The Metal Files

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Posts Tagged ‘concert reviews

Concert Review – Christian Mistress 03/17/11 SxSW

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I caught Christian Mistress at Red 7 in October 2010 (review here) and enjoyed their set.  I had noted that their set in October didn’t seem that tight and I think I will go ahead and chalk that up to a bad night for them.  This year during the SxSW festival I was happy that they were playing a showcase show as I have been wanting to see them again as I listen to their EP regularly.

I really thought they were great this time.  Tight.  Solid.  Damn fine metal showing.  Christine’s voice sounded great.  I’ll certainly catch them if/when they come back.  They may have played another show around town, but I didn’t know about it.  I would have gone again for sure.

If you get a chance, check out their clips on YouTube and buy their demo from them or on iTunes.

Give us a new album already!  ;)

Written by The Metal Files

March 21, 2011 at 4:57 pm

SxSW 2011 Quick Hits & Misses

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I’ll post reviews of some of my favorite happenings later, but here are some quick posts about some of this year’s SxSW happenings that I found.

  • Flatstock 29 – Flatstock is a poster art show where artists from all around showcase their wares andoffer them to the public for sale.  Since my first year of attending SxSW (2007), there has been a guy there named Brian Mercer who I think is an incredible artist and a helluva a nice dude.  I think I have bought a poster from him every year and got to see him away from the art show in a few clubs during the week.  I highly recommend his work, no matter if you’re a collector or you need some work done.  Check out his site:  Mercer Rock.  There were a lot of other good artists there but most made posters for bands I had no interest in.  Local artist Billy Perkins who sings for Butcherwhite was showing as well.  He has a current collection of works in process called “77”.  I picked up his Ace Frehely poster at FunFunFunFest a few months ago and this week picked up his Alice Cooper poster.  I love his style.  He also does band posters as needed.
  • Wednesday night I wanted to get into the Warbeast/Arson Anthem show at Emo’s.  The line was insanely long and none of the bands on the whole bill were really worth waiting that long for.  I can catch Warbeast again as they play Austin pretty regularly.
  • That same Wednesday I did get to catch Chicago’s Easy Action at the Ale House.  I had seen them a year or 2 prior and enjoy their brand of garage punk rock.  I met up with my friend Diane Kamikaze from WFMU.  We met last year at VoiVod and became fast friends.  She’s awesome and I’m glad I got to see her and her friend every day during the festival.
  • I did get to see quite a few bands throughout the week that just didn’t do a thing for me.  I won’t mention any by name but here’s a photo of one band from France that was pretty terrible except for their drummer.  The caption should read, “My shorts are more FuBu than yours!”  They were a ‘metal’ band, by the way.  Luckily most of the other bands on the bill saved the night.
  • People watching during SxSW is pretty interesting.  The influx of hipsters and gutter punks is crazy.  The hipsters seem to enjoy wearing vintage 80s “fashions” that really don’t fit.  I don’t know…most of what I see on them looked bad back in the 80s and still looks bad now.  I guess everyone’s got their thing, that just isn’t mine.  I’ll stick to my 80s looks of black t-shirt, blue jeans and black boots.   I at least wash my hair and bathe regularly.  It’s also cool meeting some of the foreigners who attend the festival.  After seeing the Bobby Liebling movie “Last Days Here“, I ran into some guys from Japan who were commenting on the patches on my jacket.  I told them I was seeing Loudness pretty soon and one of the guys pulls out his travel case with a 25th anniversary Loudness sticker on it.  He mentioned that their new drummer is a friend of his.  We had a quick discussion about Japanese metal and then parted ways.  The saw me again on the street the following night and handed me a CD of some J-Pop stuff.  Nice guys.
  • Street food/food trailers are a big thing in this town nowadays and even more so during the festivals.  Simms’ BBQ trailer at the corner of 7th and Red River is top notch in my book.  Their pulled-pork sandwich with pickles and onions really tastes like a McRib.  At least this is real pork.  Everything from this place is good.  The other usual suspects did me right as well like The Hot Dog King, Kebabalicious and Jackalope.  I did hit a veggie burger place yesterday that was pretty awful.  I hadn’t eaten since the previous day and there was no line there…I now know why!  I could not add enough pickles, spicy mustard and bbq sauce to drown out the nasty drabness of that burger.  Lesson learned.  Besides eating the street food, I am pretty sure I managed to lose some weight over the last few days.  I did tons of walking and my feet and knees are aching, but it’s a good thing.
  • Saturday morning I was able to catch The Rods at Cheapo Records at 11AM.  While I’ve never been a fan of them, I wanted to go see them for posterity’s sake and to get the book signed.  Mission accomplished.  Their set was lively and some of their true fans were there and that was great to see.  They were solid, I’m just not a big fan of their style of hard rock.  Their bassist, Gary Bordonaro was really good though.  I ended up seeing Gary and Carl Canedy on the street later that night as they were loading in for another gig downtown.  Apparently Wendy Dio was in attendance for that one!  Pretty cool.
  • I got to run into a few folks that I’ve wanted to meet for a while.  On Friday I ran into Wino from St Vitus at Scoot Inn and snapped a quick photo with him.  Dude’s a legend.  I didn’t make the Vitus show that night but heard it was good.  earlier that day I went to the D’Addario showcase and to see The Alex Skolnick Trio.  It was a fun show and Alex is a damned good player.  He was giving out free copies of his latest CD.  Repping for D’Addario was Frank Aresti from Fates Warning.  Oh man.  I’m a freak for early Fates Warning and especially the John Arch era.  A friend of Frank’s told me he was going to be there so when given an oppurtunity I chatted with him a bit, snapped a photo or 2 and got him to sign the book as well.  He told me a little about the upcoming album with John Arch and how John’s vocals still sound the same after 25 years.  I can’t wait for it to come out.  Before leaving I got to snap a show with both Alex and Frank.  That will be a moment cherished forever.
  • The Texas Guitar Show was pretty weak.  Much smaller than last year and I’m sure the economy has a lot to do with that.  Nobody was making deals either.  I did find one 80s Fender Jazz bass that I was interested in and he had it listed at or slightly above book value.  I offered a few hundred less and he said “all prices are what they are.”  Fine, I put my credit card back in my wallet and moved on.

All in all this has been a fun week.  I’m super tired, my feet and knees are killing me, I think my liver stopped working and I think I could go without seeing another band for a good week or 2…but I will make one more trip out this evening when Danava plays again.  They were my highlight of the festival along with spending time with Pentagram, both of which I will post about later.

Written by The Metal Files

March 20, 2011 at 1:42 pm

Motörhead Concert Review March 8, 2011 – Motörhead Day!

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We are Motörhead and we don’t have no class!

As many of my lovely readers may have heard from my previous post or via Blabbermouth, yesterday (March 8, 2011) was declared Motörhead Day in Austin, TX by our mayor.  Read yesterday’s post to get the precursor for this one.

I got off work and rushed home to get things together for potentially meeting Motörhead before their show.  I’m waiting on Dave and his son in front of Stubb’s and see awesome photog Jay West.  I tell him what’s going on and said I’d try to get him back there with us to get a photo of those guys with the Motörhead Day Proclamation (click for photo).  Dave and his son walk up and I send a message to my pal who works security for Motörhead.  He finds us outside and escorts to the “backstage” area of Stubb’s where Lemmy, Mikkey and some of the crew were hanging out.  This was right after their soundcheck.

Lemmy’s sitting at the door flipping through a food magazine and Mikkey stands up to greet us.  Phil was nowhere to be found, unfortunately.  Mikkey reads it then Dave tells me to give it to Lemmy for a read.  I explained what it was and he sat and read the whole thing.  He stood up and said something like, “This is neat.  I love playing Austin.  Thank you very much”  We shake hands and Jay snaps a few quick photos.  I mentioned to Lemmy about meeting him after the movie premier last year and mentioned my Another Perfect Day tattoo backpiece.  He said, “Ah yes, I told you that you should have picked a better album, right?”  haha.  “Yes sir, you did.”  Lemmy seemed tired and later that evening during the set, Phil mentioned on mic that he wasn’t feeling well, so Phil did much of the talking between songs.  Also, if you’ve seen the movie, read interviews or ever met Lemmy, he’s pretty much indifferent about stuff like this, but it was great that he and Mikkey allowed us to come back for a few minutes and share our joy with them.  Added bonus for me was getting Lemmy and Mikkey’s signatures in my book.  FINALLY!

So that was that.  Mikkey gave Dave’s son, Kameron, a can of Coca-Cola as we were leaving and he says, “I’m never opening this can…ever.”  Awesome.   I understand that sentiment as I still have an unopened bottle Heineken that Nicko McBrain signed for me in 1988.

Good times.  All of us were elated after this.  It was fun and glad that it all worked out for all of us.  I ran the book home and went to dinner with some friends.  I had no interest in seeing Valient Thorr again or in seeing Clutch.  I got back to the venue with about 4 Clutch songs left.  BORING.  I hadn’t listened to them in years and remembered why last night.  Oh well.  It was Motörhead Day and all I cared about was seeing Lemmy and the boys tear it up like they always do.

They hit the stage right at 9PM.  Lemmy opens by saying, “We’re Motörhead…and we play rock and roll.”  Then they go

Photo by Jay West

right into a great version of We Are Motörhead.  Great song to open with!  The band was tight throughout the whole show.  Phil was more animated than I had seen in the last few shows.  Lemmy’s tone and playing were awesome.  He’s very unique.  If you’ve seen the Lemmy movie DVD there’s a bonus section in there about how he plays his bass.  He’s usually playing power chords and it just gives his sound that much more grind.  At 60+, the man can still kick ass.  His voice sounded better than last year as well.  Then there’s Mikkey.  All you see is hair and hands and cymbals moving.  He was awesome as always.  Easily in my top 5 drummers of all time.  Motörhead rules live, period.

The highlight of their set for me was I Got Mine.  It’s from my favorite Motörhead album and it’s just a great song.  Of course they closed the main part of their set with Ace of Spades and Overkill was the encore.

Metal Dave from 2Fast2Die said before they went on, “What a crusty looking crowd.”  Definitely.  Motörhead draws folks from a lot of different crowds.  They are also one of the bands where it seems to be ok to wear their shirts when you go see them live.  It’s always been stated (right or wrong, silly really) that you shouldn’t wear the shirt for the band you are going to see.  Motörhead and Maiden seem to be exceptions to that rule.  I saw some nice vintage shirts there as well.

It was a great show and I’m glad it sold out.  Lem’s not getting any younger and no telling when his juice is going to run out…hopefully never!  Go see this tour!

There was one major thing missing…Their front of house sound engineer Hobbs! Where was he?  Talk about a crusty old bastard.  He rules!

Setlist as I remember it and a bit out of order:

  1. We Are Motörhead
  2. Stay Clean
  3. Get Back In Line
  4. Metropolis
  5. I Got Mine
  6. Over The Top
  7. The Chase Is Better Than The Catch
  8. Rock Out
  9. I Know How to Die
  10. In The Name of Tragedy
  11. Just Cos You Got The Power
  12. Killed By Death
  13. Going To Brazil
  14. Ace of Spades
  15. Overkill

All photos below by Jay West Photography.  Click to enlarge.

Kameron, Dave, Lemmy, me, Mikkey (holding Motorhead Day Proclamation)

Phil and Lemmy

Lemmy and his signature Rickenbacker 4004LK Bass.

Lemmy

Phil Campbell

Written by The Metal Files

March 9, 2011 at 1:24 pm

Colin Hay Concert Review 03/01/2011

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This was my second time seeing Colin Hay doing his solo acoustic show and it was great.  You can read about past experiences with Colin and men At Work here.

The show was at the One World Theatre. This place is one of the best places to see a band that I have ever been to.  It’s small (maybe 250 seats) and acoustically perfect.  It’s in the Texas Hill Country and it’s got a gorgeous setting.

Opening the show was a guy named Chris Trapper (His Wikipedia page here).  He wasn’t bad at all.  Apparently he wrote a song on the Autumn Rush soundtrack.  He had a few good jokes, played about 6 or 7 songs and was gone.

Colin comes on stage to a standing ovation, straps on his Maton acoustic, tunes it and goes right into Men At Work’s Down Under.  After this song he starts his joking and storytelling.  He hadn’t gotten to the second song yet and says, “Maybe we’ll get 4 or 5 songs in tonight.”  If you’ve seen him before, you know he likes to talk, a lot.  It’s part of his show and he’s really an interesting guy.

He ended up playing 9 songs, a few of which I don’t think I had heard before.  Of the 9, three were men At work songs:  Down Under, Who Can It Be Now?, and Overkill.  I saw that he had added Blue For You to a few shows last year and I really hoped we would have heard that one last night, but no dice.  Didn’t matter.  He sounded great.  His voice is still strong and he’s a really good guitar player as well.

During the closer, Overkill, he used a memory man pedal to record the main riff of the song during the song and actually got to play the guitar solo.  He didn’t do that last time and it was pretty cool.  I love that song.

After the show, he did a meet and greet.  Lots of people there buying his new CD which was just released that day.  Lots of folks had Men At Work stuff.  One girl was wearing a vintage Cargo Tour shirt, which was pretty cool.  I got through the line, just shook his hand, told him it was a great show and that I had seen him a few times before.  I mentioned the solo show in 2009 and Men At Work in 1999.  We snapped a quick photo and I was on my merry way.  He looked pretty tired, but he was smiling.

If you get a chance to see this tour, do it.

Setlist (only songs 1,2,3 and 9 are in proper order):

  1. Down Under
  2. Wayfaring Sons
  3. Who Can It Be Now?
  4. Prison Time
  5. Beautiful World
  6. I just don’t think I’ll ever get over you
  7. Waiting for my real life to begin
  8. Maggie
  9. Overkill

Written by The Metal Files

March 2, 2011 at 8:14 am

Triptykon – Austin, TX 10-29-10

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My history with Celtic Frost goes back to about 1986 as noted here.  I am a fan.  While Monotheist is probably my least favorite album, it’s not bad.  A year or so ago Tom G. announced that Celtic Frost was done and he had a new project called Triptykon…which uses the Frost script in one their logos.  Tom seems to have some deep seeded issues with carrying on as Frost.

No matter.

Triptykon was announced to play Emo’s and I was in.  I mean c’mon.  It’s Tom G!  I bought the meet and greet pass mainly to get his signature in the book.

Per my normal routine I walk to the venue early and happen to catch Tom G. walking the streets.  I talked to him for just a few moments and headed over to the venue.  The pre-sale  on this show was 60.  SIXTY!  I was able to get in early via a friend who worked there and got to catch the soundcheck.  They did Usurper and for whatever reason, Tom was smiling and laughing the whole time.  This was the last show on the tour as they canceled the Houston show.  It is my understanding that the tour attendance had been pretty light.  Last night’s show had Triptykon playing before the headliner.  The tour included Yakuza (Chicago) and 1349 (Norway) on the bill.  Local band Mammoth Grinder opened but I missed them.

At the end of soundcheck Tom G was asked if he needed more monitor.  Tom G responded with, “I can hear myself enough.  Doesn’t matter, we’re just playing Austin.”  Ouch!  C’mon Tom G!  Show a little love!

Tom G signs the book.

After soundcheck I hung outside talking with a few friends before the quick meet and greet.  Only 7 people (including me) bought the pass for it.  Two guys drove up from Monterrey, Mexico for this.  That was cool.  They brought each member of the band some gifts from Mexico which mainly consisted of tequila.  Very cool.  I had Tom G sign the book which got the usual reaction from bands…”What the hell is this?”  He read through the Celtic Frost section and signed it.  We all snapped a few pictures and that was it.

I left there to drop the book off back at the house and went to a bar for a beer.  I missed Mammoth Grinder and caught most of Yakuza’s set.  Not my cup of tea at all.  Sort of avant-garde metal with lots of saxophone.  Their slower mellower stuff was alright as background music but they aren’t something that I would want to listen to regularly.

Triptykon cam on next and I was glad to see the place fill up a little.  There may have been 150 people there but I think that’s pushing it.  They opened up with Frost’s Procreation of the Wicked.  This band is tuned

Eyes as black as his soul! Tom G!

down a bit and it’s weird hearing this song in a lower key.  Overall they were good, solid.  Tom G is no guitar wizard by any stretch of the imagination, but he does write good riffs.  The Triptykon stuff sounds like where the music from Monotheist left off.  Slow, plodding, dark.  I enjoyed the show quite a bit, though.  How many more times are we going to see Tom G in the states, ya know?  They also plays Circle of the Tyrants and Usurper with the singer for 1349 handling vocal duties.

I was tired and didn’t stick around for 1349.  I’m really not that big of a black metal fan.  I saw what I wanted to see.

Setlist:

  1. Crucifixus (Intro)
  2. Procreation of the Wicked
  3. Goetia
  4. Circle of the Tyrants
  5. Abyss Within My Soul
  6. The Usurper
  7. Synagoga Satanae
  8. The Prolonging
  9. Winter (I think they did this)

Ugh!

(all images clickable)

Love the H. R. Giger guitar!

My shitty vids from the show.  The lighting was terrible.

Written by The Metal Files

October 30, 2010 at 8:17 am

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