The Metal Files

My Life. My Music. Your Voyeurism.

Posts Tagged ‘heavy metal

Vauxdvihl – To Dimension Logic (obscure prog)

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I really can’t remember exactly when I first heard this but it was undoubtedly via Kelz and Denis Gulbey of Sentinel Steel Records around 96 or 97.  Doesn’t matter.  This is a great album all the way around and pretty obscure.  Vauxdihl hail vauxdvihlfrom Melbourne, Australia.

I highly recommend checking this out if you’re a fan of Fates Warning’s Perfect Symmetry.  It reminds me a lot of that album although not quite as good.  No, this album isn’t particularly groundbreaking but it’s a nice change from all the trad and the death metal that I have been spinning lately.

Since this is very out of print and relatively hard to find, I uploaded it for your listening pleasure.  Download here.

Dark Angel – Darkness Descends

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I’m pretty sure it was spring 1987 and I was down on Atlantic Ave at the Virginia Beach Oceanfront hanging out for dark angelwhatever reason.  There was a little record store there that I can’t remember the name of.  I’m pretty sure it was an independent store and don’t hink it lasted more than a few years.  I can’t even remember if anyone was with me…maybe Robert S.  Anyhoo, we were browsing the cassettes and I saw Dark Angel’s Darkness Descends.  I immediately knew that this would be my purchase.  I had seen the ads for this in various metal mags and it was on Combat Records which had a pretty good track record of bands so far.

I remember getting in my 66′ Nova 4dr and heading back home while the tape started.  I was immediately blown away.  The drums.  Holy shit, the drums!  I remember seeing fotos in magazines of the band and the big huge drummer in shades looming over them in every foto.  I was fortunate enough to meet him earlier this decade and he was the coolest mofo in the world.

But back to this massive album.  There’s not a stinker in the bunch but my faves are Burning of Sodom, Black Prophecies and Perish In Flames.  Sure it’s a tad sloppy and severely underproduced, but it set a/the standard for early thrash and death metal in my opinion, especially for drummers.

When I finally saw them live in 1989, I got to help sing Merciless Death as the new singer said he didn’t know the lyrics that well.  I was the happiest acne-faced, bad-haired kid in Virginia Beach that night!

If you’re into classic metal and especially early thrash, you NEED this album.

I finally found the foto of Gene and me from 2001.  gene hoglan me

Appetite for Defecation – I do not like Guns ‘n’ Roses…really

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So there we were, my band and I, at Robert’s house in Portsmouth, VA toaxl_4 watch Headbanger’s Ball as we always did every weekend. This was summer or late spring of 1988(?). It was the usual gamut of hard rock and metal videos…then there it was.

The “World Premier” of Guns ‘n’ Roses’ Welcome to the Jungle video.

W

T

F

?

All 4 of us sat quietly and watched it. I had assumed that they felt exactly the way that I did. I think I was the first one to speak at the end and said, “That sucked ass.” The rest of them completely disagreed. “Whaaaaat?!?! You’re crazy! That was the greatest thing I have ever heard!” etc…Then the words that burned my ears came next…”That’s the sound we need to go for.”

My soul died.

Granted, we weren’t the greatest band in town and we were playing some music that I didn’t care for, mainly the hair band stuff, but it didn’t matter because I was in a band with some of my closest friends. Our setlist included stuff from Cinderella, Def Leppard (from Hysteria), Whitesnake, Anthrax, Megadeth, Metallica, Iron Maiden, Judas Priest, Dokken, Overkill, KISS, AC/DC, TSOL and I really don’t remember who else. We only had one original called Skeletons. I wanted to play more originals but we never got to it. There were always disagreements between our 2 guitarists. J. Rob was definitely into playing heavier music and Robert was more about the radio friendly stuff. Personally I wanted to play stuff like King Diamond, Fates Warning, Anthrax, Slayer etc…just soemthing much heavier than what we were doing.

But they all agreed about the GnR thing. Whereas I was sickened by what I heard and what I saw in that video, they were enthralled by it. Needless to say about a week or 2 later I was out of the band. “The band is breaking up” is what I was told. OK, no problem. But within a week or 2 after that I stopped over at the bassist’s house and heard music from the shed out back. I open the door and there’s J Rob, Robert and Don with another drummer. They all had a look of shock and guilt on their faces. I said, “Wow. OK. I get it.” I think it was J Rob that said, “Sorry man, you know how it goes.” I think I said something like, “Yeah man, I sure do. S’cool.” So I walked out, a little butt-hurt, ego deflated, sad and even felt a little betrayed.

Then they started playing as I walked across the yard to my truck and I think I heard the riff to either Sweet Child of Mine or Welcome To the Jungle…and a slight smile came across my face. I was a little relieved. In the end they did me a favor as I wasn’t cut out for wearing spandex and teasing up my already bad hair. There were no hard feelings and I’m still in touch with those guys, one of them is a very close friend of mine still…Don.

But to this day I still want to throw up when I hear GnR. It wasn’t so much the music that turned me off, it was that voice. That nasty terrible screech. I will admit that I saw them in 1991 (for free) with my friend Bronwyn. Skid Row opened up and they were GREAT. I have to say that GnR put on a good show and Axl is a good front man, but his voice is still one of the worst I have ever heard in rock.

I know people who knew them in their early days and most had the same opinion about them…”losers” and “one of the luckiest bands in LA”. Their words, not mine. But I can’t say I would disagree with their assertion. The mere sight of Axl Rose gets me a little aggro.

I’ve said since day 1 that they are my most hated rock band and I still feel that way after all these years. People call me a bandwagon GnR hater, but the truth is that I was the one driving that wagon since 1988.  To me the only good thing that came out of that band is Izzy Stradlin. I love his solo albums.

But whatever. Screw GnR. They suck. There. I said it. I feel much better.

Written by The Metal Files

June 11, 2009 at 12:42 pm

I Won’t Dance…The Elder’s Orient

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My introduction to the mighty Celtic Frost was through some knucklehead pal of ours named Chris Shelton. He had the cassette for The Emperor’s Return and I checked it out for a few days. I thought it was absolutely horrible. Total shit even. What was wrong with this singer? Was he trying to pinch one out or something?

Then after reading several glowing reviews of Into the Pandemonium in Aardschok America or Circus or whatever, I decided to give it a shot. I’m glad I did. This album is incredible. Very different than Emperor’s Return, which in later years was deemed to be neither a good nor bad thing.

Pandemonium came out in my senior year of high school.  A former friend from high school and I sat next to each other in Mr. Gordon’s english class and constantly caught hell for talking (about music) during class. I really wish I had kept my english book from that year as just about every page was covered in band names and song quotes, many of which came from this particular Frost LP.

A few years later I started backtracking into the older Frost albums and I am glad I did. I “got it”. Tom G. Warrior was a great songsmith. Sure a lot of the riffs were simple, but he was creating music that no one had created at the time.

I always respected Frost for trying something new with every album, even Cold Lake. Although I will say this…One In Their Pride…WTF? Just plain awful.

As for Cold lake, it’s not a great album by anyone’s standards, but I don’t consider it to be a total wash. I liked Downtown Hanoi, Juices Like Wine and Once They Were Eagles. When I met Frost back in 2006, Tom G. signed my Cold Lake CD with the word “ABOMINATION”. I told him that I liked some of it and he responded, “You’re the only fucking one who did.” haha…Tom G. Ugh!

Now back to Pandemonuim. Other than that stupid “Pride” song, this album is great. I even dug the cover of Mexican Radio (Wall of Voodoo). My favorites would be Babylon Fell, Mesmerized, Rex Irae, Inner Sanctum and I Won’t Dance.

Definitely an album that brought me a lot of joy during such a shitty year. I hated school and didn’t want to be there.

Funny thing…there was this girl we kenw named Theresa(?) that looked EXACTLY like Tom G. Poor girl. She was also such a sleaze bucket…of course we dubbed her “The Bucket”.

ha! The Bucket!

Hey Doro! Nice ass!

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Yes, I said that to her, to her face even.  What a schmuck!  I was 18 and one of the first 5 people in line to see Megadeth, Warlock and Sanctuary(!).  We got there early because we wanted to be on the barricade at the Boathouse for the whole show.  We were so excited to see Sanctuary…getting to see Warlock and Megadeth was just icing on the cake.  But…this whole story is about Warlock.

So there we were in line when a van pulls up and Doro gets out with a few big body guard looking dudes flanking her.  She walks right by us and I was trying to think of something to say.  Being 18, my groin was doing most of my thinking at the time so I said, “Hey Doro!” to which she politely replied, “Jah?!” in her thick german accent.  I pulled the total Butthead moment and said, “uhhhhh…nice ass!”  Instantly in my head I said ‘d’oh!’  A big smile crossed her face and she said, “Oh, tank you!”  Man, I felt like such a dumbass.  I was such a dumbass.

But Warlock kicked total ass that night.  Now if you have known me for longer than a minute, you probably know that I am not a fan of metal bands fronted by women, save a few exceptions.  Warlock is one of those exceptions.

I remember it was right after meeting a former friend from high school in 1986, he introduced me to CK at the Triumph/Yngwie show.  Years later I ended up in a band with CK.  Good times, bad times…but back to Warlock.  So we were at CK’s place and I was flipping through his records and saw Warlock’s first 2 albums, Hellbound and Burning the Witches.  So he put on Burning the Witches and I was digging it.  Instant fan!  I proceeded to go out and buy those 2 on cassette as well as True as Steel a little later.

I remember reading in Circus magazine that they had a new one coming out called Triumph and Agony.  I picked it up the week it came out and loved it.  I still do.  It’s not as raw as the previous 3 albums, but it’s great.  Getting to see that tour was such a treat.  I think there were only a few people there who actually knew anything about Warlock (or Sanctuary for that matter) and we let them know that we were fans.  We were raising holy hell for them and they appreciated it.  Doro made several comments about “this group of guys over here who know what the hell is going on!  All of you should learn how to rock like these guys!”  Sure, cheesey stage banter but to a bunch of 17 and 18 year old fans, it was pretty cool.

I was pretty disappointed when they broke up after that tour.  Doro’s solo albums never did a lot for me but her debut, Force Majeur, was good enough to stay in my collection.

In order from best to worst:

  1. Triumph and Agony
  2. True As Steel
  3. Burning the Witches
  4. Hellbound

They played a good cross section of all of the albums in their set.  I was super excited when they went into “I Rule the Ruins”.

Doro has played San Antonio at least twice since I moved here and I should go the next time she plays.  Everyone says she still kicks ass live.

If you can find the Warlock: Live in London DVD, I highly recommend it.

Written by The Metal Files

April 27, 2009 at 2:16 pm

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