Archive for the ‘texas’ Category
Karion – Iron Shadows CD/DVD Review
There’s no secret that Texas had a legendary metal scene in the early-to-late 80s with the likes of Watchtower, Militia, Wyzard, Syrus, SA Slayer, Juggernaut, Sentinel, Obliveon Knight, Assalant, Helstar, Pantera, Rotting Corpse, Gammacide and a ton of others.
Another band that deserves mention and praise from that era is Karion which featured Art Villarreal (SA Slayer), Chris Cronk (Jag Panzer, Fates Waring, Talisphere, SA Slayer), Pete Perez (Riot, Reverend, Spastic Ink) and Frank Ferreira (Helstar).
Starting sometime last year, Art and friend Bob “Dog” Catlin (Juggernaut, SA Slayer) began the process of cleaning up some Karion demos and the result is the 2-disc set entitled Iron Shadows.
Disc 1 contains 6 tracks which I believe are compiled from their 84 and 87 demos, although not all of the songs from the 87 demos are on the CD. Karion brings that great style of progressive power thrash that was well-known in south central Texas at the time. Good clean higher ranged vocals, solid guitar riffs and killer solos, great bass work and fine power drumming made this disc a valuable addition to your collection of true 80s metal, especially for the fans of Texas metal.
Disc 2 of a live DVD of a 1986 Karion show filmed from the balcony of the Villa Fontana. The audio/video quality is much better than I expected and shows that the band had a really good fan base at the time. Their performance is solid and makes me wish even more that I had lived in the area at the time.
One interesting thing that I found while doing a little extra reading about Karion is that vocalist Chris Cronk recorded 2 different demos with Fates Warning in 86 and 87. I haven’t listened to them yet but a quick search will lead you to a download of those.
I can’t recommend this set of discs enough. It’s been kicking my ass for a week now. I recommend that you pick it up from Rockadrome Records in San Antonio. Keep it local!
Written by The Metal Files
July 5, 2012 at 8:20 am
Posted in album reviews, cd reviews, heavy metal, iron shadows, juggernaut, karion, sa slayer, san antonio, texas, texas metal, the metal files, watchtower
Tagged with 2012, cd review, cd reviews, karion
Graven Rite – The Summoner’s Pit (2012 demo) Review
From the ashes of Iron Age, Integrity and featuring current members of Ancient VVisdom comes Graven Rite from Austin, TX. I was handed cassette and CD demos a week or so ago by the singer at a St Vitus show . I know all the guys in the band and have been told several times that I’d like it. “Like” is a poor choice of words, really. I love this demo. This is good ol’ American traditional metal that sounds like it could have been on one of the old Metal Massacre compilations. I understand this is a demo, but it really is too short. I really like Jason’s vocals on this much more than what he did with Iron Age, which wasn’t bad either. I just prefer cleaner vocals in general and that’s what you get with this demo. It’s primarily mid-paced, but flows well.
I believe the 2-song cassette demo will be available in July 2012, not sure about the full 5-track CD. If you’re into that classic Metal Blade sound, you’ll want to pick this up when it’s released. A bit derivative? Probably, but what isn’t these days? It’s worth the listen for sure.
You can listen to 2 of the tracks here.
Tracks:
- Preface
- The New Faith (Wulfhere’s Prayer)
- The Summoner’s Pit
- A Slave To The Night
- Bloodstone Ring
Written by The Metal Files
June 10, 2012 at 5:56 pm
Posted in 2012, album reviews, ancient vvisdom, austin, cd reviews, demo, graven rite, heavy metal, iron age, texas
Tagged with 2012, cd reviews, graven rite
Concert Review – Naam 3/18/11 SxSW
I first caught Naam last year when they were on the bill with Voi Vod at SxSW 2010 and instantly became a fan. Their breed of space rock, stoner rock, metal, psyche rock or whatever other monikers you want to give it really set well with me.
A month or 2 ago they stated that there would be no showing at SxSW 2011 because of management issues or something but ultimately they got it done and ended up doing a few shows around town. I was able to catch the one at Headhunters on Friday. They were on the back patio which is tiny and I was one of the last folks in the door…and that put my fat ass right in front of the band. A little too close from a band’s perspective in my opinion but having everyone in their faces didn’t seem to matter at all. They pushed through their set with intensity and the crowd really liked them a lot. They were loud, heavy, solid.
Naam does it right. They are tight and I really like the way they do their vocals by enhancing them with a lot of chorus, delay and reverb. It fits with their music perfectly. I’m especially impressed with John Bundy’s bass playing. That guy works his Fender Precision bass like a $9 hooker.
Can’t wait to see them again!
You can buy their stuff on iTunes or via All That is Heavy.
Written by The Metal Files
March 23, 2011 at 7:48 am
Posted in 2011, austin, concert reviews, concerts, heavy metal, naam, psyche rock, psychedelic rock, stoner rock, sxsw, texas, tx
Tagged with 2011, austin, heavy metal, naam, stoner rock, sxsw, texas
Movie Review: Last Days Here (The Story of Pentagram’s Bobby Liebling)
Bobby Liebling is not a scary dude, but he’s been through some scary stuff. One look at the scars on his arms and the age in his eyes and you know he’s been down some rough roads, left hand paths even. Most people who have done meth, heroin and crack for as long as he has don’t survive. Bobby Liebling is a survivor.
As noted in previous posts (here and here), I’ve been a Pentagram fan for 20+ years. Finally getting to see them for the first time 2 years ago was a joy and last year’s encounter with them even better.
When I first saw that there was a documentary by 9.14 Pictures about Bobby being made and being world-premiered right here in Austin during the SxSW Festival, I was pretty excited. Just last year I was fortunate enough to see the premier of the Lemmy movie.
I took off a few hours early for work to be able to attend the movie which was being shown at the Austin Convention Center at 4:30PM. I go in and there are people everywhere. The way admission works at these things is that if you have a Film Festival badge or wristband, you get automatic admission into events before those of us who choose not to purchase the credentials. I never do. I went to the ticket booth and they said “If there’s available seating it’ll cost $10 to see the movie.” Sweet. I think we paid $16 or less last year to see the Lemmy movie.
As I was waiting in the ticket purchase line, I see a long-haired dude in a leather jacket with some credentials hanging around his neck. He was
talking to someone in the next line over and I spot his name on his badge and see that he was one of the directors of the film, Demian Fenton. He spots me and comes over and asks if I am there to see Last Days Here. He complemented my Candlemass shirt, we spoke about the film and Pentagram for a few minutes and he left. A few minutes later he comes back and hands me an 11” x 14” movie poster. Awesome.
They start letting the badge holders and wristband wielders in then allow the ticket purchasers to buy a ticket and go in. The theater was huge, bigger than I expected. There were a few hundred seats on the floor and a few hundred more bleacher style seats. I headed to top dead center of the bleacher seats. My guess is that only about 75 people at the most were there. I saw one guy in a Pentagram shirt and a few other people that I recognized from some shows around town. Most people there were likely curious movie-goers. Of course I feel that the turnout was pretty weak. Before the movie starts, the directors and producer were introduced and spoke for a few minutes.
The lights go down and the movie starts. The documentary begins in 2006 and you’re basically hit right off the bat seeing Bobby smoking crack. It was painful to see. His arms are bandaged up basically from wrist to should and his hands are swollen looking and black. The crack and meth make him believe that he has bacteria on him that he has to pick off. You get a long glimpse of his upper inner-bicep area where he has picked so much that it was just an open sore. I’m not grossed out very easily but I did turn my head away from the screen for a moment.
You’re introduced to Sean “Pellet” Pelletier who was a huge Pentagram fan that basically became Bobby’s personal assistant, friend and tour manager. You see his struggle in trying to help the band get things together to do some shows and you see the pain in his eyes from seeing his friend continually get messed up more and more from his drug use.
Bobby’s mom and dad and shown quite a bit as Bobby was living in their basement (The Sub-Basement) for much of his adult life. His drug use has
taken its toll on his parents as well. His mom was still taking care of him, and really still enabling him. You get a peek into what may have been a trigger for Bobby’s drug use when his dad speaks about how he wanted bigger and better things for his son (as most parents do). His dad was apparently a pretty well-known Asst Secretary of State who worked for 3 or 4 presidents starting with Johnson.
It’s a pretty common theme for many drug users it seems. A lot of pressure from parents to live up to their expectations and out of rebellion and maybe attention seeking, you become self-destructive…by choice. No one forced those needles into Bobby nor did anyone force him to smoke crack. I didn’t really get the feeling from the movie that he was being portrayed as a victim and I believe he even states that “I did this to myself.”
Later in the movie J.B. Beverley (“Like” him on Facebook) is shown quite a bit. J.B.’s band used to play a bar that I worked in back in Virginia and when he was in town, he’d tell me whacked out stories about Bobby. J.B. was portrayed as a good friend to Bobby in the movie.
There were some cool interviews with former members of the 70s era of the band as well as some good little segments with Joe Hasselvander and Victor Griffin. There is some great classic footage and some of the modern footage from The Black Cat show where Bobby finally shows up with about 30 seconds left in the last song, gets kicked by the guitarist and the band walks off stage. You also see the “comeback” footage from the 2009 Webster Hall show in NYC.
In the last few years, Bobby met a girl from Philadelphia who is about 30 years younger than him. He moved up there from Maryland to live with her, he cleans up, looks good then things fell apart. She left him, ended up filing a restraining order, he ends up in Jail for a few weeks etc.
Ultimately they get back together, get married and had a child together late in 2010 which is where the movie ends. When I met Bobby last year, he seemed clean and was in very good spirits. He seemed like a generally good natured guy who took terrible decisions. (Review Your Choices, eh?)
Overall I think this was much better than the Lemmy movie as this really told a story. The Lemmy movie really could’ve been titled “Hanging Out With Lemmy”, but it never really got too deep into the guy. Last Days Here showed how drug abuse affects the user, the family and the friends. Much of the sentiments in the movie hit “close to home” for me and there were several moments during the movie where I admittedly got choked up. It may be a little more comparable to the Anvil movie, except this was about a better band. They had several good chances for record deals via Colombia Records and even had Gene Simmons and Paul Stanley come down from NYC to check them out at a rehearsal, which eventually bombed.
After the movie there was a quick Q&A session and I caught up with the filmmakers in the hall to give them my thoughts and snap a quick photo with them. They were all very gracious and I hope the 2 subsequent viewings this week go well, even better than yesterday’s.
As a Pentagram fan, I hope this movie ends up with some decent distribution. This movie can also serve as a documentary about the damage caused by drug abuse. I’d love to have this on DVD. There was a full sized movie poster hanging in the hallway and I asked where I could purchase one. Unfortunately only 2 were made so I’ll have to wait until they get some distribution before getting something like that. I’d surely frame it and hang it up. For now I’ll cherish the poster that they gave me and will hopefully catch one of the 2 shows that Pentagram are playing this week.
Nice work, guys. Best of luck!
Bobby Liebling is not a scary dude, but he’s been through some scary stuff. One look at the scars on his arms and the age in his eyes and you know he’s been down some rough roads, left hand paths even. Most people who have done meth, heroin and crack for as long as he has don’t survive. Bobby Liebling is a survivor.
As noted in previous posts (here and here), I’ve been a Pentagram fan for 20+ years. Finally getting to see them for the first time 2 years ago was a joy and last year’s encounter with them even better.
When I first saw that there was a documentary about Bobby being made and being world-premiered right here in Austin during the SxSW Festival, I was pretty excited. Just last year I was fortunate enough to see the premier of the Lemmy movie.
I took off a few hours early for work to be able to attend the movie which was being shown at the Austin Convention Center at 4:30PM. I go in and there are people everywhere. The way admission works at these things is that if you have a Film Festival badge or wristband, you get automatic admission into events before those of us who choose not to purchase the credentials. I never do. I went to the ticket booth and they said “If there’s available seating it’ll cost $10 to see the movie.” Sweet. I think we paid $16 or less last year to see the Lemmy movie.
As I was waiting in the ticket purchase line, I see a long-haired dude in a leather jacket with some credentials hanging around his neck. He was talking to someone in the next line over and I spot his name on his badge and see that he was one of the directors of the film, Demian Fenton. He spots me and comes over and asks if I am there to see Last Days Here. He complemented my Candlemass shirt, we spoke about the film and Pentagram for a few minutes and he left. A few minutes later he comes back and hands me an 11” x 14” movie poster. Awesome.
They start letting the badge holders and wristband wielders in then allow the ticket purchasers to buy a ticket and go in. The theater was huge, bigger than I expected. There were a few hundred seats on the floor and a few hundred more bleacher style seats. I headed to top dead center of the bleacher seats. My guess is that only about 75 people at the most were there. I saw one guy in a Pentagram shirt and a few other people that I recognized from some shows around town. Most people there were likely curious movie-goers. Of course I feel that the turnout was pretty weak. Before the movie starts, the directors and producer were introduced and spoke for a few minutes.
The lights go down and the movie starts. The documentary begins in 2006 and you’re basically hit right off the bat seeing Bobby smoking crack. It was painful to see. His arms are bandaged up basically from wrist to should and his hands are swollen looking and black. The crack and meth make him believe that he has bacteria on him that he has to pick off. You get a long glimpse of his upper inner-bicep area where he has picked so much that it was just an open sore. I’m not grossed out very easily but I did turn my head away from the screen for a moment.
You’re introduced to Sean “Pellet” Pelletier who was a huge Pentagram fan that basically became Bobby’s personal assistant, friend and tour manager. You see his struggle in trying to help the band get things together to do some shows and you see the pain in his eyes from seeing his friend continually get messed up more and more from his drug use.
Bobby’s mom and dad and shown quite a bit as Bobby was living in their basement (The Sub-Basement) for much of his adult life. His drug use has taken its toll on his parents as well. His mom was still taking care of him, and really still enabling him. You get a peek into what may have been a trigger for Bobby’s drug use when his dad speaks about how he wanted bigger and better things for his son (as most parents do). His dad was apparently a pretty well-known Asst Secretary of State who worked for 3 or 4 presidents starting with Johnson.
It’s a pretty common theme for many drug users it seems. A lot of pressure from parents to live up to their expectations and out of rebellion and maybe attention seeking, you become self-destructive…by choice. No one forced those needles into Bobby nor did anyone force him to smoke crack. I didn’t really get the feeling from the movie that he was being portrayed as a victim and I believe he even states that “I did this to myself.”
Later in the movie J.B. Beverley is shown quite a bit. J.B.’s band used to play a bar that I worked in back in Virginia and when he was in town, he’d tell me whacked out stories about Bobby. J.B. was portrayed as a good friend to Bobby in the movie.
There were some cool interviews with former members of the 70s era of the band as well as some good little segments with Joe Hasselvander and Victor Griffin. There is some great classic footage and some of the modern footage from The Black Cat show where Bobby finally shows up with about 30 seconds left in the last song, gets kicked by the guitarist and the band walks off stage. You also see the “comeback” footage from the 2009 Webster Hall show in NYC.
In the last few years, Bobby met a girl from Philadelphia who is about 30 years younger than him. He moved up there from Maryland to live with her, he cleans up, looks good then things fell apart. She left him, ended up filing a restraining order, he ends up in Jail for a few weeks etc. Ultimately they get back together, get married and had a child together late in 2010 which is where the movie ends. When I met Bobby last year, he seemed clean and was in very good spirits. He seemed like a generally good natured guy who took terrible decisions. (Review Your Choices, eh?)
Overall I think this was much better than the Lemmy movie as this really told a story. The Lemmy movie really could’ve been titled “Hanging Out With Lemmy”, but it never really got too deep into the guy. Last Days Here showed how drug abuse affects the user, the family and the friends. Much of the sentiments in the movie hit “close to home” for me and there were several moments during the movie where I admittedly got choked up. It may be a little more comparable to the Anvil movie, except this was about a better band. They had several good chances for record deals via Colombia Records and even had Gene Simmons and Paul Stanley come down from NYC to check them out at a rehearsal, which eventually bombed.
After the movie there was a quick Q&A session and I caught up with the filmmakers in the hall to give them my thoughts and snap a quick photo with them. They were all very gracious and I hope the 2 subsequent viewings this week go well, even better than yesterday’s.
As a Pentagram fan, I hope this movie ends up with some decent distribution. I’d love to have this on DVD. There was a full sized movie poster hanging in the hallway and I asked where I could purchase one. Unfortunately only 2 were made so I’ll have to wait until they get some distribution before getting something like that. I’d surely frame it and hang it up. For now I’ll cherish the poster that they gave me and will hopefully catch one of the 2 shows that Pentagram are playing this week.
Nice work, guys. Best of luck!
Written by The Metal Files
March 15, 2011 at 8:42 am
Posted in 2011, 9.14 pictures, austin, bobby liebling, demian fenton, don argott, heavy metal, last days here, movie reviews, pentagram, sxsw, texas
Tagged with austin, bobby liebling, heavy metal, movie reviews, pentagram, sxsw, texas
Colin Hay Concert Review 03/01/2011
This was my second time seeing Colin Hay doing his solo acoustic show and it was great. You can read about past experiences with Colin and men At Work here.
The show was at the One World Theatre. This place is one of the best places to see a band that I have ever been to. It’s small (maybe 250 seats) and acoustically perfect. It’s in the Texas Hill Country and it’s got a gorgeous setting.
Opening the show was a guy named Chris Trapper (His Wikipedia page here). He wasn’t bad at all. Apparently he wrote a song on the Autumn Rush soundtrack. He had a few good jokes, played about 6 or 7 songs and was gone.
Colin comes on stage to a standing ovation, straps on his Maton acoustic, tunes it and goes right into Men At Work’s Down Under. After this song he starts his joking and storytelling. He hadn’t gotten to the second song yet and says, “Maybe we’ll get 4 or 5 songs in tonight.” If you’ve seen him before, you know he likes to talk, a lot. It’s part of his show and he’s really an interesting guy.
He ended up playing 9 songs, a few of which I don’t think I had heard before. Of the 9, three were men At work songs: Down Under, Who Can It Be Now?, and Overkill. I saw that he had added Blue For You to a few shows last year and I really hoped we would have heard that one last night, but no dice. Didn’t matter. He sounded great. His voice is still strong and he’s a really good guitar player as well.
During the closer, Overkill, he used a memory man pedal to record the main riff of the song during the song and actually got to play the guitar solo. He didn’t do that last time and it was pretty cool. I love that song.
After the show, he did a meet and greet. Lots of people there buying his new CD which was just released that day. Lots of folks had Men At Work stuff. One girl was wearing a vintage Cargo Tour shirt, which was pretty cool. I got through the line, just shook his hand, told him it was a great show and that I had seen him a few times before. I mentioned the solo show in 2009 and Men At Work in 1999. We snapped a quick photo and I was on my merry way. He looked pretty tired, but he was smiling.
If you get a chance to see this tour, do it.
Setlist (only songs 1,2,3 and 9 are in proper order):
- Down Under
- Wayfaring Sons
- Who Can It Be Now?
- Prison Time
- Beautiful World
- I just don’t think I’ll ever get over you
- Waiting for my real life to begin
- Maggie
- Overkill
Written by The Metal Files
March 2, 2011 at 8:14 am
Posted in 2011, austin, australia, colin hay, concert review, concert reviews, men at work, one world theatre, texas
Tagged with austin, colin hay, concert reviews, men at work, one world theatre, texas



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