing. He’s got a great style that is just right for Bobby’s vocal stylings.
I had heard 2 songs from the album already and had already acquainted myself with them pretty well in the last week or 2; those songs being Call The Man and 8. Both tracks have a great feel to them and sort of show a “mature” sound to the band. This album seems to be a little more melodic than albums past. Bobby’s voice sounds great…nice and strong. Clean living has certainly given his voice some power again. The song Into The Ground has some good vocal harmonies that I assume are Bobby’s. Having downloaded the album, I have no liner notes to check. That’s one drawback of going all digital these days. Victor’s signature sound is all over this album. His solos are great as expected.
The songs 8 and Windmills and Chimes really show a new side to their music that I hadn’t heard before. They are a little more progressive and not so typical stoner/doom like they get classified as. Windmills and Chimes (remake) is really quite a beautiful song and one of my favorites on the album for sure. The song American Dream sounds similar to 8 when it starts but quickly goes in a different direction. Walk In Blue Light (remake from First Daze Here) and Nothing Left really sound like they could have been used on Relentless or Day of Reckoning. Great classic sounding Pentagram! I have to admit that the only song that hasn’t grabbed me yet is Death In 1st Person. It’s not a bad song at all, but just doesn’t hook me in like the rest of the album.
The only negative thing I can say about the album is in the production. It’s a wee tad muddy and Bobby seems a little too low in the mix…but that’s just my opinion. Otherwise I think it’s an awesome return to form by the band.
In general, it sounds like Bobby and Victor had fun making this record. It’s got really good energy and positive vibes to it and I can undoubtedly say that if you have ever even remotely liked this band, you’ll like this album.
8.5/10 if I was forced to put a number on it.
*UPDATE* – I didn’t realize until yesterday (4/13/11) that most of the tracks on here are remakes. While I am a little disappointed, the album still deserves the rating I gave it. BUY IT! Don’t download illegally.
Track Listing:
1. Treat Me Right
2. Call The Man
3. Into The Ground
4. 8
5. Everything’s Turning To Night
6. Windmills And Chimes
7. American Dream
8. Walk In Blue Light
9. Horseman
10. Death In 1st Person
11. Nothing Left
12. All Your Sins – Reprise
Written by The Metal Files
April 12, 2011 at 7:31 pm
Posted in 2011, album reviews, cd reviews, doom, heavy metal, last rites, metal blade reocrds, pentagram, place of skulls, stoner rock, victor griffin
Tagged with cd reviews, heavy metal, pentagram, place of skulls
SxSW 2011 Quick Hits & Misses
I’ll post reviews of some of my favorite happenings later, but here are some quick posts about some of this year’s SxSW happenings that I found.
- Flatstock 29 – Flatstock is a poster art show where artists from all around showcase their wares and
offer them to the public for sale. Since my first year of attending SxSW (2007), there has been a guy there named Brian Mercer who I think is an incredible artist and a helluva a nice dude. I think I have bought a poster from him every year and got to see him away from the art show in a few clubs during the week. I highly recommend his work, no matter if you’re a collector or you need some work done. Check out his site: Mercer Rock. There were a lot of other good artists there but most made posters for bands I had no interest in. Local artist Billy Perkins who sings for Butcherwhite was showing as well.
He has a current collection of works in process called “77”. I picked up his Ace Frehely poster at FunFunFunFest a few months ago and this week picked up his Alice Cooper poster. I love his style. He also does band posters as needed.
- Wednesday night I wanted to get into the Warbeast/Arson Anthem show at Emo’s. The line was insanely long and none of the bands on the whole bill were really worth waiting that long for. I can catch Warbeast again as they play Austin pretty regularly.
- That same Wednesday I did get to catch Chicago’s Easy Action at the Ale House. I had seen them a year or 2 prior and enjoy their brand of garage punk rock. I met up with my friend Diane Kamikaze
from WFMU. We met last year at VoiVod and became fast friends. She’s awesome and I’m glad I got to see her and her friend every day during the festival.
- I did get to see quite a few bands throughout the week that just didn’t do a thing for me. I won’t
mention any by name but here’s a photo of one band from France that was pretty terrible except for their drummer. The caption should read, “My shorts are more FuBu than yours!” They were a ‘metal’ band, by the way. Luckily most of the other bands on the bill saved the night.
- People watching during SxSW is pretty interesting. The influx of hipsters and gutter punks is crazy. The hipsters seem to enjoy wearing vintage 80s “fashions” that really don’t fit. I don’t know…most of what I see on them looked bad back in the 80s and still looks bad now. I guess everyone’s got their thing, that just isn’t mine. I’ll stick to my 80s looks of black t-shirt, blue jeans and black boots. I at least wash my hair and bathe regularly. It’s also cool meeting some of the foreigners who attend the festival. After seeing the Bobby Liebling movie “Last Days Here“, I ran into some guys from Japan who were commenting on the patches on my jacket. I told them I was seeing Loudness pretty soon and one of the guys pulls out his travel case with a 25th anniversary Loudness sticker on it. He mentioned that their new drummer is a friend of his. We had a quick discussion about Japanese metal and then parted ways. The saw me again on the street the following night and handed me a CD of some J-Pop stuff. Nice guys.
- Street food/food trailers are a big thing in this town nowadays and even more so during the festivals. Simms’ BBQ trailer at the corner of 7th and Red River is top notch in my book. Their pulled-pork sandwich with pickles and onions really tastes like a McRib. At least this is real pork. Everything from this place is good. The other usual suspects did me right as well like The Hot Dog King, Kebabalicious and Jackalope. I did hit a veggie burger place yesterday that was pretty awful. I hadn’t eaten since the previous day and there was no line there…I now know why! I could not add enough pickles, spicy mustard and bbq sauce to drown out the nasty drabness of that burger. Lesson learned. Besides eating the street food, I am pretty sure I managed to lose some weight over the last few days. I did tons of walking and my feet and knees are aching, but it’s a good thing.
- Saturday morning I was able to catch The Rods at Cheapo Records at 11AM. While I’ve never been a fan of them, I wanted to go see them for posterity’s sake and to get the book signed. Mission
accomplished. Their set was lively and some of their true fans were there and that was great to see. They were solid, I’m just not a big fan of their style of hard rock. Their bassist, Gary Bordonaro was really good though. I ended up seeing Gary and Carl Canedy on the street later that night as they were loading in for another gig downtown. Apparently Wendy Dio was in attendance for that one! Pretty cool.
- I got to run into a few folks that I’ve wanted to meet for a while. On Friday I ran into Wino from St Vitus at Scoot Inn and snapped a quick photo with him. Dude’s a legend. I didn’t make the Vitus show that night but heard it was good. earlier that day I went to the D’Addario showcase and to see The Alex Skolnick Trio. It was a fun show and Alex is a damned good player. He was giving out free copies of his latest CD. Repping for D’Addario was Frank Aresti from Fates Warning. Oh man. I’m a freak for early Fates Warning and especially the John Arch era. A friend of Frank’s told me he was going to be there so when given an oppurtunity I chatted with him a bit, snapped a photo or 2 and got him to sign the book as well. He told me a little about the upcoming album with John Arch and how John’s vocals still sound the same after 25 years. I can’t wait for it to come out. Before leaving I got to snap a show with both Alex and Frank. That will be a moment cherished forever.
- The Texas Guitar Show was pretty weak. Much smaller than last year and I’m sure the economy has a lot to do with that. Nobody was making deals either. I did find one 80s Fender Jazz bass that I was interested in and he had it listed at or slightly above book value. I offered a few hundred less and he said “all prices are what they are.” Fine, I put my credit card back in my wallet and moved on.
All in all this has been a fun week. I’m super tired, my feet and knees are killing me, I think my liver stopped working and I think I could go without seeing another band for a good week or 2…but I will make one more trip out this evening when Danava plays again. They were my highlight of the festival along with spending time with Pentagram, both of which I will post about later.
Written by The Metal Files
March 20, 2011 at 1:42 pm
Posted in 2011, austin, concert reviews, concerts, heavy metal, pentagram, st vitus, street food, sxsw
Tagged with 2011, austin, concert review, concert reviews, heavy metal, pentagram, rock and roll, sxsw, texas
Movie Review: Last Days Here (The Story of Pentagram’s Bobby Liebling)
Bobby Liebling is not a scary dude, but he’s been through some scary stuff. One look at the scars on his arms and the age in his eyes and you know he’s been down some rough roads, left hand paths even. Most people who have done meth, heroin and crack for as long as he has don’t survive. Bobby Liebling is a survivor.
As noted in previous posts (here and here), I’ve been a Pentagram fan for 20+ years. Finally getting to see them for the first time 2 years ago was a joy and last year’s encounter with them even better.
When I first saw that there was a documentary by 9.14 Pictures about Bobby being made and being world-premiered right here in Austin during the SxSW Festival, I was pretty excited. Just last year I was fortunate enough to see the premier of the Lemmy movie.
I took off a few hours early for work to be able to attend the movie which was being shown at the Austin Convention Center at 4:30PM. I go in and there are people everywhere. The way admission works at these things is that if you have a Film Festival badge or wristband, you get automatic admission into events before those of us who choose not to purchase the credentials. I never do. I went to the ticket booth and they said “If there’s available seating it’ll cost $10 to see the movie.” Sweet. I think we paid $16 or less last year to see the Lemmy movie.
As I was waiting in the ticket purchase line, I see a long-haired dude in a leather jacket with some credentials hanging around his neck. He was talking to someone in the next line over and I spot his name on his badge and see that he was one of the directors of the film, Demian Fenton. He spots me and comes over and asks if I am there to see Last Days Here. He complemented my Candlemass shirt, we spoke about the film and Pentagram for a few minutes and he left. A few minutes later he comes back and hands me an 11” x 14” movie poster. Awesome.
They start letting the badge holders and wristband wielders in then allow the ticket purchasers to buy a ticket and go in. The theater was huge, bigger than I expected. There were a few hundred seats on the floor and a few hundred more bleacher style seats. I headed to top dead center of the bleacher seats. My guess is that only about 75 people at the most were there. I saw one guy in a Pentagram shirt and a few other people that I recognized from some shows around town. Most people there were likely curious movie-goers. Of course I feel that the turnout was pretty weak. Before the movie starts, the directors and producer were introduced and spoke for a few minutes.
The lights go down and the movie starts. The documentary begins in 2006 and you’re basically hit right off the bat seeing Bobby smoking crack. It was painful to see. His arms are bandaged up basically from wrist to should and his hands are swollen looking and black. The crack and meth make him believe that he has bacteria on him that he has to pick off. You get a long glimpse of his upper inner-bicep area where he has picked so much that it was just an open sore. I’m not grossed out very easily but I did turn my head away from the screen for a moment.
You’re introduced to Sean “Pellet” Pelletier who was a huge Pentagram fan that basically became Bobby’s personal assistant, friend and tour manager. You see his struggle in trying to help the band get things together to do some shows and you see the pain in his eyes from seeing his friend continually get messed up more and more from his drug use.
Bobby’s mom and dad and shown quite a bit as Bobby was living in their basement (The Sub-Basement) for much of his adult life. His drug use has taken its toll on his parents as well. His mom was still taking care of him, and really still enabling him. You get a peek into what may have been a trigger for Bobby’s drug use when his dad speaks about how he wanted bigger and better things for his son (as most parents do). His dad was apparently a pretty well-known Asst Secretary of State who worked for 3 or 4 presidents starting with Johnson.
It’s a pretty common theme for many drug users it seems. A lot of pressure from parents to live up to their expectations and out of rebellion and maybe attention seeking, you become self-destructive…by choice. No one forced those needles into Bobby nor did anyone force him to smoke crack. I didn’t really get the feeling from the movie that he was being portrayed as a victim and I believe he even states that “I did this to myself.”
Later in the movie J.B. Beverley (“Like” him on Facebook) is shown quite a bit. J.B.’s band used to play a bar that I worked in back in Virginia and when he was in town, he’d tell me whacked out stories about Bobby. J.B. was portrayed as a good friend to Bobby in the movie.
There were some cool interviews with former members of the 70s era of the band as well as some good little segments with Joe Hasselvander and Victor Griffin. There is some great classic footage and some of the modern footage from The Black Cat show where Bobby finally shows up with about 30 seconds left in the last song, gets kicked by the guitarist and the band walks off stage. You also see the “comeback” footage from the 2009 Webster Hall show in NYC.
In the last few years, Bobby met a girl from Philadelphia who is about 30 years younger than him. He moved up there from Maryland to live with her, he cleans up, looks good then things fell apart. She left him, ended up filing a restraining order, he ends up in Jail for a few weeks etc. Ultimately they get back together, get married and had a child together late in 2010 which is where the movie ends. When I met Bobby last year, he seemed clean and was in very good spirits. He seemed like a generally good natured guy who took terrible decisions. (Review Your Choices, eh?)
Overall I think this was much better than the Lemmy movie as this really told a story. The Lemmy movie really could’ve been titled “Hanging Out With Lemmy”, but it never really got too deep into the guy. Last Days Here showed how drug abuse affects the user, the family and the friends. Much of the sentiments in the movie hit “close to home” for me and there were several moments during the movie where I admittedly got choked up. It may be a little more comparable to the Anvil movie, except this was about a better band. They had several good chances for record deals via Colombia Records and even had Gene Simmons and Paul Stanley come down from NYC to check them out at a rehearsal, which eventually bombed.
After the movie there was a quick Q&A session and I caught up with the filmmakers in the hall to give them my thoughts and snap a quick photo with them. They were all very gracious and I hope the 2 subsequent viewings this week go well, even better than yesterday’s.
As a Pentagram fan, I hope this movie ends up with some decent distribution. This movie can also serve as a documentary about the damage caused by drug abuse. I’d love to have this on DVD. There was a full sized movie poster hanging in the hallway and I asked where I could purchase one. Unfortunately only 2 were made so I’ll have to wait until they get some distribution before getting something like that. I’d surely frame it and hang it up. For now I’ll cherish the poster that they gave me and will hopefully catch one of the 2 shows that Pentagram are playing this week.
Nice work, guys. Best of luck!
Bobby Liebling is not a scary dude, but he’s been through some scary stuff. One look at the scars on his arms and the age in his eyes and you know he’s been down some rough roads, left hand paths even. Most people who have done meth, heroin and crack for as long as he has don’t survive. Bobby Liebling is a survivor.
As noted in previous posts (here and here), I’ve been a Pentagram fan for 20+ years. Finally getting to see them for the first time 2 years ago was a joy and last year’s encounter with them even better.
When I first saw that there was a documentary about Bobby being made and being world-premiered right here in Austin during the SxSW Festival, I was pretty excited. Just last year I was fortunate enough to see the premier of the Lemmy movie.
I took off a few hours early for work to be able to attend the movie which was being shown at the Austin Convention Center at 4:30PM. I go in and there are people everywhere. The way admission works at these things is that if you have a Film Festival badge or wristband, you get automatic admission into events before those of us who choose not to purchase the credentials. I never do. I went to the ticket booth and they said “If there’s available seating it’ll cost $10 to see the movie.” Sweet. I think we paid $16 or less last year to see the Lemmy movie.
As I was waiting in the ticket purchase line, I see a long-haired dude in a leather jacket with some credentials hanging around his neck. He was talking to someone in the next line over and I spot his name on his badge and see that he was one of the directors of the film, Demian Fenton. He spots me and comes over and asks if I am there to see Last Days Here. He complemented my Candlemass shirt, we spoke about the film and Pentagram for a few minutes and he left. A few minutes later he comes back and hands me an 11” x 14” movie poster. Awesome.
They start letting the badge holders and wristband wielders in then allow the ticket purchasers to buy a ticket and go in. The theater was huge, bigger than I expected. There were a few hundred seats on the floor and a few hundred more bleacher style seats. I headed to top dead center of the bleacher seats. My guess is that only about 75 people at the most were there. I saw one guy in a Pentagram shirt and a few other people that I recognized from some shows around town. Most people there were likely curious movie-goers. Of course I feel that the turnout was pretty weak. Before the movie starts, the directors and producer were introduced and spoke for a few minutes.
The lights go down and the movie starts. The documentary begins in 2006 and you’re basically hit right off the bat seeing Bobby smoking crack. It was painful to see. His arms are bandaged up basically from wrist to should and his hands are swollen looking and black. The crack and meth make him believe that he has bacteria on him that he has to pick off. You get a long glimpse of his upper inner-bicep area where he has picked so much that it was just an open sore. I’m not grossed out very easily but I did turn my head away from the screen for a moment.
You’re introduced to Sean “Pellet” Pelletier who was a huge Pentagram fan that basically became Bobby’s personal assistant, friend and tour manager. You see his struggle in trying to help the band get things together to do some shows and you see the pain in his eyes from seeing his friend continually get messed up more and more from his drug use.
Bobby’s mom and dad and shown quite a bit as Bobby was living in their basement (The Sub-Basement) for much of his adult life. His drug use has taken its toll on his parents as well. His mom was still taking care of him, and really still enabling him. You get a peek into what may have been a trigger for Bobby’s drug use when his dad speaks about how he wanted bigger and better things for his son (as most parents do). His dad was apparently a pretty well-known Asst Secretary of State who worked for 3 or 4 presidents starting with Johnson.
It’s a pretty common theme for many drug users it seems. A lot of pressure from parents to live up to their expectations and out of rebellion and maybe attention seeking, you become self-destructive…by choice. No one forced those needles into Bobby nor did anyone force him to smoke crack. I didn’t really get the feeling from the movie that he was being portrayed as a victim and I believe he even states that “I did this to myself.”
Later in the movie J.B. Beverley is shown quite a bit. J.B.’s band used to play a bar that I worked in back in Virginia and when he was in town, he’d tell me whacked out stories about Bobby. J.B. was portrayed as a good friend to Bobby in the movie.
There were some cool interviews with former members of the 70s era of the band as well as some good little segments with Joe Hasselvander and Victor Griffin. There is some great classic footage and some of the modern footage from The Black Cat show where Bobby finally shows up with about 30 seconds left in the last song, gets kicked by the guitarist and the band walks off stage. You also see the “comeback” footage from the 2009 Webster Hall show in NYC.
In the last few years, Bobby met a girl from Philadelphia who is about 30 years younger than him. He moved up there from Maryland to live with her, he cleans up, looks good then things fell apart. She left him, ended up filing a restraining order, he ends up in Jail for a few weeks etc. Ultimately they get back together, get married and had a child together late in 2010 which is where the movie ends. When I met Bobby last year, he seemed clean and was in very good spirits. He seemed like a generally good natured guy who took terrible decisions. (Review Your Choices, eh?)
Overall I think this was much better than the Lemmy movie as this really told a story. The Lemmy movie really could’ve been titled “Hanging Out With Lemmy”, but it never really got too deep into the guy. Last Days Here showed how drug abuse affects the user, the family and the friends. Much of the sentiments in the movie hit “close to home” for me and there were several moments during the movie where I admittedly got choked up. It may be a little more comparable to the Anvil movie, except this was about a better band. They had several good chances for record deals via Colombia Records and even had Gene Simmons and Paul Stanley come down from NYC to check them out at a rehearsal, which eventually bombed.
After the movie there was a quick Q&A session and I caught up with the filmmakers in the hall to give them my thoughts and snap a quick photo with them. They were all very gracious and I hope the 2 subsequent viewings this week go well, even better than yesterday’s.
As a Pentagram fan, I hope this movie ends up with some decent distribution. I’d love to have this on DVD. There was a full sized movie poster hanging in the hallway and I asked where I could purchase one. Unfortunately only 2 were made so I’ll have to wait until they get some distribution before getting something like that. I’d surely frame it and hang it up. For now I’ll cherish the poster that they gave me and will hopefully catch one of the 2 shows that Pentagram are playing this week.
Nice work, guys. Best of luck!
Written by The Metal Files
March 15, 2011 at 8:42 am
Posted in 2011, 9.14 pictures, austin, bobby liebling, demian fenton, don argott, heavy metal, last days here, movie reviews, pentagram, sxsw, texas
Tagged with austin, bobby liebling, heavy metal, movie reviews, pentagram, sxsw, texas
SxSW 2011 Music and Film Festival
I’m pretty fortunate to live in a town that holds a festival like this one every year. Austin is dubbed The Live Music Capital of the World and while it’s a great place to see bands, it’s not the greatest place to be in a band. But that’s neither here nor there for this article.
This will be the 4th SxSW festival in a row that I am attending and I always see some good bands. For the music that I’m into, it’s only a small percentage of the 1,000 or so bands that come here from all over the world to play. I wasn’t here for the early days of this fest where bands were really playing for their shot at a record deal, but I do find it enjoyable.
It is unfortunate, however, that many who visit Austin for SxSW treat the town like their own toilet and/or trash dump. Sure, those who bought their passes/badges paid a lot of money for them, but that’s no excuse for poor manners and behavior. Just my 2 cents on that.
In SxSWs past, I’ve seen Motorhead, the Lemmy movie, VoiVod (3 times last year!), and dozens of other bands of all genres just by walking the streets of downtown. It’s pretty cool overall.
This year’s music lineup is pretty tasty for “official” shows. It includes The Rods, Pentagram, X Japan, Saint Vitus, Christian Mistress, Agollach, Alex Skolnick Trio, Zoroaster, Naam and a slew of others. I also always end up seeing some other good bands that I have never heard of before. Not to mention it’s a big fun party.
I’m not the biggest moviegoer in the world, but I will make time to see Last Days Here which is a documentary about the life of legendary Pentagram singer Bobby Liebling. I met and had dinner with Bobby and Pentagram last year and he is a really nice guy.
I’ll be posting reviews of the shows and the movie for sure. I’m pretty excited already.
Written by The Metal Files
February 16, 2011 at 2:00 pm
Posted in 2011, alex skolnick, christian mistress, concert review, concert reviews, concerts, movie reviews, pentagram, saint vitus, sxsw, testament, the rods, x japan
Tagged with 2011, alex skolnick, christian mistress, pentagram, saint vitus, sxsw, testament, the rods, x japan
I Don’t Like Music
I haven’t been listening to much of it lately. That last thing that caught my ear was Valkyrie’s latest CD, Man Of Two Visions. If you’re into Pentagram, Sabbath et als, pick this up. It’s great. I hope they swing through Texas again.
My friend in Colombia turned me on to Rata Blanca this week. There are a few vids on YouTube. I dig the guy’s voice. The music ranges from mid-80s Deep Purple to basic power metal, but it’s not bad. Oh, it’s all in Spanish so if that bothers you, don’t listen.
But in general, I’ve been disinterested in listening to any music at all lately. I guess it’s just a phase.
Written by The Metal Files
November 6, 2008 at 9:24 pm
Posted in black sabbath, colombia, music, pentagram, rata blanca, valkyrie
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