Posts Tagged ‘album reviews’
Megadeth – Endgame (2009) – CD Review
I like Megadeth…really, I love Megadeth. But I’m no fanboy. I really stopped listening to them when Countdown To 
Extinction came out. I even had a little trouble listening to Rust In Peace, but it’s pretty tolerable now. I’ll also be at the front of the line to say that I prefer Megadeth’s first 3 albums over Metallica’s. Dave is a riffmaster and I am sure there are a lot of good songs on the albums between Countdown and The World Needs a Hero, but I just can’t care.
Those first 2 are simply incredible. The perfect combination of power, sweet riffage, great solos, drumming and heroin. Even So Far So Good has some really high points.
But they whimped out after Rust In Peace. Other than Friendman’s Dragon’s Kiss album, his playing never did much for me, so I stayed away from his era of ‘Deth.
Then The System Has Failed came out with Chris Poland back in the ban for the album! I had to hear it…Loved it! His trademark sound was all over the album. I got to see Gigantour and finally got to meet Dave. It was a memorable experience. That guy is pretty smart and a phenomenal guitarist. I also like United Abominations a lot.
So here we are in 2009. Another Megadeth album. Endgame. I’m impressed. Dave has always hired good guitarists and Chris Broderick (Jag Panzer) is a worthy member. He’s got some great solos on Endgame as does Dave. It’s pretty easy to tell who is who. Dave’s style is pretty unique. I don’t think he gets the credit he deserves as a guitarist, especially as a soloist.
Endgame is pretty good all the way through. The opening track is an instrumental and it does remind me of Set The World Afire in a few spots, but it doesn’t detract from the great solos. I’ve listened to this about 6 times now and I think my least favorite track is Bite The Hand. I was a little nervous when I heard about the ballad, but it’s not bad at all. My favorite tracks would be This Day We Fight, The Hardest Part of Letting Go, Endgame and 44 Minutes. Shawn Drover and James Lomenzo do a great job of holding down the rhythm.
Now I do have a few criticisms. Dave’s vocals have never been great by any stretch of the imagination. He’s certainly lost a step in his vocals over the last 2 albums. It’s natural really. He’s no spring chicken these days. They’re not bad, but he sounds a little weaker. That guy used to have one of the greatest wails in metal! I’ll also make a small complaint about the lyrics. Sure, metal has always had a bit of silliness and Megadeth sliced their share of the cheese. But it doesn’t really detract from the record. The record is good. Really good. Very rarely do I buy albums on their release day, but for modern era Megadeth, I make the exception.
Nice work, Dave. 8.5/10.
Sorry, no free download here. Go buy it, slacker.
http://www.myspace.com/megadeth is streaming it for free right now as well.
Overlife – Between Passion and Madness – 1998
1998. I was really buying a lot of music at the time betweenwhat I was selling through my online music store and what 
I was buying for myself. A lot of the stuff I was buying for myself was from Denis Gulbey at Sentinel Steel Records. Back in the old days when you could call in and jibber jabber, Denis recommended Overlife to me. So…thanks Denis!
Overlife hails from Alicante, Spain. I built their first website (long since gone) and used to correspond with Fabricio quite a bit. What really drew me to them was Leandro’s voice. Very unique and a lot of emotion. The music itself was a little sloppy in places and even the vocals seem a bit out of key sometimes, but this album is really good overall. It’s sung completely in English but I included 2 bonus tracks in Spanish. They are good European power/prog metal with a hint of wanting to sound like Dream Theater. Their later albums sounded more like DT type prog which was a turnoff for me. So, this album it is. I still listen to it a few times a year. It’s a bright memory of a darker time in my life where the death of my father and my divorce seemed to dominate my every day life.
So if you’re into the aforementioned style of power metal, I recommend this highly.
Skullview – Legends of Valor (1997)
A song from this was on one of the many compilation tapes that Kelz sent me over the years. It was the song Blood on 
the Blade from Skullview‘s debut CD. I bought this CD and the followup and have enjoyed them both over the years but there was always something missing and I still can’t put my fingers on it. They vocals were fine, the riffs were fine…these guys were a good traditional American metal band but something always seemed to be lacking. I always thought the drummer was a bit boring and a tad sloppy. I don’t know. But nonetheless, this album is certainly worth putting ears to a few times.
They did play one of the Keep It True fests and I am sure some of the other US metal festivals. I used to correspond with the guitarist quite a bit in the days of the old usenet metal forums. Great dude, fine guitarist. Wonder what he’s up to these days?
I guess I could compare them to Armored Saint and Early Jag Panzer…a little anyway.
You know as I sit here and listen to this album again, I blame it on the drummer. He definitely had some meter problems which translated to the rest of the band.
Quiet Riot – Metal Health (1983)
Let’s just be straight here, I love this album. I have since it was released. 1983. I was 13. It was a tough year for me…I 
guess 83-85 were a little difficult. Not necessarily because of going through the typical teenage bullshit, but there were other things going on that really made those some tough years. But hey, I got through it. I spent a lot of days and nights listening to this album. I used to have this little one speaker GE boombox that I would put under my pillow at night to keep listening to music as I went to sleep and so my parents wouldn’t hear it. Not that they had a problem with QR, they just had a problem with my obsession with music. haha It was a thin cassette player so I only needed to remove my bottom pillow to make it fit and not kink my neck. Usually sometime in the middle of the night the player ended up on the floor and the second pillow was back in its proper place.
I picked this up right after hearing Metal Health on the radio. “huhuhuhuhuh, the song says bang your head.” It was catchy. I never cared for Cum On Feel The Noize. It was goofy…still is. I was never a Slade fan, but I don’t dislike them, just never really got exposed to them beyond the 2 songs that QR did, which are goofy. Beyond the goofiness of COFTN, this album is pretty great. Especially songs like Breathless, Run for Cover, Don’t Wanna Let You Go…the whole damned thing. When I pop in the CD I never skip any tracks, not even COFTN, it’s just part of the flow of the record.
In 1999 I got to see them with this lineup. They did an autograph signing earlier in the day at Mars Music and of course I went. They were all in good spirits except for Frankie Banali who seemed to have his ass on his shoulders a bit that day. I brought a few things to get signed like some odd QR EPs, a few CD covers and a few WASP CD covers. Apparently Frankie didn’t have one of the WASP CDs that I brought and asked if he could have mine. I told him no and he got a little peeved about it. “Well I’m not signing anything else.” “Fine, dude, no biggie,” and I finished out my time with the rest of the band who were gracious. Cavazo gave a head nod towards Frankie and just shook his head at him in disapproval. They had about 200 people show up to meet them which I thought was a decent showing for a concert that was getting no promotion and was at a shitty venue.
I came home after the signing to chill out for a while before the show and realized that I had 2 of the WASP CD/EPs so I brought it to the show. We got to the Riverview Theater and I swear it looked closed. This place was trying to get revitalized and they were bringing some decent bands there but it never seemed to take off for them. For this show only about about 40 people showed up…FORTY PEOPLE. I felt really bad for them. They came out and played like there were 20,000 people there. Kevin never once commented on the size of the crowd. They were awesome. After watching Cavazo play I gained a lot more respect for him as a guitarist. That guy is really friggin’ good.
After the show the band came back out to hang out with everybody. I was talking with Rudy Sarzo about his days with Whitesnake and such Frankie came up to me and said, “Hey, come here a second.” “Sorry I was such a dick earlier. I was having a bad day.” I told him it was no big deal and pulled out the spare copy of the WASP EP that I had and handed it to him. He was shocked and gave me a big sweaty hug. haha. “Until today I didn’t even know that this EP existed.” I ended up talking with him quite a bit for the time they hung out. I told him that his first 2 albums with QR were big influences on me when I was learning how to play drums. All of them were nice and Kevin seeked out every person in the room and thanked them personally for coming out. That wasn’t the asshole Kevin Dubrow that I had read about in the ‘zines, this guy was actually nice.
It was a fun day and night and I finally got to meet a band that I had loved for 16 years. The news of Kevin’s death in 2007 really brought me down. I had read just prior to that that he had gotten himself clean and sober. It was too bad that those demons continued to haunt him and that he wasn’t able to continue down that path to recovery.
RIP Kevin.
Purgatory – Tied To The Trax (1986)
Not sure who I first heard this through and it really doesn’t matter. I do know that they weren’t my discovery within 
my circle of friends but it was one of those albums that everyone seemed to love. It was really too bad that they didn’t do a follow-up to this one. I was happy to finally get a CD copy from Sentinel Steel Records about 15 years ago.
This is 80s speed/thrash metal at its finest. It’s a great album front to back and was only officially released on CD via SPV/Steamhammer forever and a day ago. Bill at Auburn Reocrds has said that he wants to re-release it but to date it hasn’t happened. Auburn Records had a few good bands on it like Shok Paris, Breaker, Purgatory and Black Death. Pity their bands pretty much wavered around in the underground.
But as I was saying, there’s not a bad song on this album. The singer, Jeff Hatrix, ended up in Mushroomhead as J.Man I believe. Shame, the dude had a phenomenal metal voice.
I highly recommend that you download and listen to it…over and over.
The Metal Files 
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