The Metal Files

My Life. My Music. Your Voyeurism.

Concert Review – RIOT – San Antonio – 6/2/09

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So let’s go back in time…

I remember somewhere around 1984ish and I was over at Daniel’s house for a bit and we would go into his brother’s room and check out his records and cool Kramer Baretta guitars.  I remember seeing Riot’s Fire Down Under (probably on cassette) and we listened to some of it.  I think we only listened to Swords and Tequila as his brother’s band used to cover that song.  I thought it was cool but never really explored them any further.

Flash forward to sometime in 1988.  I was over at Kelz’ house and we stepped outside into Thomas’ car, the 4dr Chevy Cavalier, beige/crème color.  He pulled out Riot’s Thundersteel tape and said “You have to hear this.”  I was reluctant and explained to him that I saw the record at Skinnie’s recently and that the album cover looked too silly to even give them a chance, not to mention their photo on the back.  WTF?  In perfect Thomas fashion he cut me off and said, “Just shut the fuck up and listen to it asshole.”

Thank you Thomas.

I was blown away by it, mainly by the drums.  The only other drummer that I heard play similar styles to this was Deen Castronovo.  It was shortly after getting into this era of riot that I met Deen and asked if Bobby Jarzombek was his pupil.  Deen just replied with, “I wish I could lay claim to that.  That kid is good.”  Yes, Deen, very good.  Back to Thundersteel, this album has great hooks and melodies, not to mention the insane drumming by Bobby, Tony Moore’s almost-out-of-control vocals and Mark Reale’s great solos.  I should mention Mark Edward’s competent drumming on the LP as well.  Nothing too flashy, but solid.  The only song I never cared about was Run For Your Life.  It just seemed too stiff.  Since 1988 this album has stayed in steady listening rotation.  I also picked up the follow-up album Privilege of Power.  There are some blazing songs on there and Bobby J just simply owns that record.

Flash forward again to early May 2009.  I saw online that Riot was performing a one-off show in their partial home of San Antonio and expected it to sell out as they don’t play very often and especially with this line-up, the reunited Thundersteel era band.  So I bought 2 tickets the morning they went on sale, one for THE Doug Morrison and one for me.

So I go to Doug’s after work yesterday and we have some dinner at his house.  The doors were at 7pm and we had about an hour of drive time each way.  Since it was only about 6pm at this point, I went down into our studio and took a 45 minute nap as I was super tired from being up in the middle of the night with a sick cat.  After my little nap, we hop in the car and head to SA.  I was happy of the fact that Jason McMaster’s Broken Teeth were added to the bill but we assumed that they would be the opener of the 4 bands and we figured we would miss them.  Jason is one of my best friends and it’s no biggie for him if we missed the show.  Both he and Doug are in the Motorhead tribute band with me, so we see each other plenty.

We arrived at the show around 8:15pm and I noticed that the crowd was very light in attendance.  I figured since it was still early that people were waiting to come out.  We saw the Broken Teeth guys when we walked in and gave our usual pleasantries and they said they were moved into the slot right before Riot.  Great news!  It meant that we would have on less shitty band to sit through until seeing a band that we liked.  A local band called Eden Burning opened the show and we missed them completely.  From what I was it was no loss.  Top Dead Center played next.  Apparently their singer has another band with Riot’s Don van Stavern called Pitbull Daycare.  Whatever.  TDC wasn’t very good in general.  The highlight of their performance was their drummer.  That guy was rock solid.  I was glad when they were done.  Broken Teeth took the stage and did what they do best, they rocked.  Jason has got to be one of the most underrated front men in rock and roll.  He knows how to grab a crowd’s attention and keep it.  Before they went on, it was cool seeing people who have known him since the Watchtower days.  I am not sure he has ever made an enemy.  The crowd got into Broken Teeth and I am sure most of the folks there had never seen them.  It was a bit ironic that the club uses Dangerous Toys’ old road cases for side stage monitor stands.

By the time that Broken Teeth finished, there may have been 250 people there, certainly no more than that.  I was shocked.  The legendary Riot.  At Home.  Thundersteel lineup.  Sure it was a Tuesday night but c’mon.  The ONLY American show!  WTF?!

So Riot is setting up, erm…their roadies are setting up.  They put this projector on a stand on the stage and Doug and I were trying to figure out if they were going to keep that on stage for the whole show.  Luckily is was just there for their intro and promptly removed.

So the lights go down and the band sans Tony Moore get on stage and play an instrumental assuredly from one of their older albums.  I’m not that familiar with the pre-Thundersteel stuff…yet.

After the instrumental, Moore comes out and they go into Fight or Fall.  His voice is still strong after all these years but he was struggling in some parts and understandably so.  His vocals on that old stuff are pretty high ranged in places.  But in general he sounded fine for the night.  Mark Reale played great and does good backing vocals.    Mike Flynt’s playing was good too.  He did a few solos and he’s a really solid player.  His vocals harmonies were really really good.  I didn’t care for Van Stavern’s tone in the least.  He was playing what looked like a higher end Ibanez bass through an Ampeg rig (ugh).  It sounded like ass.  Seriously.

But most impressively the highlight of the night for me was Bobby Jarzombek’s drumming.  Sure, I’ve known for 20+ years that he was a phenomenal player but you really can’t grasp it until you see him play live.  I saw him with Halford in 2000 in Brooklyn @ Lamour’s Rock Club and he was awesome there too…but not as awesome as he was last night.  His performance was seemingly flawless.  He can do anything.  He really reminds me a lot of how I think Stewart Copeland would play if he was in a metal band and could play double bass.  The handwork is incredible.  I really think Bobby is the best drummer in metal nowadays.  That is difficult for me to say as a HUGE Gene Hoglan fan.  Hoglan and Van Williams (Nevermore) are probably the only guys who can play this style and retain a feel in their playing.  Guys like Mike Portnoy can play it, but have no feel.  Boring.

We ran into Ron Jarzombek after the show and I just shook his hand and said hello.  Doug met him 25+ years ago when he took Dave McClain (SA Slayer/Sacred Reich/Machinehead) out of San Antonio to come play with him in LA in Neil Turbin’s post-Anthrax band.  It took Ron a second to remember then he said, “Oh yeah, I do remember now.  Wow.  Been a long time.”  Then we left.  We drove through one of the scariest lightning storms I have ever seen.  It’s not very often that I get nervous in a storm but I was nervous last night.  Doug was too but we made it back to his place safely and subsequently I was home safely shortly thereafter.

Overall the night was great.  I needed a night like that.  June 2 is a day that lives in infamy for me and in the week leading up to it every year I tend to get a little down.  But there was no time for such feelings last night.  It was a positive night and we had fun.  The only real drawback about the show was that Riot had no merch to sell and I really wanted a shirt.  Oh well.

I shot some video and snapped a few pics.  I’ll try and post them later.  Unfortunately my camera ran out of battery right as I was ready to film Johnny’s Back.  Keep an eye on Youtube as I am sure there will be a lot of footage from the show.

Here’s the setlist in order:

Narita (Instrumental intro)
Fight or Fall
On Your Knees
Metal Soldiers
Speedin’
Johnny’s Back
Crimson Storm
Swords and Tequila
Wings are for Angels (from their forthcoming album)
Tokyo Rose/Rock City
Flight of the Warrior
Bloodstreets
Storming the Gates of Hell/Race with the Devil/Storming the Gates of Hell
Road Racin’/Killer(no lyrics)/Road Racin’
Dance of Death
Thundersteel
————-
Warrior

One step closer…Gov’t Motors (GM)

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I’m sick to my stomach.  The UAW wins again.  Why in the hell do they get any say in what happens to GM and Chrysler?  They caused the problem to begin with by pricing wages much higher than necessary which led to jobs going overseas and plants shutting down in the USA.  At least Ford saw it coming a little bit and I have nothing but respect for them. 

They said, “No thanks” to the President’s bailout funds.  Good for them. 

Today GM filed for bankruptcy protection.  The UAW was in support of it, of course.  To me it shows how much power their lobby has in American politics.

What was that Obama railed against during his campaign?  Lobbyists?  Nice work, POTUS.  Please, move us increasingly closer to some bastardized or thinly veiled version of facism, socialism and/or communism.   With the gov’t beginning to buy the auto industry, the banks and soon the media, we might as well be living in Germany in the late 30s.

I think I need to throw up now.

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ADDENDUM: 6/3/09 – I do realize that the bailout money started with Bush and I wasn’t pleased about it then either.   So although I do detest that BHO continued on with this, it started with Bush.  Idiots.  Both of them.

Written by The Metal Files

June 1, 2009 at 11:58 am

Candlemass – Death Magic Doom

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Let’s get this straight. I’m a Candlemass fan. I’m a fan of doom metal as well. Not a huge fan, but a fan nonetheless. I’m also a Solitude Aeturnus fan. I simply adored Robert Lowe’s soaring vocals on that stuff. When I had first heard about him joining Candlemass I was pretty excited. Then I bought King of the Grey Islands and totally got let down, mainly by the vocals.

I love all the Candlemass albums with Messiah Marcolin. In general there’s not a stinker in the bunch and his “comeback” album a few years back was nothing short of a great. I even liked the Chapter VI album with Thomas Vikström…A LOT! I really thought Lowe would be a good fit with this guys. I’m wrong. Unfortunately it has taken me buying the last 2 Candlemass CDs to prove it to myself.

His voice sounds tired and uninspired. To be honest, he sounds a lot like Dio on the latest Heaven and Hell album. Some might call that a good thing, but it’s not so good for me. I understand that many of the higher-ranged metal singers of yesteryear can no longer do it, and I can respect and recognize that. But with a band like Candlemass it’s pretty much expected…from me at least.

Lowe sound great on Solitude’s Alone album, still not like the early vocals he did with them but better than he sounds with Candlemass.

*shrug*

I dunno. I’ve listened to Death Magic Doom a few times now and I just can’t get into it. I think I’m going to go listen to Nightfall now.

Written by The Metal Files

May 30, 2009 at 8:15 am

I Won’t Dance…The Elder’s Orient

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My introduction to the mighty Celtic Frost was through some knucklehead pal of ours named Chris Shelton. He had the cassette for The Emperor’s Return and I checked it out for a few days. I thought it was absolutely horrible. Total shit even. What was wrong with this singer? Was he trying to pinch one out or something?

Then after reading several glowing reviews of Into the Pandemonium in Aardschok America or Circus or whatever, I decided to give it a shot. I’m glad I did. This album is incredible. Very different than Emperor’s Return, which in later years was deemed to be neither a good nor bad thing.

Pandemonium came out in my senior year of high school.  A former friend from high school and I sat next to each other in Mr. Gordon’s english class and constantly caught hell for talking (about music) during class. I really wish I had kept my english book from that year as just about every page was covered in band names and song quotes, many of which came from this particular Frost LP.

A few years later I started backtracking into the older Frost albums and I am glad I did. I “got it”. Tom G. Warrior was a great songsmith. Sure a lot of the riffs were simple, but he was creating music that no one had created at the time.

I always respected Frost for trying something new with every album, even Cold Lake. Although I will say this…One In Their Pride…WTF? Just plain awful.

As for Cold lake, it’s not a great album by anyone’s standards, but I don’t consider it to be a total wash. I liked Downtown Hanoi, Juices Like Wine and Once They Were Eagles. When I met Frost back in 2006, Tom G. signed my Cold Lake CD with the word “ABOMINATION”. I told him that I liked some of it and he responded, “You’re the only fucking one who did.” haha…Tom G. Ugh!

Now back to Pandemonuim. Other than that stupid “Pride” song, this album is great. I even dug the cover of Mexican Radio (Wall of Voodoo). My favorites would be Babylon Fell, Mesmerized, Rex Irae, Inner Sanctum and I Won’t Dance.

Definitely an album that brought me a lot of joy during such a shitty year. I hated school and didn’t want to be there.

Funny thing…there was this girl we kenw named Theresa(?) that looked EXACTLY like Tom G. Poor girl. She was also such a sleaze bucket…of course we dubbed her “The Bucket”.

ha! The Bucket!

These winter tears I’ll cry for you…

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So back in 1983 (or 84?) Kelz called me and told me of some tape he picked up at the Record Bar at Tower Mall by a band called Warlord. The album was called Deliver Us. It had a colorful little cover and was on Metal Blade Records, which we were discovering at the time seemed to have the greatest bands ever. He just kept going on and on about how great it was. So finally on a Sunday during church or sunday school, he slipped it to me for listening.

wow.

WOW.

This was one of those life changers. Seriously. The voice. The guitar work. This beast on the drums. Obviously this was pre-Internet so we had no way of knowing anything about these guys.

Now I’ve mentioned plenty of times before how some of us had parents who thought that metal was evil and was going to make us kids want to sacrifice goats and paints walls with the blood and such…ok, well there was that one time, but I digress. But this album wasn’t really one of those. Sure it has a song called Lucifer’s Hammer which is about nuclear war. And sure there’s a song called Black Mass which talks about the events of a black mass, but not in a way that made us want to become Satan worshippers. Such silliness. Unfortunately our parents were more brainwashed by this stuff than we were. I guess they meant well. Whatever. My mom found Kelz’ tape that I had hidden under my mattress and threw it away. So ultimately I had to buy him another one. I bought one for me too and just learned how to hide things better. It was tough being a metal kid in my house sometimes.

So in 1984 Warlord releases “…And the Cannons of Destruction Have Begun”. It was a bit of a let down as they had a new singer and they rerecorded most of Deliver Us. The new singer just didn’t have the feel as the original guy. The upside was that there were a few new tracks with the new singer and he sounded GREAT on those. Soliloquy, Lost and Lonely Days and Aliens were all fine songs, albeit played a little sloppily.

In 1986 when I met Big Bill, I turned him onto Warlord and he flipped out over them much like we did. He ultimately ordered the video that went with the …”Cannons” LP. We watched thiat thing practically every week. When he got the video and other merch that he ordered from them, there was a handwritten note that said “Call me if there are any problems…Thanks…Mark.” and had a phone number attached to it. So one day when we were hanging out, Bill called and it ended up being the number to Mark Zonder’s house in LA. We freaked out. I got to talk to the guy a few times and he was always super cool. He told us of the final split of Warlord and how he was making some extra cash doing studio work and touring with the dance band Animotion. I remember specifically one of the phone calls that we made to him. He was in his home studio and the guys from Fates Warning were over there. Granted this is before Mark joined the band but apparently he was already good friends with those guys. Unfortunately I didn’t get to talk to the FW guys but I could hear them in the background talking and playing a little bit of music. Trippy stuff.

Warlord had a penchant for writing good ballad style songs, sad songs…Winter Tears, Soliloquy, Ms. Victoria, Lost and Loney Days. Even their upbeat songs always seems to have a tinge of sadness to them. Maybe it was in the chords that Bill Tsamis used when he was writing, maybe in the vocal delivery…but it was there.

I really don’t know how to say it in any other way than “I LOVE WARLORD”. For a band that really only had on true studio album, it had such a major impact on me. OK, sure they did a “new album” a while back with Mr. Cans from Hammerfall on vocals, but it just wasn’t quite “Warlord-ish” enough for me. That’s not to say that’s it not a good album, because it is, but it’s not…ugh…I don’t know how to say it. I think you understand.

Winter Tear’s lyrics:

The morning woke, the day was breakin’ . . . she left me far behind
She was gone, I couldn’t take it . . . no more tears to cry.

We gathered ’round her place of resting, for the last goodbye
She lay in white like a dream unending, the saddened clouds they cried . . .

Tears for all the joy we had
Tears for all the pain
All the years I have to live
These Winter Tears, I’ll cry for you until we meet again

You gave me life, you gave me lovin’
Showed me what love could bring
And every night when I think about you
I begin to sing . . .

Tears for all the joy we had
Tears for all the pain
All the years I have to live
These Winter Tears, I’ll cry for you until we meet again

Tears for all the joy we had
Tears for all the pain
These Winter Tears I have inside
Will always cry your name.
The years I have to live . . .
These Winter Tears, I’ll cry for you until we meet again

Written by The Metal Files

May 15, 2009 at 8:13 am

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