The Metal Files

My Life. My Music. Your Voyeurism.

Posts Tagged ‘concerts

King Diamond Concert Review, Austin, TX, November 8, 2014

with 2 comments

FullSizeRender

It’s tough writing reviews sometimes because I have trouble being objective when trying to talk about seeing some of my favorite bands.

There was something incredibly special about last night’s King Diamond show that I just don’t know if I can put my finger on it or properly describe in words better than just saying, “That was fucking awesome!”

And it was. It was fucking awesome. Really fucking awesome.

I’ve loved King Diamond (KD) since Abigail came out. That album had me delve back in time to quickly get into Fatal Portrait and Mercyful Fate. But Abigail is #1 for me in KD’s catalog.

I’ve see King twice before tonight (’88/2000) and Fate twice (’93/’99).  All of those shows were special in their own ways, especially that ’88 show on the Them tour.  King sounded great in all 4 of those shows.  With it being 14 years since the last time I had seen him, I had concerns that his voice wouldn’t be what it once was.  That thought was quickly removed from my head once they broke into the opener, The Candle.  They quickly kept it running hard and heavy with Sleepless Nights and Welcome Home which went over very well with the crowd.  Everyone knows the “grandma song”.

They mixed it up with songs from Them, Puppet Master and Give Me Your Soul…Please, not to mention 2 Mercyful Fate songs, Evil and Come To The Sabbath.  It was a very metal crowd that was very into the show.  King’s stage set up was over the top filled with a giant goat’s head pentagram and upside crosses.

Andy LaRouque and Mike Wead were shredding it as expected.  Matt Thompson did a fine job handling Mikkey Dee’s drum lines, but he’s no Mikkey Dee.  Few are.  That’s no slight to Matt, he was killer.  Pontus Edberg held down the bass perfectly.  The mix was great, especially for an outside venue.

Highlights for me were Sleepless Nights (love that drum line), Family Ghost and especially Black Horsemen.  That song is the best ending to any album I have ever heard and it was the perfect closer to last night’s set.  It gave me goosebumps last night and I have them again writing this.  It was such a powerful show all the way around.  I did notice, however, that King had a female backup singer that sang some of the high notes along with him.  I tried to listen to the difference in the voices (his and hers) and really couldn’t tell.  There were times that he was hitting the notes perfectly and she wasn’t singing at all, so maybe she was just there for harmony and melody purposes.

What a great fucking show!

Judas Priest Concert Review, Austin, TX, November 7, 2014

with one comment

title The shows just keep coming. I’m tired but musically satisfied and it’s always completely worth it. Priest is an odd beast for me. Been a fan since the 70s and prefer that era much more than the 80s to now stuff. When Rob’s voice started leaning towards screeching for vengeance instead of the clean falsettos of the 80s, I was turned off. I first saw Priest in 1998 with Tim Owens on vocals.  Blech.  Didn’t like his albums or his Anselmo like stage presence, but the band sounded great.

Flash forward to 2008 and I went to the Priest/Heaven & Hell/Motorhead/Testament show but left before JP came on.  I had seen footage of Rob from that tour and it was awful.  Immobile, hunched over, a slave to his teleprompter, much like when I saw Halford (solo) in NYC.  I didn’t want to see how much the mighty had fallen so I left.  I sort of regret it but oh well.

Flash forward again to 2014 and Fun Fun Fun Fest announced that Priest and King Diamond would be headliners on their black stage.  I wasn’t going to miss Rob this time. I got to the venue around 7PM and the line to get in was about 3hrs.  I did a little hocus pocus and only waited about 15 minutes to get my will call wristband.  Hung with some friends until Priest went on and then we rocked out. They opened with Dragonaut from the new album.  I’m not a fan of the newer stuff as stated previously but it sounded fine.  Then right into Metal Gods, Devil’s Child and Victim of Changes.  Overall Rob sounded pretty good.  He avoided the notes he knew he couldn’t hit.  Some of them he got pretty good when he tried like in Victim.  There were some instances where he did try and failed, but whatever.  It was what it was…a great metal show.

They played 4 tracks from the new album.  A decent mix of the older stuff.  Of course my setlist would have been totally different.  Richie Faulkner is sort of the star of the show now.  He’s out front most of the time and handles all of KK’s old leads just fine.  He’s good.  The band was very solid as expected.  Hard not to be when you have the human drum machine Scott Travis keeping time for you. Beyond The Realms of Death was the highlight for me.

So many childhood memories listening to that one as a kid.  It was a fun show but when it ended all I really cared about was going home and going to bed.  I went downtown for one beer and could barely drink it.  Pure exhaustion.  Today I rest up for King Diamond tonight!

John Waite Concert Review, Austin, TX, November 3, 2014

leave a comment »

IMG_6650jwtitle

This won’t be a long review.  John’s played here several times in recent years and I kept missing it for whatever reason.  I almost missed tonight’s show as I neglected to add the show to my calendar.  Luckily a friend on FaceBook posted about it.  Then I couldn’t find my ticket.   Then found it.    Show was set to start at 8 and he was to play 75 minutes.

I’m tired and have been since the marathon of shows 2 weeks ago.  Seems that I have been going non-stop since then and there’s no slowing down for November.

John came on just a little after 8PM with a trio of songs by The Babys.  His voice sounded great.  He’s a bit of a wiry fella and moves around a lot.  Told some quick jokes and was pretty affable with the audience.  He played a mix of some newer and older solo songs as well as Bad English’s When I See You Smile.   Best of What I Got was slated to be played but they didn’t do it.  Apparently this was a one off show in between his normal opening duties for the current Pat Benatar tour.  They also played a Vince Gill cover as well as All Along the Watchtower.  The encore was Zeppelin’s Whole Lotta Love.  I’m not a Zep fan in the least but I gotta say that John belted that out so impressively that he should contact Jimmy Page to do a flurry of Zep shows.  Holy crap the dude has the pipes.

His bassist was a complete badass as was the drummer.  One of the hardest hitting drummers I have ever seen but was as solid as could be.  The guitarist however, not so much.  Sloppy, choppy and for me, painful to listen to.  His riffing was fine, but when he went into his solos, it was just painful.  Either you can play those licks or you can’t.  Maybe he was having an off night.  I don’t know.  But overall the show was fun.  It looked like maybe 100 people showed up.

GWAR Concert Review, Austin, TX, October 25, 2014

leave a comment »

gwarIMG_6549

I love seeing GWAR live.  I’ve seen them several times since the 80s and I think they peaked at the Scumdogs album.  Nevertheless, I do try to go and see them still.  They still crack me up.  Unless you’ve been living under a rock, you know that Dave Brockie died earlier this year.  He was the voice and personality behind the Oderus Urungus,  Dave was a funny guy and cool the few times that I met him.  I have an interview I did with GWAR in 1999 that I need to get uploaded.  It’s hilarious.

The band is now using multiple members as singers and it works with their new storyline of having an epic battle to see who will become the new leader of the band.  Included in that mix was my buddy, Brent, who replaced Corey Smoot on lead guitar after his untimely death a few years ago.  He’s Pustulus Maximus.  I’ve known him for about 10 years from other bands he played with back in Virginia.  Awesome dude and it’s always great to see him.

The band hit the stage during the second annual Housecore Horror Film Festival and there was a video message on the “magic mirror” from Oderus.  It was all strange, but it worked.  He disappears into another dimension or something and all of the new singers bash it out.  The show was enjoyable and Brent’s guitar playing was awesome.  He sang a song or two as well.  Way to go, Pustulus!

It’s always fun watching people get soaked in the pit at their shows.  This past Saturday night, I got hit with a blood cannon.  Totally unintentional but it made me laugh nonetheless.  Good fun all the way around, especially their cover of West End Girls.  I also ran into a guy I knew from Virginia that I hadn’t seen since about 2000.  He was touring with a guitar company that he works for. I also ran into the VoiVod guys who remembered me from a SxSW show a few years back when I got my head cut open by a stage diver.

This show marked the 6th in a row since Monday night.  I was absolutely exhausted by the time it was over.

The aftermath

The aftermath

Pustulus

Pustulus

Written by The Metal Files

October 29, 2014 at 8:10 pm

Hellion Concert Review, Austin, TX, October 24, 2014

leave a comment »

Hellion was a band that was always just in my peripheral in the 80s.  I owned their album The Black Book and liked it, but still never listened to them that much.  When I saw that they were playing downtown on Friday, I had to go.  I was absolutely exhausted from the events of the week with Kelz, who I had dropped off at the airport earlier that day.  I tried to get a nap in before heading downtown but it wasn’t a good one.  Normally I take a ride via Lyft downtown because I know that I’ll be drinking.  I didn’t have the energy or wont to drink that night so I drove my car.

San Antonio’s The Blitz Krokus tribute band played right before Hellion.  I love Krokus and was excited to see that my pal Chris Cronk (Karion/SA Slayer/Fates Warning/Jag Panzer) was on vocals.  They were fun but their set got cut short.

Hellion had a stacked lineup in the band backing Ann Boleyn.  Georg Dolivo from Rhino Bucket on rhythm guitar, Maxxxwell Carlise on leads, Greg Smith (Wendy O Williams/Nugent/Alice Cooper/Rainbow etc) on bass, Scott Warren (Keel, DIO, Heaven and Hell) on keyboards and Simon Wright (AC/DC, DIO) on drums.  This made for some great signatures in the book!

The band was rock solid and Ann’s voice sounded good.  The whole band was great but I was especially drawn to Greg’s bass playing.  That guy is just a beast of a player.   One of the best I have ever seen.  The whole show was fun and after getting the sigs in the book, I went straight home and straight to bed.  Highlight for me was Living In Hell from the Black Book.  Great song.

Design a site like this with WordPress.com
Get started