The Metal Files

My Life. My Music. Your Voyeurism.

Archive for June 2009

Vauxdvihl – To Dimension Logic (obscure prog)

leave a comment »

I really can’t remember exactly when I first heard this but it was undoubtedly via Kelz and Denis Gulbey of Sentinel Steel Records around 96 or 97.  Doesn’t matter.  This is a great album all the way around and pretty obscure.  Vauxdihl hail vauxdvihlfrom Melbourne, Australia.

I highly recommend checking this out if you’re a fan of Fates Warning’s Perfect Symmetry.  It reminds me a lot of that album although not quite as good.  No, this album isn’t particularly groundbreaking but it’s a nice change from all the trad and the death metal that I have been spinning lately.

Since this is very out of print and relatively hard to find, I uploaded it for your listening pleasure.  Download here.

Dark Angel – Darkness Descends

with 3 comments

I’m pretty sure it was spring 1987 and I was down on Atlantic Ave at the Virginia Beach Oceanfront hanging out for dark angelwhatever reason.  There was a little record store there that I can’t remember the name of.  I’m pretty sure it was an independent store and don’t hink it lasted more than a few years.  I can’t even remember if anyone was with me…maybe Robert S.  Anyhoo, we were browsing the cassettes and I saw Dark Angel’s Darkness Descends.  I immediately knew that this would be my purchase.  I had seen the ads for this in various metal mags and it was on Combat Records which had a pretty good track record of bands so far.

I remember getting in my 66′ Nova 4dr and heading back home while the tape started.  I was immediately blown away.  The drums.  Holy shit, the drums!  I remember seeing fotos in magazines of the band and the big huge drummer in shades looming over them in every foto.  I was fortunate enough to meet him earlier this decade and he was the coolest mofo in the world.

But back to this massive album.  There’s not a stinker in the bunch but my faves are Burning of Sodom, Black Prophecies and Perish In Flames.  Sure it’s a tad sloppy and severely underproduced, but it set a/the standard for early thrash and death metal in my opinion, especially for drummers.

When I finally saw them live in 1989, I got to help sing Merciless Death as the new singer said he didn’t know the lyrics that well.  I was the happiest acne-faced, bad-haired kid in Virginia Beach that night!

If you’re into classic metal and especially early thrash, you NEED this album.

I finally found the foto of Gene and me from 2001.  gene hoglan me

Thank You Metal Blade Records!

with 4 comments

For giving me a lifetime of enjoyment from your early selection of albums.

  1. metal massacre 1
  2. bitch – damnation alley
  3. demon flight – s/t
  4. metal massacre 2
  5. warlord – deliver us
  6. savage grace – the dominatress
  7. bitch – be my slave
  8. metal massacre 3
  9. armored saint – s/t ep
  10. obsession – marshall law ep
  11. witchkiller – day of the saxons
  12. metal massacre 4
  13. slayer – show no mercy
  14. pandemonium – heavy metal soldiers
  15. 3rd stage alert – s/t
  16. satan – court in the act
  17. silver mountain – shakin’ brains
  18. trouble – assassin 12″
  19. trouble – s/t
  20. lizzy borden – give ’em the axe ep
  21. metal massacre 5
  22. total destruction (compilation)
  23. warlord – aliens 12″
  24. slayer- haunting the chapel
  25. fates warning – night on brocken
  26. voivod – war and pain
  27. omen – battle cry
  28. hellhammer – apocalyptic raids
  29. warlord – and the cannons of destruction have begun
  30. mad max – rollin’ thunder
  31. dark heart – shadows of the night
  32. thrust – fist held high
  33. celtic frost – morbid tales
  34. attacker – battle at helms deep
  35. sye – turn on the fire
  36. metal massacre 6
  37. slayer – live undead
  38. tyrant – legions of the dead
  39. destruction – sentence of death
  40. slayer – hell awaits
  41. trouble – the skull
  42. hallow’s eve – tales of terror
  43. lizzy borden – love you to pieces
  44. sodom – in the sign of evil
  45. hirax – raging violence
  46. nasty savage – s/t
  47. destruction – infernal overkill
  48. celtic frost – emperor’s return
  49. mark edwards – code of honor
  50. omen – warning of danger
  51. fates warning – the spectre within
  52. pandemonium – hole in the sky
  53. cryptic slaughter – convicted
  54. metal massacre 7
  55. bloodlust – guilty as sin
  56. predator – easy prey
  57. sound barrier – speed of light
  58. juggernaut – baptism under fire
  59. sentinel beast – depths of death
  60. lizzy borden – murderess metal road show
  61. best of metal blade vol 1
  62. cirith ungol – one foot in hell
  63. flotsam and jetsam – doomsday for the deceiver
  64. unknown
  65. unknown
  66. deaf dealer – keeper of the flame
  67. sacrifice – torment in fire
  68. detente – recognize no authority
  69. krank – hideous
  70. hallow’s eve – death and insanity
  71. exxplorer – symphonies of steel
  72. warlord – thy kingdom come
  73. sodom – obsessed by cruelty
  74. destruction – eternal devastation
  75. savage grace – after the fall from grace
  76. hirax – hate, fear and power
  77. speed (compilation)
  78. tyrant – too late to pray
  79. cities – annihilation absolute
  80. heretic – torture knows no boundaries

Man, there are surely some heavy hitters. The ones listed in italics are ones that I never heard and/or owned. Best info I have as to why 64 and 65 were never released was that there were some contract disputes. When I worked as a distrubutor for Metal Blade years ago, I tried finding out what 2 LPs those were, but no one seemed to know, including Brian Slagel. The contract dispute explanation was the only thing they could provide.  At the height of my vinyl collecting I probably had 60/80.   Now I probably have 5 or 6 of them.  Sometimes I wish I had kept them.

metal-blade-records-logo

Written by The Metal Files

June 20, 2009 at 8:41 pm

My Life With Mercyful Fate

with one comment

I got into Mercyful Fate after my introduction to King Diamond’s solo work, Abigail specifically. His voice took some getting used to but coupled with the brilliant guitar work by Denner and Shermann, I grew to love them. As most know, Mercyful Fate flaunted the whole Satan worship thing. While that sort of thing never really bothered me, there are a few tracks of theirs here and there that still give me the willies.
Melissa – 1983
What a haunting album. The production is pretty thin but this album is absolutely incredible. The weakest track is Satan’s Fall and only because it’s a tad too lengthy. The title track is so very dark and just oozes evil. My favorites are definitely the title track, Curse of the Pharaohs and Black Funeral.
9/10

Don’t Break the Oath – 1984
Easily one of the most evil album covers ever…at least to me. To be honest, I keep the CD cover facing inwards. Yes, I know, silly. But whatever. This album has some better production than Melissa and while the songs are very strong on this one, I generally still listen to the debut first. Standout tracks are certainly Come To the Sabbath, Welcome Princes of Hell (album was misprinted to read Princess of Hell), Night of the Unborn and Desecration of Souls. Gypsy sort of annoys me and The Oath still creeps me out. Mission accomplished, King!
8.5/10

In the Shadows – 1993
This was a reunion album of sorts sans Kim Ruzz on drums. While I like this album a lot, I rarely listen to it. Egypt is a badass tune. There are no real stinkers in the bunch but the new version of Return of the Vampire annoys me, mainly because I detest Lars Ulrich (who played on this track) so much.
7/10

Time – 1994
Enter Sharlee D’Angelo and Snowy Shaw on bass and drums, respectively. Sharlee is a Ric player and even though I wasn’t a Ric fan at the time, I remember him using one on the tour. It was a great show and I got to hang out with Sharlee and Snowy before and after the show. I like this album a tad better than In the Shadows. I love Snowy’s drum style. Nightmare Be Thy Name is a great tune and was the opening video I played when I had my own little local cable access metal show in 98 or 99. One of the ladies I worked with at the time saw the show (late nights) and confronted me at work with, “Are you a Satanist?” I replied with “I don’t know, Marianne, do YOU think I am?” I let off an evil laugh and walked away. She didn’t speak to me again for the new few years she worked there. Hilarious.
6.5/10

Into the Unknown – 1996
Ugh. This album just wasn’t necessary. It’s boring. Under The Spell and Holy Water are pretty decent, but in general the album is weak.
3/10

Dead again – 1998
I’m glad I was working for Metal Blade Records at the time because I got this one for free as a promo. Mike Wead (Candlemass, Hexenhaus, memento Mori etc) was brought on to replace Michael Denner. I really don’t remember much of the album if any at all.
0/10

9 – 1999
This album was a little bit better than Dead Again. I can certainly hear Wead’s guitar influence much more which is a good thing. I saw this tour at the 930 Club in DC with nevermore opening. It was a fun show and I got to spend some time with Mike Wead before and after. Great guy, badass guitarist. Last Rites, Sold My Soul and Kiss the demon are my faves.
3/10

Written by The Metal Files

June 20, 2009 at 4:41 pm

Renee Reviews stuff.

leave a comment »

So way back in 1987 when my first real band first got together, this beautiful girl with big hair (no offense Renee) Renee Roland small_57049_2009-06-16 10-22-42.671and her gorgeous friend Carla used to come over to our house on the farm and hang out during band practice. Realize that my band practiced in my bedroom…9pc Pearl drum set, 2 guitars, bass and sometimes a singer, a bed, a desk and a dresser in a roughly 12×12 room. It was pretty cramped in there. It was always fun having them over there because they were a lot prettier than us sausage heads.

A few years later I started working for VDOT as a surveyor. I had met him a time or 2 back in the band days when we would either go to Renee’s house to pick her up or drop her off. It was never a pleasurable experience but we won’t discuss that any further. Renee’s dad was one of the survey chiefs and ultimately the big boss of the survey department during my tenure as one of the “grubs”. He was always a cool guy. He ultimately moved into a position in the design section and I moved to utilities shortly after. It was cool because I got to work with him more closely. I knew that Renee had moved to LA some years before and had lost touch with her, but her Dad gave me her number when I decided to make a trip to LA to do some business with a few record labels there (Century Media and Metal Blade). Renee graciously invited me to come over and I went there the evening after we landed in LA. We ultimately went to the Hard Rock to see Wayne Kramer (MC5) do a spoken word thing with some poet dude. It was a weird show but fun to meet Wayne and hang out. Before the show, we hung out at Renee’s for a bit and I got to speak to James Hong JamesHongon the phone for a minute as he was friends with Renee. One of the folks hanging out with us that night was John Skipp who wrote Fright Night! The dude was super cool. Anyway, that night and next morning were the only times I got to see Renee when I was there as my schedule was pretty tight with the record labels, but she made my trip that much better.

We spoke a few times since 1997 but not at all in the last 5-6 years. Thanks to social networking we’re in touch again and I’m happy about it. She was/is always the coolest. Now she’s doing movie reviews for The Examiner website. Renee has a very creative mind and I highly recommend that you check out her stuff.

Click here for Renee’s movie reviews, old and new.

Design a site like this with WordPress.com
Get started