The Metal Files

My Life. My Music. Your Voyeurism.

Posts Tagged ‘san antonio

Lizzy Borden Concert Review – 041710

with 3 comments

As stated before, I am a pretty big fan of Lizzy Borden. so I was pretty excited when I heard that they were coming to

Give 'em the Axe!

San Antonio to do a show…a FREE show!  I saw them in 2001 opening for Malmsteen at the NORVA in Norfolk, VA and they were great even though they didn’t play Give ’em The Axe.  My problem, not theirs, eh?

So McMaster and I head down to San Antonio (75 miles) around 6PM and go to the legendary Hogwild Records before heading to the venue.  I’ve been there one other time and it’s a great store, lots of San Antonio metal history there.  I ended up buying 6 shirts while I was there:  2 S.A. Slayer, Sepultura – Beneath The Remains, 2 Dark Angels designs and Mercyful Fate – Nuns Have No Fun.  They had tons of other great shirts, but sold out on my size (tent-makers must be running behind! haha!)  I really wanted the Sin After Sin shirt. *sigh*

So after doing our damage there, we head to the venue just to see where it is.  It’s an old warehouse, huge place.   After we spotted it we went to Denny’s and grabbed a quick meal.  I hadn’t eaten since that morning so I was feeling pretty weak.

We get to the venue around 9:30PMish and catch up with McMaster’s girlfriend and 2 of her friends who flew in from Oklahoma City…April and Angie.  good looking rock chicks.  Super funny and very cool.  Had a blast with them.

The venue is called Backstage Live and they are bringing in a lot of shows, mostly 80s rock and metal.  The place is friggin’ huge.  I imagine it can hold 1000 comfortably, maybe twice that.  They did a nice job doing the rehab work in there.  It was a very nice place.  Some cool swag on the walls as well like this German KISS poster from the Unmasked Tour with Iron Maiden opening up.  Damn!

It took almost an hour for Lizzy to hit the stage after the opening band, One Of Six.  WTH?  It was ridiculous.  The club owner spoke from the stage saying they were delayed in getting there, but I don’t know.  There was a point where they all walked out from backstage to come on then went back in…seemed like it was another 20 minutes until they finally came on.

Jason and I moved practically 5′ from the stage with ease and room to spare around us.  There may have been 100-120 people there, but the place is so big that the crowd looked tiny.

Lizzy finally hit the stage dressed in a hooded robe and a black screen covering his face.  Honestly, the sound quality

Lizzy Borden, one of many masks

was so bad that I have no idea what song they opened with.  I think it may have been from their last album of which I am totally unfamiliar with.  Give ’em The Axe was next but I had no idea what it was.  Jason elbowed me and said, “They’re playing your song.”  Really?   Couldn’t tell.  I could tell that Lizzy’s voice was good, though.  Really he sounded great.  He has such a unique voice and it can cut through just about anything.  His band was really good too.  Marten Andersson is a fantastic bassplayer.  Lizzy’s brother, Joey Scott Harges is still on drums and he had 2 hot shot guitarists with him.  Both of those dudes could play.

Lizzy changed masks and costumes between just about every song.  I have to say that I think I would have preferred a stripped down Lizzy show without having all of the “show”.  Their music can hold it’s own.  But then I guess it just wouldn’t be a Lizzy show without all the props and such.

nice mullet, hero.

They only did 14 songs and it really seemed like fewer because of the sound there.  I really left the show very disappointed…one, in the sound quality and 2, in the setlist.  I thought it was pretty weak and very short.  This is one of 4 USA shows, play a longer set!

I’m not so sure that I’ll ever go see them again.

Setlist:

? (inaudible)
Give ’em The Axe
Voyeur
? (inaudible)
Tomorrow Never Comes
Under Your Skin
Master of Disguise
There Will Be Blood Tonight
Me Against the World
American Metal
Hollywood? (inaudible)
We’ve Got The Power
Notorious (encore)
Redrum (encore)

If anyone can fill in the blanks on the setlist, it would be greatly appreciated.

I’m really hesitant to see other shows at this venue even though they have a lot of good stuff coming there…Y&T, Dangerous Toys, Pat Travers, etc.

Oh well.  I had fun with Jason, his girl and the OKC girls…and I got to meet the legendary Don Van Stavern Riot, SA Slayer).

We all bleed American metal!

****UPDATE****

Someone sent me the setlist.  Three songs were not played although they were listed:  Crawlin’, Deal With the Devil and Come Out At Night.

setlist

photo courtesy of Rockerazzi Photography

Written by The Metal Files

April 18, 2010 at 9:28 am

Riot – Narita – San Antonio Texas – 6/2/09

leave a comment »

From the 6/2/09 show.  Sorry the video ends abruptly, my camera was having issues.

Written by The Metal Files

June 24, 2009 at 5:02 pm

Riot – Fight or Fall & Outlaw videos from 6/2/09 in San Antonio

with one comment

I filmed these in San Antonio.  My camera sucks.  Read the show review here.

Turn your audio down a bit as the sound is a bit distorted.

Written by The Metal Files

June 11, 2009 at 9:32 pm

Concert Review – RIOT – San Antonio – 6/2/09

with 7 comments

So let’s go back in time…

I remember somewhere around 1984ish and I was over at Daniel’s house for a bit and we would go into his brother’s room and check out his records and cool Kramer Baretta guitars.  I remember seeing Riot’s Fire Down Under (probably on cassette) and we listened to some of it.  I think we only listened to Swords and Tequila as his brother’s band used to cover that song.  I thought it was cool but never really explored them any further.

Flash forward to sometime in 1988.  I was over at Kelz’ house and we stepped outside into Thomas’ car, the 4dr Chevy Cavalier, beige/crème color.  He pulled out Riot’s Thundersteel tape and said “You have to hear this.”  I was reluctant and explained to him that I saw the record at Skinnie’s recently and that the album cover looked too silly to even give them a chance, not to mention their photo on the back.  WTF?  In perfect Thomas fashion he cut me off and said, “Just shut the fuck up and listen to it asshole.”

Thank you Thomas.

I was blown away by it, mainly by the drums.  The only other drummer that I heard play similar styles to this was Deen Castronovo.  It was shortly after getting into this era of riot that I met Deen and asked if Bobby Jarzombek was his pupil.  Deen just replied with, “I wish I could lay claim to that.  That kid is good.”  Yes, Deen, very good.  Back to Thundersteel, this album has great hooks and melodies, not to mention the insane drumming by Bobby, Tony Moore’s almost-out-of-control vocals and Mark Reale’s great solos.  I should mention Mark Edward’s competent drumming on the LP as well.  Nothing too flashy, but solid.  The only song I never cared about was Run For Your Life.  It just seemed too stiff.  Since 1988 this album has stayed in steady listening rotation.  I also picked up the follow-up album Privilege of Power.  There are some blazing songs on there and Bobby J just simply owns that record.

Flash forward again to early May 2009.  I saw online that Riot was performing a one-off show in their partial home of San Antonio and expected it to sell out as they don’t play very often and especially with this line-up, the reunited Thundersteel era band.  So I bought 2 tickets the morning they went on sale, one for THE Doug Morrison and one for me.

So I go to Doug’s after work yesterday and we have some dinner at his house.  The doors were at 7pm and we had about an hour of drive time each way.  Since it was only about 6pm at this point, I went down into our studio and took a 45 minute nap as I was super tired from being up in the middle of the night with a sick cat.  After my little nap, we hop in the car and head to SA.  I was happy of the fact that Jason McMaster’s Broken Teeth were added to the bill but we assumed that they would be the opener of the 4 bands and we figured we would miss them.  Jason is one of my best friends and it’s no biggie for him if we missed the show.  Both he and Doug are in the Motorhead tribute band with me, so we see each other plenty.

We arrived at the show around 8:15pm and I noticed that the crowd was very light in attendance.  I figured since it was still early that people were waiting to come out.  We saw the Broken Teeth guys when we walked in and gave our usual pleasantries and they said they were moved into the slot right before Riot.  Great news!  It meant that we would have on less shitty band to sit through until seeing a band that we liked.  A local band called Eden Burning opened the show and we missed them completely.  From what I was it was no loss.  Top Dead Center played next.  Apparently their singer has another band with Riot’s Don van Stavern called Pitbull Daycare.  Whatever.  TDC wasn’t very good in general.  The highlight of their performance was their drummer.  That guy was rock solid.  I was glad when they were done.  Broken Teeth took the stage and did what they do best, they rocked.  Jason has got to be one of the most underrated front men in rock and roll.  He knows how to grab a crowd’s attention and keep it.  Before they went on, it was cool seeing people who have known him since the Watchtower days.  I am not sure he has ever made an enemy.  The crowd got into Broken Teeth and I am sure most of the folks there had never seen them.  It was a bit ironic that the club uses Dangerous Toys’ old road cases for side stage monitor stands.

By the time that Broken Teeth finished, there may have been 250 people there, certainly no more than that.  I was shocked.  The legendary Riot.  At Home.  Thundersteel lineup.  Sure it was a Tuesday night but c’mon.  The ONLY American show!  WTF?!

So Riot is setting up, erm…their roadies are setting up.  They put this projector on a stand on the stage and Doug and I were trying to figure out if they were going to keep that on stage for the whole show.  Luckily is was just there for their intro and promptly removed.

So the lights go down and the band sans Tony Moore get on stage and play an instrumental assuredly from one of their older albums.  I’m not that familiar with the pre-Thundersteel stuff…yet.

After the instrumental, Moore comes out and they go into Fight or Fall.  His voice is still strong after all these years but he was struggling in some parts and understandably so.  His vocals on that old stuff are pretty high ranged in places.  But in general he sounded fine for the night.  Mark Reale played great and does good backing vocals.    Mike Flynt’s playing was good too.  He did a few solos and he’s a really solid player.  His vocals harmonies were really really good.  I didn’t care for Van Stavern’s tone in the least.  He was playing what looked like a higher end Ibanez bass through an Ampeg rig (ugh).  It sounded like ass.  Seriously.

But most impressively the highlight of the night for me was Bobby Jarzombek’s drumming.  Sure, I’ve known for 20+ years that he was a phenomenal player but you really can’t grasp it until you see him play live.  I saw him with Halford in 2000 in Brooklyn @ Lamour’s Rock Club and he was awesome there too…but not as awesome as he was last night.  His performance was seemingly flawless.  He can do anything.  He really reminds me a lot of how I think Stewart Copeland would play if he was in a metal band and could play double bass.  The handwork is incredible.  I really think Bobby is the best drummer in metal nowadays.  That is difficult for me to say as a HUGE Gene Hoglan fan.  Hoglan and Van Williams (Nevermore) are probably the only guys who can play this style and retain a feel in their playing.  Guys like Mike Portnoy can play it, but have no feel.  Boring.

We ran into Ron Jarzombek after the show and I just shook his hand and said hello.  Doug met him 25+ years ago when he took Dave McClain (SA Slayer/Sacred Reich/Machinehead) out of San Antonio to come play with him in LA in Neil Turbin’s post-Anthrax band.  It took Ron a second to remember then he said, “Oh yeah, I do remember now.  Wow.  Been a long time.”  Then we left.  We drove through one of the scariest lightning storms I have ever seen.  It’s not very often that I get nervous in a storm but I was nervous last night.  Doug was too but we made it back to his place safely and subsequently I was home safely shortly thereafter.

Overall the night was great.  I needed a night like that.  June 2 is a day that lives in infamy for me and in the week leading up to it every year I tend to get a little down.  But there was no time for such feelings last night.  It was a positive night and we had fun.  The only real drawback about the show was that Riot had no merch to sell and I really wanted a shirt.  Oh well.

I shot some video and snapped a few pics.  I’ll try and post them later.  Unfortunately my camera ran out of battery right as I was ready to film Johnny’s Back.  Keep an eye on Youtube as I am sure there will be a lot of footage from the show.

Here’s the setlist in order:

Narita (Instrumental intro)
Fight or Fall
On Your Knees
Metal Soldiers
Speedin’
Johnny’s Back
Crimson Storm
Swords and Tequila
Wings are for Angels (from their forthcoming album)
Tokyo Rose/Rock City
Flight of the Warrior
Bloodstreets
Storming the Gates of Hell/Race with the Devil/Storming the Gates of Hell
Road Racin’/Killer(no lyrics)/Road Racin’
Dance of Death
Thundersteel
————-
Warrior

Tell me why I have to be a Powerslave…

with 2 comments

Before I get too deep into reviewing old badass metal albums, I am going to start with THE most badass metal album of all time.Powerslave

Yes, by Iron Maiden…like that needed to be said. I guess there are some folks out there who don’t know. Well you do now.

I’ll never forget when I first bought this. It was 1984 and my mom and I were flying into Pittsburgh to visit family for a week. The airport there had a little music store so with some of the spending money I had I bought Powerslave and Bark at the Moon. I had heard some of the Ozzy album on the radio and at that time, Ozzy was still making quality records. Prior to buying Powerslave, Run To the Hills was the only Iron Maiden that I had ever heard. I always loved their album covers but never checked ‘em out. I even remember having the old Hit Parader special edition “Iron Maiden vs. Quiet Riot.” Of course I covered my walls with the QR posters that came with it. Duh. Children!

OK, back to Pittsburgh. For whatever reason, NO ONE in my large family up there had a working cassette player and I didn’t bring my Sony Walkman. Of course their record players and 8-track players worked fine. D’oh. So I ended up having to wait a whole week before I actually heard the damned thing. But once I got back to Virginia, oh man, it was on.

I remember calling Kelz and saying, “Dude, I just got the new Iron Maiden…it’s so fast!” It was also one of the inspirations for me to want to play drums which I started later that year. Now realize that I already considered myself a metalhead and was already into KISS, Crue, Metallica, Sabbath, DIO, Judas Priest, Alice Cooper, RUSH, Triumph and a slew of other heavy bands, but Maiden was my missing link.

I wore out at least 6 copies on cassette. A few vinyl copies and have owned 3 versions on CD. The OCD in my head turns on sometimes and says, “Doofus, you must go and find every version of this on CD and have one whole rack dedicated to Powerslave.” You know, it really doesn’t sound that silly, does it? Hmmm…

The album is just brilliant, beginning to end. Every time I play it, I still get goose bumps when I hear the opening riff to Aces High. The transition in to 2 Minutes to Midnight is perfect. I’m not even bothered by the instrumental…and I rarely like Maiden’s instrumentals. I always found it odd that there were 2 songs on there about swords. Sure, Bruce Bruce was a fencer and all, but whatever. Both songs are great. I guess when Dickinson wrote Flash of the Blade, Harris had to get his say and write The Duellists. OK, side 2. I can remember flipping it over in my old tiny boombox that had one 4” speaker. Good times. So now, Back In the Village. Great tune…duh. I’m not sure why I am even mentioning each of these songs since we all know that the album is perfect. But since I am near the end, Powerslave is one of my faves on this record. Just a great groove. Nicko is god. Finally we get to the epic Rime of the Ancient Mariner. Simply brilliant and very well done.

I’ll never forget Mr. Gordon’s 11th grade English class. We were studying Rime in its entirety and of course I was already very familiar with it. When we were starting to break the long ass poem down, I mentioned that I had a shorter version that still captured the essence of the story and asked me to read it to the class. Read it? Shit, g, I had that junk memorized. So I stood up and recited the entire song to the class. I’d pause now and then and Mr. Gordon would ask if I was done. “No sir, just getting through a guitar solo.” So after I completed it, Mr. G thought it was pretty cool. he said something to the effect of “Wow Sean. Good job. But how is it that you can memorize that entire song but you can’t seem to remember to do your homework?” My reply was simple…”That’s easy, Mr. Gordon. I have my priorities.” He just shook his head and the class laughed. Ha! I ruled the wasteland that day.

1984 was a good year. A damned good year.

I filmed this video in San Antonio, May 2008.
Design a site like this with WordPress.com
Get started